Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?171 works out of 47141
- Femme en son jardin for vocal quartet, viola, cello and piano (2010), 8 mn 30 s, Inédit / Betsy Jolas
- elec Fermata (Urbana 24) for soprano, mezzo-soprano, ensemble and electronics (2010), 27 mn / Luis Naón
- elec Flaschenpost vom Paradies for television (1972-1973), Inédit / Ernst Krenek
- Fog for six singers, two pianos and string quartet (2013-2014), 33 mn, Boosey & Hawkes / Johannes Boris Borowski
- Formes-Fragments for six voices, brass and percussion (1987), 15 mn, Lemoine [program note] / Michael Jarrell
- elec stage FRAME transmedia musical theater (2018-2020), 1 h 15 mn / Malte Giesen
- Glühende Übergänge in Rot, Orange und leuchtendem Blau for vocal ensemble and two keyboards (or CD player) (1998-1999), 14 mn, Ricordi / Hans Wüthrich
- elec Guai ai gelidi mostri for two contraltos, six instrumentalists and magnetic tape (1983), 43 mn, Ricordi [program note] / Luigi Nono
- Haben Sie Zeit? for two narrators, violin, oboe, horn, harmonium and percussion (2000), 27 mn / Manos Tsangaris
- elec stage Harriet Scenes in the Life of Harriet Tubman, chamber opera for soprano, mezzo-soprano, percussion, violin, guitar and electronics (2018), 1 h 30 mn, University of York Music Press / Hilda Paredes
- hellhörig for soprano, mezzo-soprano, baritone, three cellos, piano and percussion quartet (2004-2007), 1 h 20 mn, Thürmchen Verlag / Carola Bauckholt
- Hermeticum Sacrum for voices and ensemble (2002), 20 mn, Hips Road Edition / John Zorn
- Histoire d'œuf musical illustration for a radio play, for percussion sextet, piano, celesta and two reciters (1961-1962), Inédit / Serge Nigg
- stage Histoire de loups opera (1976), 2 h 15 mn, Salabert / Georges Aperghis
- Homme Hors Temps for soprano, tenor and ensemble (2017), BabelScores / Pedro García-Velásquez
- stage Hydrogen Jukebox chamber opera for soloists and ensemble, collaboration with Allen Ginsberg and Jerome Sirli (1990), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- stage I Was Looking at the Ceiling and Then I Saw the Sky "Songplay", in two acts (1995), 1 h 20 mn, Boosey & Hawkes / John Adams
- Ihm, eine Hymne for six voices and seven instruments (2001), 21 mn, Billaudot [program note] / Laurent Cuniot
- II2 Schumann-Moment Re-Visionen II, for voices (or wind intruments), harp and percussion (1989), 2 mn, Schott / Dieter Schnebel
- In late late night I thank Cage for soprano, alto, two alto flutes, harp, viola and cello (2014), 3 mn, édition du compositeur / Christian Mason
- elec stage Jacob's Room chamber opera in one act (2010), 1 h 15 mn, Schott / Morton Subotnick
- elec Jardins Partagés I – À contre-allée for alto flute, Bb and bass clarinets, violin, cello, double bass, soprano, mezzo-soprano, tenor, baritone, bass and electronics (2019), 21 mn, Inédit / Pierre-Yves Macé
- elec stage Je me révolte donc nous sommes show for soprano, actor, guitar, bass, percussions and electronics, on texts by Nietzsche, Camus, Musset, Ramonet... (1995) / Wilfried Wendling
- just (after song of songs) for three voices and three instruments (2014), 15 mn / David Lang
- elec stage Kind des Faust chamber opera on recorded medium (8 tracks), for soprano, tenor, countertenor, baritone, violin, viola, cello and electronics (2016), 18 mn, Inédit / Pierre-Yves Macé
- stage King Lear chamber opera for four voices, narrator, string quartet and percussion (2006-2010), 2 h, édition du compositeur / François Sarhan
- KRIK for flute, bass clarinet, soprano, tenor, violin and cello (2014) / Stanislav Makovsky
- elec ircam stage L'annonce faite à Marie opera in four acts and one prologue (2019-2022), 2 h 20 mn / Philippe Leroux
- L'enfant et l'aube for soprano, tenor, cello, flute, clarinet, percussion and piano (1988), 18 mn, Wilhelm Hansen / Per Nørgård
- elec stage La Conférence des oiseaux Musical show for soprano-actress, narrator and instrumental ensemble and magnetic tape. (1985), 55 mn, Lemoine / Michaël Levinas
- elec ircam stage La Frontière chamber opera in four tableaux, for six singers, nine instrumentalists and live electronics (2003), 1 h 45 mn, Durand / Philippe Manoury
- La Libertad total for two actors, four singers and eight musicians (2013), between 60 mn and 1 h 30 mn, BabelScores / Lucas Fagin
- La Vie-...ulcérant(e) for two countertenors and instrumental ensemble (1995), 11 mn, Ricordi [program note] / Olga Neuwirth
- Lamentations and Praises for solo voices and ensemble (2000), 1 h 10 mn, Chester Music / John Tavener
- Lauda 36 Gloria in cielo for soprano, tenor, viola, bass clarinet and double bass (2008), 5 mn / Gavin Bryars
- Lauda 41 “De la crudel morte de Cristo” lauda for soprano, tenor, electric guitar, viola, cello and bass (2011) / Gavin Bryars
- Lauda 42 lauda for soprano, tenor, electric guitar, viola, cello, double bass (2012) / Gavin Bryars
- stage Le brave petit soldat de plomb one-act chamber opera based on Andersen's tale (2002), 45 mn / Yassen Vodenitcharov
- elec Le fils de Prométhée cantata for four voices, ensemble and electronics (2007-2009), 11 mn about [program note] / Aurélien Dumont
- stage Le Gendarme incompris lyrical comedy in one act, for three solo voices and instrumental ensemble (1920-1921), 30 mn, Salabert / Francis Poulenc
- elec ircam stage Le père musical theater (2009-2010), Lemoine / Michael Jarrell
- elec stage Le procès du jeune Chien three-act chamber musical theater (1974-1978), 3 h, Suvini Zerboni / Henri Pousseur
- Le Soupçon des Tombeaux (…En Absence… I) for six singers and seven instrumentalists (2020), 19 mn, Éditions musicales Artchipel / Augustin Braud
- Le Voyage d’Urien dramaturgy for vocal and instrumental ensemble (2008), 20 mn, Rai Trade / Lucia Ronchetti
- elec stage Leçons d'Enfer musical theater, for two actors, three singers and seven instrumentalists (1990), 1 h 45 mn, Suvini Zerboni / Henri Pousseur
- stage Les Aveugles Chamber opera, for 12 singers and 5 instrumentalists (2006), Papillon - Geneve / Xavier Dayer
- elec stage Les Boulingrin opera-bouffe for ensemble and four singers (2010), 1 h 10 mn, partition téléchargeable sur le site du compositeur / Georges Aperghis
- elec stage Les Morts qui touchent sonic theater, for narrator, mezzo-soprano, ensemble and electronic device in deferred time (2013), 1 h 25 mn / Martin Matalon
- stage Les Quatre Jumelles for solo voices and ensemble (2008), 60 mn, Lemoine / Régis Campo
- Liebestod oratorio for two actors, eleven singers and nine instrumentalists (1981-1987), 2 h 25 mn, Salabert / Georges Aperghis