Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?248 works out of 50103
- elec stage Hidden in Plain Sight site-specific music theater for mezzo-soprano, baritone, clarinet/bass clarinet, violoncello, and electronics (2016) / Aaron Einbond
- Homme Hors Temps for soprano, tenor and ensemble (2017), BabelScores / Pedro García-Velásquez
- stage Hydrogen Jukebox chamber opera for soloists and ensemble, collaboration with Allen Ginsberg and Jerome Sirli (1990), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- elec I nostri dei sono morti II for mezzo-soprano, baritone, two flutes, piano, double bass and electronics (2015), 3 mn / Bára Gísladóttir
- Ihm, eine Hymne for six voices and seven instruments (2001), 21 mn, Billaudot [program note] / Laurent Cuniot
- II2 Schumann-Moment Re-Visionen II, for voices (or wind intruments), harp and percussion (1989), 2 mn, Schott / Dieter Schnebel
- In Hellen stillen Zimmer five pieces for mezzo-soprano, bass, flute, violin, cello and accordion (1996), 11 mn, Editions SME/EMS / Xavier Dayer
- In late late night I thank Cage for soprano, alto, two alto flutes, harp, viola and cello (2014), 3 mn, édition du compositeur / Christian Mason
- stage In the Penal Colony chamber opera (2000), 1 h 20 mn, Dunvagen Music Publishers / Philip Glass
- invisible threads for string quartet, vocal sextet, bass clarinet and accordion (2022-2023), 1 h 12 mn, Breitkopf & Härtel / Christian Mason
- elec stage Jacob's Room chamber opera in one act (2010), 1 h 15 mn, Schott / Morton Subotnick
- elec Jardins Partagés I – À contre-allée for alto flute, Bb and bass clarinets, violin, cello, double bass, soprano, mezzo-soprano, tenor, baritone, bass and electronics (2019), 21 mn, Inédit / Pierre-Yves Macé
- Je laisse à la nuit son poids d’ombre for 2 sopranos, flute, clarinet, trombone, tuba, violin, cello, percussion and synthesizer (2019-2020), 1 h 5 mn, Wandelweiser / Jürg Frey
- elec stage Je me révolte donc nous sommes show for soprano, actor, guitar, bass, percussions and electronics, on texts by Nietzsche, Camus, Musset, Ramonet... (1995) / Wilfried Wendling
- Jewarechecha Adonai for soprano, bass, piano and organ, after a Jewish liturgical song (1940, 1941, 1942), 3 mn, Inédit / Paul Dessau
- just (after song of songs) for three voices and three instruments (2014), 15 mn / David Lang
- Kaléidoscope for soprano, alto and ensemble (2023), Billaudot [program note] / Guillaume Connesson
- Kamex ch’ab for four male voices and string quartet (2010), 24 mn, University of York Music Press [program note] / Hilda Paredes
- stage Kannst du pfeifen, Johanna musical theater based on a children's book by Ulf Stark, for three voices and ensemble (2013), 60 mn, Edition Juliane Klein / Gordon Kampe
- elec stage Kind des Faust chamber opera on recorded medium (8 tracks), for soprano, tenor, countertenor, baritone, violin, viola, cello and electronics (2016), 18 mn, Inédit / Pierre-Yves Macé
- Kindheit for tenor, soprano, bass, trumpet, basset horn, trombone, dancer and magnetic tapes (1979), 29 mn, Stockhausen Verlag / Karlheinz Stockhausen
- stage König Hamed und seine Erste Frau children's opera for three singers and small instrumental ensemble (2015), 50 mn / Zad Moultaka
- elec stage Kopernikus : Rituel de la mort opera in two acts, for seven singers, seven or eight instrumentalists and tape (1979), 1 h 10 mn, Boosey & Hawkes [program note] / Claude Vivier
- KRIK for flute, bass clarinet, soprano, tenor, violin and cello (2014) / Stanislav Makovsky
- elec KuaFu for pipa, accordeon and vocalists (2016), 11 mn / Ying Wang
- elec ircam stage L'annonce faite à Marie opera in four acts and one prologue (2019-2022), 2 h 20 mn / Philippe Leroux
- stage L'arbre qui parle Contes nocturnes, chamber opera in five scenes (2000-2001) / Yassen Vodenitcharov
- L'enfant et l'aube for soprano, tenor, cello, flute, clarinet, percussion and piano (1988), 18 mn, Wilhelm Hansen / Per Nørgård
- elec ircam stage La Frontière chamber opera in four tableaux, for six singers, nine instrumentalists and live electronics (2003), 1 h 45 mn, Durand / Philippe Manoury
- La Libertad total for two actors, four singers and eight musicians (2013), between 60 mn and 1 h 30 mn, BabelScores / Lucas Fagin
- Lamentationes Sacrae et Profanae ad Responsoria Iesualdi for 6 singers and 2 instrumentalists (1993-1997), 46 mn, Ricordi / Klaus Huber
- Lamentations and Praises for solo voices and ensemble (2000), 1 h 10 mn, Chester Music / Sir John Tavener
- Lascaux for six female voices and six instruments (1992), 22 mn, Salabert / Laurent Cuniot
- Lassus-Fantaisie from " Ô doux parler", eight-way dialogue by Roland de Lassus, for four singers and saxophone quartet (2016), Alphonse Leduc / Betsy Jolas
- Lauda 30 “Stella nuova” for three sopranos, bass clarinet and double bass (2005), 4 mn / Gavin Bryars
- Lauda 36 Gloria in cielo for soprano, tenor, viola, bass clarinet and double bass (2008), 5 mn / Gavin Bryars
- Lauda 41 “De la crudel morte de Cristo” lauda for soprano, tenor, electric guitar, viola, cello and bass (2011) / Gavin Bryars
- Lauda 42 lauda for soprano, tenor, electric guitar, viola, cello, double bass (2012) / Gavin Bryars
- elec Le fils de Prométhée cantata for four voices, ensemble and electronics (2007-2009), 11 mn about [program note] / Aurélien Dumont
- stage Le Gendarme incompris lyrical comedy in one act, for three solo voices and instrumental ensemble (1920-1921), 30 mn, Salabert / Francis Poulenc
- Le Ha Ha Platonique for baritone, mezzo-soprano, viola, electric guitar, cello, piano and double bass (2018), 10 mn / Gavin Bryars
- Le Soupçon des Tombeaux (…En Absence… I) for six singers and seven instrumentalists (2020), 19 mn, Éditions musicales Artchipel / Augustin Braud
- Le Voyage d’Urien dramaturgy for vocal and instrumental ensemble (2008), 20 mn, Rai Trade / Lucia Ronchetti
- Leçons de ténèbres for three voices and instrumental ensemble (2003), 1 h 35 mn, Zabak Productions [program note] / Philippe Fénelon
- elec stage Les Morts qui touchent sonic theater, for narrator, mezzo-soprano, ensemble and electronic device in deferred time (2013), 1 h 25 mn / Martin Matalon
- Liebesgedichte for vocal quartet and ensemble (1975), 28 mn, Boosey & Hawkes [program note] / Claude Vivier
- Liebestod oratorio for two actors, eleven singers and nine instrumentalists (1981-1987), 2 h 25 mn, Salabert / Georges Aperghis
- elec Lignes de signes Lyrical suite for voices, ensemble and electronics (2007) [program note] / Aurélien Dumont
- M for two sopranos, contralto and two instrumental ensembles (1996), 34 mn, Lemoine [program note] / Brice Pauset
- Madrigal melodies for four voices and four instruments on poems by Max Jacob (1963), 11 mn, Boosey & Hawkes / André Jolivet