Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?2142 works out of 46437
- Désert (d’après Le désert de F.David) for soprano, flute, cello, percussion and piano (2006), 8 mn / Mathieu Bonilla
- elec stage Det Guddommelige Tivoli opera for voices all also dancing, amplified cello, six percussionists and synthesizer (1982), 2 h, Wilhelm Hansen / Per Nørgård
- Deutsche Messe (Ordinarium) for mixed choir and ensemble (1968), 20 mn, Bärenreiter / Ernst Krenek
- Deux corps (Galathée a l'usine) for 8 voices and two ensembles (2005), 20 mn, Lemoine [program note] / Brice Pauset
- Deux Haïkus dans l'Ombre for voice and ensemble (2009), 10 mn / Valerio Sannicandro
- Deux mélodies for soprano and four instrumentalists (1988), 15 mn, partition retirée du catalogue [program note] / Philippe Manoury
- Deux Tangos du Cycle Amor a Roma for mezzo-soprano, saxophone, percussion, double bass and piano (1999), 8 mn, Billaudot / Luis Naón
- stage Diàlegs de Tirant e Carmesina for soprano, mezzo-soprano, baritone and small ensemble (2019), 1 h 20 mn / Joan Magrané Figuera
- elec stage Diary Random and Pickles for saxophone, accordion, trombone, cello, piano, group of teenagers, scenography, lights and electronics (2016), 28 mn [program note] / Pierre Jodlowski
- Dias como sombra for two sopranos, mezzo-soprano, baritone and percussion quartet (2010), 13 mn / Javier Alvarez
- Dias como sombra for mixed choir and percussion quartet (2010), 13 mn / Javier Alvarez
- stage Die Antilope opera in six tableaux (2013-2014), 1 h 15 mn, Universal Edition / Johannes Maria Staud
- Die Aussicht for voice, clarinet, viola and six percussionists (1985, 2003), 13 mn, Suvini Zerboni / Stefano Gervasoni
- Die Aussicht first version, for soprano, flute, violin, cello and guitar (1996), 4 mn, Chester Music / Kaija Saariaho
- Die Aussicht second version, for soprano, flute, cello, piano (1998), 4 mn, Chester Music / Kaija Saariaho
- Die Aussicht excerpt from Unien kieliopista, third version, for soprano, flute, harp and cello (1998), 4 mn, Chester Music / Kaija Saariaho
- elec stage Die Besessenen opera in four acts (2008-2009), 2 h 10 mn, Boosey & Hawkes / Johannes Kalitzke
- Die Brünnlein, die da fliessen cantata on popular songs, for contralto, bass-baritone, mixed choir and eleven instruments (1947-1952), 30 mn, Schott / Bernd Alois Zimmermann
- Die den Mund aufhatten for solo voice, two clarinets, viola and cello (1937), 2 mn 45 s, Deutscher Verlag für Musik / Hanns Eisler
- Die Ebene for reciter and ensemble (1997), 12 mn, Universal Edition / Johannes Maria Staud
- die englischen hände. zwei. for soprano and ensemble (2004), 40 mn / Klaus Lang
- elec stage Die Erprobung des Petrus Hebraïcus three-act chamber musical theater (1974), 3 h, Suvini Zerboni / Henri Pousseur
- Die faule Vernunft Hörspiel for two voices and ensemble (1986-1987), 19 mn, Thürmchen Verlag / Carola Bauckholt
- stage Die Gänsemagd children's opera (2009), 60 mn, Boosey & Hawkes / Iris ter Schiphorst
- elec stage Die große Bäckereiattacke chamber opera (2008-2009) / Misato Mochizuki
- Die Ilse - Paradisiac Memories n° 2 for mezzo-soprano, clarinet, string quartet, piano and percussion (1972) / Olivier Greif
- Die junge Magd for alto voice, flute, clarinet and string quartet (1922), 19 mn, Schott / Paul Hindemith
- Die Leber des Prometheus for soprano and ensemble (2004), 13 mn, Breitkopf & Härtel / Nicolaus A. Huber
- stage Die Manifestation musical theater for voice, keyboards, percussion and clarinet ensemble (1994), Ricordi / Fabio Nieder
- stage Die Maßnahme for mixed choir, male choir, tenor, three reciters, three trumpets, two horns, two trombones, percussion, piano (1930-1931), 58 mn, Universal Edition / Hanns Eisler
- Die römische Kantate for voice, two clarinets, viola and cello (1935), 7 mn, Universal Edition / Hanns Eisler
- Die Serenaden for soprano, oboe, viola and cello (1924), 20 mn, Schott / Paul Hindemith
- Die Spaziergänge Das Frühjahr, from the film Kuhle Wampe, for alto voice and ensemble (1932), 2 mn 30 s, Breitkopf & Härtel / Hanns Eisler
- elec Die Sprache der Jongleure nebst einer Introduktion mit Barpiano-Accompaniment, for voice, ensemble and live electronics (2007-2008), 32 mn, Inédit / Martin Grütter
- elec stage Die Taktik opera for four voices, choir, three dancers, trombone, percussion, piano, violin, viola, cello and electronics (2012), 1 h 60 s / Jennifer Walshe
- Die Weißbrot-Kantate for solo voice, two clarinets, viola and cello (1937), 6 mn 40 s, Deutscher Verlag für Musik / Hanns Eisler
- Die Zuchthaus-Kantate for solo voice, two clarinets, viola and cello (1937), 4 mn 5 s, Deutscher Verlag für Musik / Hanns Eisler
- Dimotika for mezzo-soprano, children's choir and seven instrumentalists (2003), Billaudot / Alexandros Markeas
- Dir - In Dir for vocal sextet and string sextet (2003-2010), 40 mn, Suvini Zerboni [program note] / Stefano Gervasoni
- Disire for soprano, saxophone, percussion, piano, violin and viola (2012), 8 mn 30 s [program note] / Francisco Alvarado
- stage disPLACE (I. Story of a house) for soprano, baritone, viola and cello (2015), 30 mn / Joan Magrané Figuera
- stage Distacco music for a play directed by Giorgio Pressburger (2007), 30 mn, autre [program note] / Andrea Cera
- Distendi la fronte for five voices and instruments (2016, 2019), RAI.COM / Salvatore Sciarrino
- Divertimento in quattro esercizi for soprano and ensemble (1934), Ricordi / Luigi Dallapiccola
- Dix-huit Madrigaux version for six voices with string trio and theorbo (1995-1996), 1 h 15 mn, Amphion [program note] / Philippe Fénelon
- Do You Be for ten voices, two pianos, synthesizer, violin and bagpipe (1987) / Meredith Monk
- Dodici sonetti di Camões (da "Com que voz") for baritone and ensemble (2007-2009, 2017), 31 mn, Suvini Zerboni / Stefano Gervasoni
- Dolmen Music for six voices, piano, violin, cello and percussion (1980) / Meredith Monk
- Dolze mio drudo scenic cantata for five voices, three brass groups and instruments (2010), 22 mn, Ricordi Berlin / Sergej Newski
- Dominosa ADHD: Haute Couture for soprano and ensemble (2012) / Mirela Ivičević