Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?2885 works out of 49592
- Wehmut for five voices, violin, double bass, prepared piano and sound objects (2011) / Anna Korsun
- Welcome to the pleasures: TISA VISA WiTiO ZETA NAFTA TiTiAiPi for bass clarinet, countertenor and ensemble (2014), 6 mn, Boosey & Hawkes / Iris ter Schiphorst
- Weltethos for narrator, large choir, children's choir and orchestra (2009-2011), 1 h 30 mn, Faber Music / Jonathan Harvey
- Wenn die Rose sich selbst schmückt... for soprano, flute, double-bass and percussion (1971), 10 mn, Wilhelm Hansen / Per Nørgård
- wenn steine sich gen himmel stauen music for baritone and large orchestra (2011-2012), 25 mn, Bärenreiter / Philipp Maintz
- elec Werden Fische je das Wasser leid? for voice and ensemble (2004), 18 mn, Breitkopf & Härtel / Nicolaus A. Huber
- Werther for tenor, clarinet, horn, violin, cello, percussions and 2 synthesizers (1988), 15 mn, Inédit / Christophe de Coudenhove
- Wesendonck-Lieder orchestration of the five Lieder by Richard Wagner, for contralto and chamber orchestra (1976), 15 mn, Schott / Hans Werner Henze
- What Are Years for soprano and ensemble (2009), 12 mn, Boosey & Hawkes / Elliott Carter
- What is the word for voice and instrumental ensemble (2012), 10 mn about , PWM (Polskie Wydawnictwo Muzyczne) / Agata Zubel
- stage What Next? one-act opera (1997-1998), 47 mn, Boosey & Hawkes / Elliott Carter
- When Harry Met Addie for off-stage soprano and ensemble (1999), 7 mn, Schott / Gavin Bryars
- elec stage Where the Wild Things Are fantasy opera in one act (nine scenes) (1979-1983), 40 mn, Faber Music / Oliver Knussen
- White and Light for soprano, two clarinets, viola, cello and double bass (1989), 5 mn, Universal Edition / Sir Harrison Birtwistle
- White as Jasmine for soprano and large orchestra (1999), 14 mn, Faber Music / Jonathan Harvey
- stage White Nights opera in three acts (2005), 2 h 20 mn / Toshi Ichiyanagi
- Whitman Settings for soprano and orchestra (1991-1992), 11 mn, Faber Music / Oliver Knussen
- Who do you love for female voice and five instruments (1980-1981), 10 mn, Peters / James Dillon
- elec Widerstehen chamber opera for mezzo-soprano, actress, ensemble and electronics (2009-2012), 45 mn, The Fox Edition / Christopher Fox
- Width of a Circle for voices and ensemble (2010), 18 mn, Peters / Jesper Nordin
- Wie bin ich froh! for soprano, flute, clarinet and cello (2002), 8 mn / Patricia Alessandrini
- Wiegenlied for voice, two clarinets, viola, cello and double bass (1994), 7 mn, Suvini Zerboni / Aldo Clementi
- Wiegenlied der Mutter Gottes for children's choir or one-part children's choir and nine instruments (1948), 8 mn, Schott / Hans Werner Henze
- Wild Romance for soprano and ensemble (2013), 16 mn, Durand / Georges Aperghis
- stage Wilde opera in three acts (2014-2015), 2 h, Durand / Hèctor Parra Esteve
- Winestead for voice and ensemble (2017), 20 mn, Schott / Gavin Bryars
- elec Wing on Wing for orchestra with two sopranos (2003-2004), 27 mn, Chester Music / Esa-Pekka Salonen
- Winter Voice for choir and orchestra (2000-2001), 20 mn, Schott / Toshio Hosokawa
- Winterfold song cycle for mezzo-soprano and ensemble (1986), 11 mn, Chester Music / Sir Peter Maxwell Davies
- Wireless technologies for voice and ensemble (2011), 15 mn, édition du compositeur / Dmitri Kourliandski
- Wishing Well for mezzo-soprano, clarinet, viola and piano (1986), 3 mn, Sikorski / Edison Denisov
- With lilies white for orchestra with voices (2001-2002), 20 mn, Bärenreiter / Matthias Pintscher
- elec ircam stage Ircam cursus With my Limbs in the Dark for soprano, ensemble, live electronic device, dancer and video installation, choreography by Alban Richard (2008-2009), 18 mn, Inédit [program note] / Paul Clift
- elec Without Words for soprano, eleven instruments, and live electronics (2012), 15 mn, Edition Gravis / Aaron Einbond
- Wohin bist du gegangen ? for choir and 17 instruments (2012), 12 mn, Universal Edition / Georg Friedrich Haas
- Wohltätigkeit for solo voice, two clarinets, alto saxophone, two trumpets, trombone, percussion, banjo, piano and double bass (1929), 3 mn 10 s, Breitkopf & Härtel / Hanns Eisler
- Wolf Lieder orchestration of four Lieder by Wolf (1997), 10 mn, Ricordi / Gérard Grisey
- Wolf Lieder instrumentation of 9 Lieder by Hugo Wolf, for voice, clarinet, string quartet and piano (2015), 25 mn / Benoît Mernier
- Wölfli-Lieder second version of Wölfli-Liederbuch, for bass-baritone and orchestra (1981-1982), 10 mn, Universal Edition / Wolfgang Rihm
- WONDERFUL DELUXE Rêves et futilités d'une idôle, for countertenor, five voices and ensemble (2014-2015), 55 mn, Edition Gravis / Brice Pauset
- elec Words and Music after Samuel Beckett, for two actors and ensemble (2015), 40 mn, Suvini Zerboni / Ivan Fedele
- Words Overheard for soprano and chamber orchestra (1985), 8 mn, Universal Edition / Sir Harrison Birtwistle
- elec wort – « Schatz ! » for speaking voice, bass flute, bass clarinet in Bb, viola, piano and electronics (2014-2015), 9 mn, Carus verlag / Walter Feldmann
- elec writing on water for solo voices and ensemble (2005), 32 mn, Schirmer / David Lang
- elec stage Writing to Vermeer opera in ten scenes for three women, two children, choir and orchestra (1997-1998), 1 h 40 mn, Boosey & Hawkes / Louis Andriessen
- stage Written on Skin three-part opera (2012), 1 h 30 mn, Faber Music / George Benjamin
- Wüste: Tagzeiten Simeons Suite n °2 from the opera Stephen Climax, for 5 singers, male choir and orchestra (1980-1984), 30 mn, Universal Edition / Hans Zender
- X Study for voice and chamber ensemble (2013) / Johannes Schöllhorn
- elec X is where I am for amplified ensemble (2021), 11 mn / Elena Rykova
- elec stage XXX_LIVE_NUDE_GIRLS!!! for two female vocalists, clarinet, trombone, accordion, cello, two puppeteers, two camera operators and CD (2003), 34 mn / Jennifer Walshe