Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1276 works out of 49592
- Departing from 37th Degree for soprano and three percussions (1995), 8 mn / Mei-Fang Lin
- der albtraum des papstes. for eight sopranos and ensemble (2013), 8 mn / Klaus Lang
- Der geflügelte Satz for eight-part choir, eight instruments and three soloists (1973), Peters / Paul Dessau
- Der Graben for voice, clarinet, alto saxophone, trumpet, trombone, guitar, percussion, piano and double bass (1959), 3 mn 50 s, Deutscher Verlag für Musik / Hanns Eisler
- Der heimliche Weg for soprano, clarinet, trumpet, viola, cello, electric organ and percussion (1968), 6 mn / Hans Wüthrich
- Der Herrgott saß auf Wolkenkissen (fragment) for voice, flute, clarinet, violin and cello (1972), Inédit / Paul Dessau
- stage Der Mann, der vom Tode auferstand from sketches by Karl Amadeus Hartmann (1988), 12 mn, Schott / Günter Bialas
- Der mündliche Verrat A musical epic on the Devil, Radio play arrangement (1981-1983), 1 h 18 mn, Peters / Mauricio Kagel
- elec stage Der Unfall one-act musical theater, for three voices and ensemble (2009), 25 mn / Heera Kim
- Der Vorhang geht auf. Das Theater stellt ein Theater vor melodrama for reciter and five instruments (1989), 10 mn, Lemoine [program note] / Johannes Schöllhorn
- Der Weg des Prinzen I (Die sieben Boten) for female voice and ensemble (1996), 19 mn / Klaus Lang
- stage Dérives chamber opera for three singers, one actor and ensemble (1980-1985), Lemoine / Michael Jarrell
- Derrière le château de Montviel harmonization of popular song, for soprano and quintet (), Inédit / Serge Nigg
- Désert (d’après Le désert de F.David) for soprano, flute, cello, percussion and piano (2006), 8 mn / Mathieu Bonilla
- elec stage Det Guddommelige Tivoli opera for voices all also dancing, amplified cello, six percussionists and synthesizer (1982), 2 h, Wilhelm Hansen / Per Nørgård
- Deutsche Messe (Ordinarium) for mixed choir and ensemble (1968), 20 mn, Bärenreiter / Ernst Krenek
- Deux Haïkus dans l'Ombre for voice and ensemble (2009), 10 mn / Valerio Sannicandro
- Deux mélodies for soprano and four instrumentalists (1988), 15 mn, partition retirée du catalogue [program note] / Philippe Manoury
- Deux Tangos du Cycle Amor a Roma for mezzo-soprano, saxophone, percussion, double bass and piano (1999), 8 mn, Billaudot / Luis Naón
- stage Diàlegs de Tirant e Carmesina for soprano, mezzo-soprano, baritone and small ensemble (2019), 1 h 20 mn / Joan Magrané Figuera
- Dias como sombra for two sopranos, mezzo-soprano, baritone and percussion quartet (2010), 13 mn / Javier Alvarez
- Dias como sombra for mixed choir and percussion quartet (2010), 13 mn / Javier Alvarez
- Die Aussicht for voice, clarinet, viola and six percussionists (1985, 2003), 13 mn, Suvini Zerboni / Stefano Gervasoni
- Die Aussicht first version, for soprano, flute, violin, cello and guitar (1996), 4 mn, Chester Music / Kaija Saariaho
- Die den Mund aufhatten for solo voice, two clarinets, viola and cello (1937), 2 mn 45 s, Deutscher Verlag für Musik / Hanns Eisler
- Die Ebene for reciter and ensemble (1997), 12 mn, Universal Edition / Johannes Maria Staud
- elec stage Die Erprobung des Petrus Hebraïcus three-act chamber musical theater (1974), 3 h, Suvini Zerboni / Henri Pousseur
- Die Ilse - Paradisiac Memories n° 2 for mezzo-soprano, clarinet, string quartet, piano and percussion (1972) / Olivier Greif
- Die junge Magd for alto voice, flute, clarinet and string quartet (1922), 19 mn, Schott / Paul Hindemith
- Die Leber des Prometheus for soprano and ensemble (2004), 13 mn, Breitkopf & Härtel / Nicolaus A. Huber
- elec stage Die Maulschelle ein Rätsel triangle-shaped carnival scene for two voices, percussion, distant string quartet and electronics (1998), Ricordi / Fabio Nieder
- Die römische Kantate for voice, two clarinets, viola and cello (1935), 7 mn, Universal Edition / Hanns Eisler
- Die Serenaden for soprano, oboe, viola and cello (1924), 20 mn, Schott / Paul Hindemith
- elec Die Sprache der Jongleure nebst einer Introduktion mit Barpiano-Accompaniment, for voice, ensemble and live electronics (2007-2008), 32 mn, Inédit / Martin Grütter
- elec stage Die Taktik opera for four voices, choir, three dancers, trombone, percussion, piano, violin, viola, cello and electronics (2012), 1 h 60 s / Jennifer Walshe
- Die Weißbrot-Kantate for solo voice, two clarinets, viola and cello (1937), 6 mn 40 s, Deutscher Verlag für Musik / Hanns Eisler
- Die Zuchthaus-Kantate for solo voice, two clarinets, viola and cello (1937), 4 mn 5 s, Deutscher Verlag für Musik / Hanns Eisler
- Dimotika for mezzo-soprano, children's choir and seven instrumentalists (2003), Billaudot / Alexandros Markeas
- elec stage Diotima e euridice chamber opera for voices, instruments and electronics (2005), 1 h 10 mn, Suvini Zerboni / Nicola Sani
- Dir - In Dir for vocal sextet and string sextet (2003-2010), 40 mn, Suvini Zerboni [program note] / Stefano Gervasoni
- Disire for soprano, saxophone, percussion, piano, violin and viola (2012), 8 mn 30 s [program note] / Francisco Alvarado
- stage disPLACE (I. Story of a house) for soprano, baritone, viola and cello (2015), 30 mn / Joan Magrané Figuera
- stage Distacco music for a play directed by Giorgio Pressburger (2007), 30 mn, autre [program note] / Andrea Cera
- Divertimento in quattro esercizi for soprano and ensemble (1934), Ricordi / Luigi Dallapiccola
- Dix-huit Madrigaux version for six voices with string trio and theorbo (1995-1996), 1 h 15 mn, Amphion [program note] / Philippe Fénelon
- Do You Be for ten voices, two pianos, synthesizer, violin and bagpipe (1987) / Meredith Monk
- Dolmen Music for six voices, piano, violin, cello and percussion (1980) / Meredith Monk
- Dominosa ADHD: Haute Couture for soprano and ensemble (2012) / Mirela Ivičević
- elec stage Don Juan à Gnide ou les séductions de la chasteté - Répons III musical theater, for one actor, soprano, baritone, five instruments and light projections (1996), 60 mn / Henri Pousseur
- Doppi versi alla luna for female voice, clarinet and percussion (1989), 12 mn, Nodus [program note] / Denis Cohen