Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1795 works out of 50583
- Amplifier and Reflector One for open umbrella, frying pan and amplified clock (1991) / Alvin Lucier
- stage An Agreement of the People later called Over to You, theatrical performance by Montagu Slater (1942), Inédit / Benjamin Britten
- stage An beiden Ufern der Spree stage music (1951), Inédit / Paul Dessau
- An die Nachgeborenen Address of sterbenden Dichters an die Jugend (1981) / Heiner Goebbels
- An experience of the musical space desacralisation announcement, performance in front of an audience or any audiovisual performance (2001), édition du compositeur / Dmitri Kourliandski
- elec ircam An Experiment With Time (reloaded) for flute, clarinet, piano, violin, viola, cello, electronics and video (2014-2016), 48 mn, Ricordi / Daniele Ghisi
- AN GLÉACHT for one performer or more (2015), 30 mn / Jennifer Walshe
- elec An Outrage for voices, choir and drones performed by any combination of instruments or pre-recorded electronics (2013), 11 mn 34 s, St. Rose Music Publishing / Nico Muhly
- Anarchy Walz for an unspecified number of performers (1980) / Pauline Oliveros
- Ancient Talking Heads sound installation for Palazzo Altemps, Roma (2018) / Alvin Curran
- Andromaque fanfares for Racine's play (1947), Inédit / André Jolivet
- Angel Death Traps transhuman techno-romantic song cycle (2021-2023) / Alexander Schubert
- elec Angel View: the movie film installation (2018), 14 mn / Juliana Hodkinson
- Angels and Demons for an unspecified number of performers (1980) / Pauline Oliveros
- elec ircam stage ANIMA TM multimedia theater play for seven performers and instrumentalists (2021-2022), 1 h 30 mn [program note] / Alexander Schubert
- elec ANIMAL for sound and light (2023) / Ash Fure
- stage Animal Magnetism 1 dance performance (2009) / Lars Petter Hagen
- stage Animal Magnetism 2 dance performance (2009) / Lars Petter Hagen
- Anna und Elisabeth music for Frank Wysbar's film (1933), Inédit, manuscrit perdu / Paul Dessau
- Annod for dance band or jazz ensemble (1953-1955) / La Monte Young
- stage Another door closed music for the text by Peter Gill, directed by him (2009) / Christian Mason
- Another experience of the musical space desacralisation announcement, performance in front of an audience or any audiovisual performance (2001), édition du compositeur / Dmitri Kourliandski
- stage Anthology and Small Scroll for nine performers (1974) / Meredith Monk
- Anticredos (1980), 28 mn, pas d'éditeur / Trevor Wishart
- stage Antigone music for the theater (1979) / Heiner Goebbels
- stage Antony and Cleopatra (1996) / Halim El-Dabh
- Aphorism #1 (1966), Frog Peak Music / James Tenney
- Aphorism #2 (1966), Frog Peak Music / James Tenney
- Apon for orchestra and spoken voice (2009), 18 mn about , Bärenreiter / Beat Furrer
- Appeau for solo oboe reed (1998), 60 s, Inédit / Jean-François Laporte
- stage Aquellare para un viejo enamorado ballet (1964) / Cristóbal Halffter
- elec Arba Da Karba performance (2006) / Hanna Hartman
- Arc for strings for variable instrumentation (1963), variable, Salabert / Tōru Takemitsu
- elec Archaeology of Remembrance installation (2022) / Matteo Gualandi
- Archeology of an Artist (1996) / Meredith Monk
- Archeology of an Artist 2 (2004) / Meredith Monk
- Archeopteryx ballet music (2010-2011), 26 mn / Marcin Stańczyk
- Area (2010), 8 mn 30 s / François Bayle
- elec Arkhéion #3 – Présences show for electronics and video, based on sound archives by Xenakis, Schaeffer, Cage, Messiaen, Varèse (2011) [program note] / Wilfried Wendling
- stage Arlechinbatoceria chamber theater music (1949), b.o.b. (bussottioperaballet) / Sylvano Bussotti
- Arménie 1900 soundtrack for the film by Jacques Kébadian (1981) / Claire Renard
- elec Arm’s Length sound collage for six performers (1961-1964) / Meredith Monk
- Arrullo, Canto ad libitum for female voice with or without accompaniment of other instruments (1979), 12 mn, juliusedimus / Julio Estrada
- Art in Woodcut movie soundtrack (1963) / Pauline Oliveros
- Art Performs Life (1998) / Meredith Monk
- Artefact Series (2016-2019) / Kirsten Milenko
- stage As good a time as any music for the text by Peter Gill, directed by himself (2015) / Christian Mason
- stage As we close their eyes concept / sound design and installation for dance production (2006), 55 mn / Marianthi Papalexandri-Alexandri
- As you like it ? for variable ensemble (1974), variable, BabelScores / Paul Méfano
- stage Ascension Variations for 130 performers (2009) / Meredith Monk