Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1795 works out of 50583
- The inner time (), 29 mn, pas d'éditeur / Horatio Radulescu
- The Klickitat Ride for choir and/or instruments and participants (1979) / Pauline Oliveros
- The Lessons television opera (1981) / Robert Ashley
- The Lower Map of The Eleven's Division in The Romantic Symmetry (over a 60 cycle base) in Prime Time from 144 to 112 with 119 for tunable sustaining instruments in sections of like timbre, and sound environment (1989-1990) / La Monte Young
- The Melodic Versions of The Four Dreams of China for tunable sustaining instruments, in multiples of 4 (1984) / La Monte Young
- The Melodic Versions of The Twelve Subsequent Dreams of China for tunable sustaining instruments of like timbre, in multiples of 10 (1984) / La Monte Young
- elec The Mirror of Galadriel musical performance for ping-pong table, pine cones, two performers, live projection and amplification (2012), variable / Elena Rykova
- The Naughty Nineties music for the film by Jean Yarborough (1945), Inédit, manuscrit perdu / Paul Dessau
- The Neue Vocalsolisten Notebook (2011), 15 mn / Lars Petter Hagen
- The New Sound Meditation for voice and audience participation (1989) / Pauline Oliveros
- stage The Noh Project II (2004) / Pauline Oliveros
- The Oresteia music for a National Theater production (1981), Inédit / Sir Harrison Birtwistle
- The Paradine Case music for the film by Alfred Hitchcock (with Franz Maxman) (1947) / Paul Dessau
- The Pink sounds and dance for paper (1994), 52 mn / Tan Dun
- elec The place you can see and hear site-specific audio-visual installation for double camera obscura and live sound (2012) / Joanna Bailie
- stage The Plateau Series for eight performers (1978) / Meredith Monk
- stage The Politics of Quiet: a music theater oratorio for twelve performers (1996) / Meredith Monk
- The Pretender music for the film by William Lee Wilder (1947), Inédit, manuscrit perdu / Paul Dessau
- The Prime Time Twins for sound environment (1989-1990) / La Monte Young
- The Prime Time Twins in The Ranges 576 to 448; 288 to 224; 144 to 112; 72 to 56; 36 to 28 ; avec The Range Limits 576, 448, 288, 224, 144, 56 and 28 (1990) / La Monte Young
- The Princess of Milan stage music (1990), Chester Music / Michael Nyman
- stage The Problem Has No Name theatre play by Henriette Pedersen (2007) / Lars Petter Hagen
- The Queen of the South for players, responsive surfaces, strewn material and closed-circuit television systems (1972) / Alvin Lucier
- stage The Rnging Place for twelve performers (1987) / Meredith Monk
- stage The Seven Ages of Man music for a puppet show by Montagu Slater (1938), Inédit / Benjamin Britten
- The Singing Bridge composition for Waterloo Bridge (2016), 40 mn / Claudia Molitor
- The Sinking of the Titanic indeterminate instrumentation (possible materials include stereo tapes, string ensemble, percussion, low brass, brass quartet, bass clarinet, cassette tapes of speech, keyboard, 35 mm slides, visible sound effects, music box) (1969, 1996), 15 mn, Schott / Gavin Bryars
- The Snow Queen for synclavier or other digital performance instruments (1981) / Jon Appleton
- The Strange Affair of Uncle Harry music for the film by Robert Siodmak (1945), Inédit, manuscrit perdu / Paul Dessau
- The Subsequent Dreams of The Four Dreams of China in Perfect Simultaneity for tunable sustaining instruments of like timbre, in multiples of 5 (1993) / La Monte Young
- The Subsequent Dreams of The Four Dreams of China in Simultaneity for tunable sustaining instruments of like timbre, in multiples of 5 (1993) / La Monte Young
- The Symmetries in Prime Time from 144 to 112 with 119 for sound environment (1989) / La Monte Young
- The Tale of William Mariner for synclavier or other digital performance instruments (1980) / Jon Appleton
- The Telescope movie soundtrack (1945), Inédit, manuscrit perdu / Paul Dessau
- The Transistor of Saint-Narcissus (), pas d'éditeur / Tim Souster
- The Transylvanian Horn Courtship for Stroh instruments (2009) / Terry Riley
- stage The Travelogue Series: Paris/Venice-Milan/Chacon for thirty performers (1976) / Meredith Monk
- stage The True Story of Ah Q chamber opera in ten scenes (2003-2004), 24 mn / Anthony Cheung
- The Twelve Subsequent Dreams of China for tunable sustaining instruments of like timbre, in multiples of 10 (1980) / La Monte Young
- The Vicious Circle music for the film by William Lee Wilder (1948), Inédit, manuscrit perdu / Paul Dessau
- The Wife of Monte Christo music for the film by Edgar George Ulmer (1945-1946), Inédit / Paul Dessau
- The Witness for virtuoso musicians (1979), Smith Publications / Pauline Oliveros
- The Woman in Green music for the film by Roy William Neill (1945), Inédit, manuscrit perdu / Paul Dessau
- The World of the Spirit music for a radio report by J.H. Miller (1938), Inédit / Benjamin Britten
- The Yellow Ones Are Mine music and sound design for a short film by Shen Yi Elsie (2013) / Patricia Alessandrini
- The Young Prime Time Twins for sound environment (1991) / La Monte Young
- Theater Music (1965) / James Tenney
- Theater of Substitution for a performer (1975) / Pauline Oliveros
- Theater of Substitutions: Blind/Dumb/Director for solo performer (1977) / Pauline Oliveros
- stage Theatre Piece for one to eight performers (1960), Peters / John Cage