Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?2349 works out of 50103
- Largo for soprano, koto and cello (1994-1996), 6 mn, United Music Publishers / Richard Barrett
- Lascaux for six female voices and six instruments (1992), 22 mn, Salabert / Laurent Cuniot
- Last Music for voice and ensemble (1937), Inédit / Lou Harrison
- Late in the Day I (Ronda n° 3) for soprano, flute, clarinet and piano (1992), 6 mn, Ricordi / Franco Donatoni
- Lauda 30 “Stella nuova” for three sopranos, bass clarinet and double bass (2005), 4 mn / Gavin Bryars
- Lauda 35 L’alto prence archangelo for tenor, electric guitar, 2 violas, cello and bass (2008), 4 mn / Gavin Bryars
- Lauda 36 Gloria in cielo for soprano, tenor, viola, bass clarinet and double bass (2008), 5 mn / Gavin Bryars
- Lauda 39 Magdalena degna da laudare for tenor, viola, cello, electric guitar and double bass (2009), 5 mn / Gavin Bryars
- Lauda 41 “De la crudel morte de Cristo” lauda for soprano, tenor, electric guitar, viola, cello and bass (2011) / Gavin Bryars
- Lauda 42 lauda for soprano, tenor, electric guitar, viola, cello, double bass (2012) / Gavin Bryars
- stage Le bal de la contemporaine music for dancing, for groups of instruments and voice(s) (1984), 20 mn / Henry Fourès
- Le Bestiaire ou le Cortège d'Orphée for baritone and seven musicians (1919), 6 mn, Eschig / Francis Poulenc
- stage Le bleu des voix cycle of melodies for choir and ensemble (2007) / Alexandros Markeas
- stage Le brave petit soldat de plomb one-act chamber opera based on Andersen's tale (2002), 45 mn / Yassen Vodenitcharov
- Le cantique de la lumière for mezzo-soprano, clarinet and cello (2002), 5 mn, Inédit / Frédéric Kahn
- Le Chant de Salomon for soprano and ensemble (1992), 18 mn / Elżbieta Sikora
- elec stage Le chant quotidien cycle of melodies after Ghérasim Luca, for baritone, instrumental quartet and video (2007) / Alexandros Markeas
- Le Chevalier imaginaire opera in a prologue and two acts (2005, 1984-1986), 1 h 35 mn, Ricordi [program note] / Philippe Fénelon
- stage Le Couchant interlude for three singers and five instrumentalists (1990), 5 mn, Inédit [program note] / Gérard Pesson
- Le coucou harmonization of popular song, for soprano and quartet (), Inédit / Serge Nigg
- elec Le fils de Prométhée cantata for four voices, ensemble and electronics (2007-2009), 11 mn about [program note] / Aurélien Dumont
- Le Fou d'Elsa cycle of melodies on poems by Aragon for contralto voice, cello and piano (2000), 16 mn, Durand / Laurent Petitgirard
- Le Grand Lustucru arrangement of Marie Galante by Kurt Weil, for mezzo-soprano and ensemble (1993, 1967-1972), 3 mn, Universal Edition / Luciano Berio
- le jardin d'hiver for solo tenor, twelve mixed voices and twelve instrumentalists (1991), 35 mn, Amphion [program note] / Philippe Fénelon
- le Jardin des délices for soprano, flute and cello (1996), 9 mn, Salabert / Eric Tanguy
- elec stage Le Jour d'Après for baritone, oboe, clarinet and electroacoustic device, for a choreography by Susan Buirge (1999-2000), 1 h 15 mn, Ed. Musicales Transatlantiques / Patrick Marcland
- Le Livre du pélerin for soprano and ensemble (1980) / Olivier Greif
- Le Marteau sans maître for contralto voice and six instruments (1957, 1954), 35 mn, Universal Edition [program note] / Pierre Boulez
- le monde, mon monde for soprano, guitar and bandoneon (2016), 6 mn / Francisco Alvarado
- stage Le Mystère de la Visitation stage music for the play by Henri Ghéon (1942), Inédit / André Jolivet
- Le Nom de Bach monologue, for soprano, flute, bandoneon and piano (1989), 9 mn, Ricordi / Philippe Fénelon
- elec Le nubi non scoppiano per il peso for ensemble of nine instruments, coloratura, electronics and computer-controlled water drops (2011), 21 mn, Ricordi [program note] / Mauro Lanza
- elec ircam Le Pacte des onze five stanzas for soprano, two tenors, bass, ensemble and magnetic tape (1984), 34 mn, Theodore Presser / Michel Tabachnik
- Le passage des heures for soprano, violin, cello and accordion (1998), 11 mn 30 s, Jobert / Pascale Criton
- stage Le Pavillon au bord de la rivière chamber opera in four acts, for soprano and 6 actor-singers and ensemble (1975), 1 h 30 mn, Heugel / Betsy Jolas
- elec ircam stage Le père musical theater (2009-2010), Lemoine / Michael Jarrell
- elec Le Plancher de Jeannot monodrama (2013), 40 mn / Sebastian Rivas
- elec Le poème battu for baritone-teller, drummer, piano and computerized cross synthesis (2009), 8 mn [program note] / Michaël Levinas
- elec stage Le procès du jeune Chien three-act chamber musical theater (1974-1978), 3 h, Suvini Zerboni / Henri Pousseur
- Le Sixième commandement. Tu ne tueras pas for four female voices, flute, cello and percussion (2022), 35 mn, PWM (Polskie Wydawnictwo Muzyczne) / Elżbieta Sikora
- Le Soldat inconnu for baritone and ensemble (2013), 27 mn, Durand / Georges Aperghis
- Le Soleil des Incas for soprano and ensemble (1964), 21 mn, Universal Edition / Edison Denisov
- Le temps d'une anamorphose for soprano, alto, saxophone and two percussions (2003), 10 mn / David Hudry
- Le temps d'une anamorphose... II for mezzo-soprano, alto, saxophone and two percussions (2005), 10 mn, BabelScores / David Hudry
- elec stage Le tentazioni di Girolamo musical theater for narrator, soprano, harp, double bass, tape and live electronics (1995), 50 mn, Edi-Pan / Lucia Ronchetti
- elec Le tombeau de monsieur du dragon tune for baritone and six clarinets (2008), édition du compositeur / Jacques Rebotier
- Le vent doux dans les pins... à la mémoire de la blouse blanche, for voices and ensemble (1995), 8 mn 30 s / Yassen Vodenitcharov
- Le Vent souffle où il veut II for voice, ney, English horn, percussion and piano (2005), 9 mn, Onoma éditions musicales / Zad Moultaka
- Le voci Sottovetro trancription after Carlo Gesualdo for voice and ensemble (1998), 15 mn, Ricordi [program note] / Salvatore Sciarrino
- Least bee first version, for voice and small ensemble (1991-1992), 17 mn, Ricordi / Stefano Gervasoni