Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?911 works out of 49591
- Sulla ruota del giorno for soprano and six instruments (1998), 20 mn, Ricordi / Fabio Nieder
- elec Supramodal Parser four-piece program for singer, electric guitar, saxophone, percussion, piano and electronics (2015) / Alexander Schubert
- elec Sur le Qui-Vive female voice, five instruments and recorded sounds (1985), 25 mn, Suvini Zerboni / Henri Pousseur
- stage Sur Scène Chamber musical theater piece (1959), 45 mn, Peters / Mauricio Kagel
- Suzuki Baleno for soprano, flute, clarinet, violin and percussion (2016), 7 mn, Edition·S / Bára Gísladóttir
- Suzuki Baleno II for soprano, flute, clarinet, violin, cello and percussion (2016), 7 mn, Edition·S / Bára Gísladóttir
- elec Sweetheart, Goodbye! for voice, ensemble and loudspeaker (2012), 12 mn 20 s / Brigitta Muntendorf
- elec swrd for soprano, percussionist, CD player, sampler with bad microphone (1999-2001), 15 mn / Maja S. K. Ratkje
- Symphonie n° 5 « Amen » for reciter and ensemble (1989-1990), 13 mn, Sikorski / Galina Ustvolskaïa
- S[z]umun for three female voices and ensemble (2008), 13 mn / Heera Kim
- T'ien chung Yao for soprano, cymbalum and two percussionists (1985), 19 mn / James Wood
- Talea for percussion, soprano and double bass (2004), 13 mn / Marta Gentilucci
- Tao of Glass for voice and small ensemble (2019), 30 s, Dunvagen Music Publishers / Philip Glass
- Tara portrait d'Artaud I, for bass-baritone, flute, four percussionists, celesta and double bass (2012), Éditions musicales Artchipel / François Meïmoun
- stage Tarquin two-part chamber opera (1940), Universal Edition / Ernst Krenek
- Te espera esa Chispa for mixed choir and ensemble (1982), 10 mn, Inédit / Javier Alvarez
- elec stage Temboctou for solo voices, choir, ensemble and tape (1981), 2 h 30 mn, Inédit / François-Bernard Mâche
- Terrible for voice, three trumpets, electric guitar, electric bass and percussion (1982) / Iris ter Schiphorst
- Textile Nacht for soprano, trombone, percussion, piano and cello (2013-2014), 8 mn, Breitkopf & Härtel / Isabel Mundry
- elec Textures and Shades of E.D. for singer and tape (I & III), for voice, xylophone, timpani, percussion and organ (II) (1975), 10 mn 30 s / Gloria Coates
- elec The Kempelen machine for "prepared" voice, eight instruments and electromagnetic devices (2015), 20 mn, Ricordi / Mauro Lanza
- The Blind Fiddler song cycle for mezzo-soprano and ensemble (1975), 43 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- elec The body electric - Voicings on Walt Whitman I for female voice, clarinet, trombone, viola, percussion and electronics (2013-2014), 23 mn / Georgia Spiropoulos
- elec stage The Boy who lived down the lane I/II 5 scenes in search of an opera, for mezzo-soprano, baritone, seven instruments and electronics (2010-2011, 2012), 20 mn about / Diana Soh
- stage The Burning Fiery Furnace second Parable for church performance (1966), 1 h 4 mn, Faber Music / Benjamin Britten
- elec The Church of Frequency & Protein for voice, trumpet, trombone, 2 percussion, piano, guitar, cello and DVD (2010), 52 mn / Jennifer Walshe
- The City Wears a Slouch Hat for narrator and four, five or six percussionists (1942), 36 mn, Peters / John Cage
- stage The Collected Works of Billy the Kid chamber opera in one act (2017-2018), 60 mn, Schott / Gavin Bryars
- The Doctrine of Similarity for choir and instruments (1999-2000), 19 mn, Peters [program note] / Brian Ferneyhough
- The Faire Starre for choir and ensemble (2018), 20 mn, Chester Music / Nico Muhly
- The Garden Memento for countertenor, percussion and piano (2006), 8 mn, Bärenreiter / Matthias Pintscher
- The Ghosts of Alhambra Spanish Songbook I, for baritone, guitar and percussion (2008), 16 mn, Peters / George Crumb
- elec ircam The Immigrant cinema screening with live music for the film by Charlie Chaplin (2024), 24 mn / Martin Matalon
- stage The Little Sweep The opera from Let's make an Opera, an entertainment for young people, children's opera in 3 scenes, forming the second part of Let's make an Opera (1949), 45 mn, Boosey & Hawkes / Benjamin Britten
- stage The Little Sweep / Let's Make an Opera An Entertainment for Young People (1949), 1 h 10 mn, Boosey & Hawkes / Benjamin Britten
- elec The Louth Work ‘Orphic fragments’ for voice, ensemble and electronics (2017), 60 mn, Peters / James Dillon
- The Music of Undertow for voice, violin, accordion and percussion (2004), Dunvagen Music Publishers / Philip Glass
- The Myrrh-Bearer for viola, mixed choir and percussion (1993), 40 mn, Chester Music / Sir John Tavener
- elec The name of the song Dear Me (Bobok), for narrator, ensemble and electronics (2007), 15 mn, édition du compositeur / François Sarhan
- The Paper Nautilus for soprano, mezzo-soprano, two pianos and six percussions (2006), 1 h 10 mn, Schott / Gavin Bryars
- stage The Prodigal Son Third Parable for Church performance (1968), 1 h 12 mn, Faber Music / Benjamin Britten
- The Rothko Chapel for soprano, contralto, double choir and three instruments (1971), 30 mn, Universal Edition [program note] / Morton Feldman
- The Seventh Seed chamber opera in three acts for solo voices, string quartet and percussion (1991), 47 mn / Hilda Paredes
- stage The Sound of a Voice opera, for mezzo-soprano, baritone, flute, pipa, cello and percussion (2003), 1 h 5 mn, Dunvagen Music Publishers / Philip Glass
- The Spleen Sunsplash for voice and jazz ensemble (1999), 10 mn, Inédit / Andrea Cera
- elec The Travel Agency is on Fire for soprano, saxophone, cello, synthesizer, electric guitar, percussion and visuals (2020), 42 mn, Ricordi / Bernhard Lang
- The Travelling Machine for one voice, piano, soprano saxophone and percussion (1983) / Terry Riley
- The Tune without the Words for voice, glockenspiel, timpani and percussion (1975), 10 mn 30 s / Gloria Coates
- elec stage The Vacuum Pack musical theater, for voice, trombone, piano, percussion, cello and electronics (2014-2015), 30 mn, Thürmchen Verlag / Carola Bauckholt
- elec ircam The Vagabond cinema screening with live music for the film by Charlie Chaplin (2024), 25 mn 30 s / Martin Matalon