Brigitta Muntendorf studied composition with Younghi Pagh-Paan at the Bremen Hochschule für Künste, and later with Krzysztof Meyer, Rebecca Saunders](https://ressources.ircam.fr/composer/rebecca-saunders/biography), and Johannes Schöllhorn at the Cologne Hochschule für Musik und Tanz.

In 2006, she was awarded first prize in the Belin Philharmonic Composition Competition for Klangviren, which was premiered the following year.

In 2009, Muntendorf founded Ensemble Garage in Cologne, of which she is also artistic director, a collective made up of composers, instrumentalists and artists which devises and performs interdisciplinary projects. She was later awarded a grant for a six-month residency at the Cité Internationale des Arts in Paris. She was also in residence with the Ensemble Modern Academy, at Villa Concordia (Bamberg), and at Villa Kamogawa (Tokyo). She is regularly invited to participate in seminars and conferences at universities in Germany and Austria. From 2013 she has taught composition at the University of Siegen and from 2018 at the Hochschule für Musik und Tanz in Cologne. She is also artistic director of the queer-feminist F*MN Festival. Since 2024, she has been a member of the North Rhine-Westphalian Academy of Sciences, Arts and Humanities.

Muntendorf's work encompasses varied modes of expression (concerts, installations, performances) and artistic disciplines (music, dance, theatre, opera). Notable recent works include City Dance Köln and Für immer ganz oben (FIGO) (both from 2016), iScreen, YouScream! (2017), and Public Privacy (started in 2013), a series of collaborative works of varying formats to be performed in physical or virtual public spaces. Her music examines the social dimension of music, and notably, the relationships between creativity and digital technology/social media. Her artistic research on 3D-Audio and AI-Voice Clones (see ORBIT – A War Series, 2023) takes place in scientific-artistic collaborations with partners such as d&b audio and S+T+ARTS / Ars Electronica.

She has been commissioned by festivals such as Acht Brücken (Cologne), Wien Modern, Wittener Tage für neue Kammermusik, ECLAT/Festival Neue Musik Stuttgart, and Donaueschinger Musiktage. She has worked with ensembles including Asko/Schönberg, Calefax Reed Quintet, Decoder, Garage, Klangforum Wien, Musikfabrik, Mosaik, and PHACE. She was awarded the Bernd Alois Zimmermann Prize, the Carl von Ossietzky Prize for Rundumschlag#, a first prize from the Hochschule für Musik und Tanz in Cologne, the Ernst von Siemens Musikstiftung Förderpreis, the Deutscher Musikautorenpreis, and an honorary mention in the Prix Ars Electronica for MELENCOLIA.

In 2014, the Col Legno label released It may be all an illusion, a monographic CD of her chamber works.