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6076 works out of 46463

stage Water for choir and orchestra (2008), 1 h 16 mn, Red Poppy / Michael Gordon
elec Water Passion After St. Matthew for voice, choir and ensemble (2000), 1 h 30 mn, Schirmer / Tan Dun
elec Waterlines for mezzo-soprano, guitar, seven instruments and electronics (2012), 23 mn / Christopher Trapani
stage We come to the River - Wir erreichen den Fluß musical action (1974-1976), 2 h, Schott / Hans Werner Henze
We Shall See Him as He Is for soprano, two tenors, mixed choir and ensemble (1992), 60 mn, Chester Music / John Tavener
We've Come for voice and piano (1938) / Aaron Copland
Wechsellied zum Tanz Der Triumph der Empfindsamkeit, n°4, for soprano and piano (1926), 3 mn, Universal Edition / Ernst Krenek
Wechsellied zum Tanz Der Triumph der Empfindsamkeit, n°4, for soprano and orchestra (1926), 4 mn, Universal Edition / Ernst Krenek
Wechselrahmen six Lieder for voice and piano (1964-1965), 13 mn, Bärenreiter / Ernst Krenek
wegda! for soprano and ensemble (2011), 11 mn, Peters / Bernhard Gander
wegen der Leere for flute, guitar and soprano (2022), 5 mn, Ricordi / Younghi Pagh-Paan
Wehmut for five voices, violin, double bass, prepared piano and sound objects (2011) / Anna Korsun
Weihnachtskantate for soprano, contralto, mixed choir and orchestra (2002), 20 mn, Schott / Toshio Hosokawa
elec stage Weihrauch / Frankincense (Sunday Scent) for soprano and tenor with synthesizer (2002), 8 mn, Stockhausen Verlag / Karlheinz Stockhausen
Weil' auf mir / Eyes so dark for medium voice and piano (1902), 2 mn, Peer International Corporation [program note] / Charles Ives
Welcome to the pleasures: TISA VISA WiTiO ZETA NAFTA TiTiAiPi for bass clarinet, countertenor and ensemble (2014), 6 mn, Boosey & Hawkes / Iris ter Schiphorst
Weltethos for narrator, large choir, children's choir and orchestra (2009-2011), 1 h 30 mn, Faber Music / Jonathan Harvey
Wenn Lied mit und ohne Worte, for soprano and piano (2006), 6 mn, Breitkopf & Härtel / Isabel Mundry
Wenn die Rose sich selbst schmückt... for soprano, flute, double-bass and percussion (1971), 10 mn, Wilhelm Hansen / Per Nørgård
stage Wenn du dem Wind... three scenes from the opera Penthesilea after Heinrich von Kleist for soprano and orchestra (2014), 20 mn, Salabert / Pascal Dusapin
Wenn Du mich hörst, klopf zweimal (If you hear me, knock twice) for soprano and string quartet (2009) / Zeynep Gedizlioğlu
Wenn ich auf deiner brükke steh from Der Siebente Ring by Stefan George, for voice and piano (1922) / Theodor Adorno
wenn steine sich gen himmel stauen music for baritone and large orchestra (2011-2012), 25 mn, Bärenreiter / Philipp Maintz
Wer ? for soprano and piano (2004), 11 mn, Breitkopf & Härtel / Isabel Mundry
elec Werden Fische je das Wasser leid? for voice and ensemble (2004), 18 mn, Breitkopf & Härtel / Nicolaus A. Huber
Werther for tenor, clarinet, horn, violin, cello, percussions and 2 synthesizers (1988), 15 mn, Inédit / Christophe de Coudenhove
Wesendonck-Lieder orchestration of the five Lieder by Richard Wagner, for contralto and chamber orchestra (1976), 15 mn, Schott / Hans Werner Henze
West London A Sonnet, for medium voice and piano (1912-1921), 3 mn 30 s, Merion Music / Charles Ives
What about... ? for soprano and ensemble (2013-2014), 13 mn about , Verlag Neue Musik / Dieter Mack
What Are Years for soprano and ensemble (2009), 12 mn, Boosey & Hawkes / Elliott Carter
What is the word for voice and instrumental ensemble (2012), 10 mn about , PWM (Polskie Wydawnictwo Muzyczne) / Agata Zubel
stage What Next? one-act opera (1997-1998), 47 mn, Boosey & Hawkes / Elliott Carter
stage What price confidence ? chamber opera with piano (1945), 38 mn, Bärenreiter / Ernst Krenek
What Shall I Buy You, Son? for voice and piano (2000), 5 mn, Boosey & Hawkes / Louis Andriessen
What the River Said for Dhrupad singer, violin and baroque cello, surbahar and percussion (2005), 45 mn about / Terry Riley
elec stage What to Wear for solo voices, female choir and ensemble (2005), 1 h 5 mn, Red Poppy / Michael Gordon
elec stage What Where chamber opera based on a play by Samuel Beckett (1988), 35 mn, Schott / Heinz Holliger
When Harry Met Addie for off-stage soprano and ensemble (1999), 7 mn, Schott / Gavin Bryars
When lilacs last in the door-yard bloom'd - A requiem "For those we love" for mezzo-soprano, baritone, mixed choir and orchestra (1946), 60 mn, Schott / Paul Hindemith
When stars are in the quiet skies for medium voice and piano (1896-1900), 2 mn, Merion Music / Charles Ives
When you're feeling like expressing your affection for voice and piano (1935-1936), Faber Music / Benjamin Britten
where the bee sucks for voice and piano (2012), 3 mn, Schirmer / David Lang
Where the eagle cannot see for medium voice and piano (1899-1906), 2 mn, Associated Music Publishers / Charles Ives
elec stage Where the Wild Things Are fantasy opera in one act (nine scenes) (1979-1983), 40 mn, Faber Music / Oliver Knussen
Whispers from Heavenly Death cantata for high voice and piano (1999, 1948), 7 mn, Schott / Hans Werner Henze
Whispers from Heavenly Death cantata for high voice and eight instruments (1999, 1948), 7 mn, Schott / Hans Werner Henze
White and Light for soprano, two clarinets, viola, cello and double bass (1989), 5 mn, Universal Edition / Sir Harrison Birtwistle
White as Jasmine for soprano and large orchestra (1999), 14 mn, Faber Music / Jonathan Harvey
White nights for soprano and string quartet (2014), 12 mn / Mikel Urquiza
stage White Raven opera in five acts, for soloists, choir and orchestra, collaboration with Robert Wilson (1991), 2 h 20 mn, Dunvagen Music Publishers / Philip Glass

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6076 works out of 46463

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