Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1359 works out of 50070
- elec La chute for eight singers, sampler and jazz orchestra (2016), 20 mn / Kevin Juillerat
- stage La ciudad de las mentiras musical theater in fifteen acts, in collaboration with Matthias Rebstock (2011-2014), 1 h 30 mn, Peters / Elena Mendoza
- La Création du Monde for ensemble of solo voices, choir and ensemble (1976), 35 mn / Elżbieta Sikora
- stage La Cubana oder Ein Leben für die Kunst vaudeville in five tableaux (1973), 1 h 30 mn, Schott / Hans Werner Henze
- stage La del alba sería ... fragments from the opera Don Quijote, for soloists, mixed choir and orchestra (1997), between 35 mn and 40 mn, Universal Edition / Cristóbal Halffter
- La del alba sería ... fragments from the opera , for soloists and orchestra (1997), between 35 mn and 40 mn, Universal Edition / Cristóbal Halffter
- stage La double coquette opera for three voices and ensemble (2015), 1 h 20 mn, Maison ONA / Gérard Pesson
- stage La légende du Roi Dragon for five singers, children's choir and orchestra (2018), 1 h 15 mn, Belle Symphonie / Arthur Lavandier
- La Libertad total for two actors, four singers and eight musicians (2013), between 60 mn and 1 h 30 mn, BabelScores / Lucas Fagin
- La Loreley on a theme by Guillaume Apollinaire for soprano, baritone, narrator and orchestra (1961), 13 mn, Billaudot / Jean-Pierre Guézec
- La lune à la fenêtre for tenor and instrumental ensemble (1999), 9 mn / Graciane Finzi
- elec stage La Melancholia opératorio, for four vocal soloists, one narrator, twelve mixed voices, three brass instruments, recorded speaking voices and orchestra (1991), 32 mn, Salabert / Pascal Dusapin
- stage La mère coupable opera for eight voices and orchestra (1964-1965), 1 h 45 mn, Ricordi / Darius Milhaud
- elec La muse en son jardin ou L’esprit des lieux concert-promenade for solo voice, accordion, lute, harp, viola da gamba, shakuhachi, and tape (2003), 1 h 20 mn, Partition disponible sur demande au compositeur / Claire Renard
- La navidad preferida (Belén Malagueño) for soprano, mixed choir, narrator (ad lib.) and orchestra (2000), 16 mn, Suvini Zerboni / Luis de Pablo
- elec stage La noche y la palabra opera, for three solo voices, eight-part choir, two percussions, ensemble, electronics and images (2004), 1 h 15 mn, María Sánchez Lucas / José Manuel López López
- elec stage La notte poco prima della foresta chamber opera, for actor, mezzo-soprano, baritone, ensemble and electronics (2009), 55 mn, Inédit / Daniele Ghisi
- elec stage La nuit les brutes musical theater for two actresses, a singer and an accordionist (2010), Inédit / Roland Auzet
- La Pasión según San Marcos for soloists, choir and orchestra (2000), 1 h 27 mn, Boosey & Hawkes [program note] / Osvaldo Golijov
- stage La Pêche miraculeuse ballet for 3 soloists and orchestra (1941), 3 mn 30 s, Billaudot / André Jolivet
- stage La Punaise stage music for the play by Vladimir Mayakovsky, for male choir and orchestra (1929), Le Chant du Monde / Dimitri Chostakovitch
- stage La quête d'Orphée dramatic oratorio in four scenes and an interlude (1962), 30 mn, Inédit / Alain Bancquart
- La rosa y el ruiseñor for two voices, three violas da gamba and symphony orchestra (2005), 19 mn, Breitkopf & Härtel / José María Sánchez-Verdú
- stage La señorita Cristina opera in three acts (1997-1999), Suvini Zerboni / Luis de Pablo
- La Terra e la compagna songs after Cesare Pavese for soprano, tenor, mixed choir and instruments (1957), 8 mn, Ars Viva / Luigi Nono
- La Vera storia opera in two acts on a libretto by Italo Calvino (1977-1978), 2 h, Universal Edition / Luciano Berio
- La Vérité de Jeanne oratorio for soli, choir and orchestra, based on a text taken from the minutes of Joan of Arc's rehabilitation process (1956), 1 h 20 mn, Salabert / André Jolivet
- elec stage Labyrinten opera in two acts for six voices, three actors, orchestra and tape (1963), 1 h 15 mn, Wilhelm Hansen / Per Nørgård
- Labyrinth IV for soprano and ensemble (2019), 17 mn, Schott / Jörg Widmann
- Laila (Amu) for soprano, tenor and ensemble (2004), 1 h 5 mn, Chester Music / Sir John Tavener
- Lament for Constantinople for baritone and alto flute (1997), 15 mn, Chester Music / Sir John Tavener
- Lamentations for twelve voices, two clarinets, viola da gamba and accordion (2015), 35 mn / James Wood
- Lamentations and Praises for solo voices and ensemble (2000), 1 h 10 mn, Chester Music / Sir John Tavener
- stage Landschaft mit entfernten Verwandten opera, for ensemble, choir and soloists (2002), Ricordi / Heiner Goebbels
- elec Langage de l'ombre for mezzo-soprano, oboe, clarinet, accordion, double bass and electronics (2005), 20 mn / Grégoire Lorieux
- Las Ciudades Invisibles (I, II) for soprano, contralto, tenor, bass and cello (2008), édition du compositeur / Daniel Zea Gómez
- Lassus-Fantaisie from " Ô doux parler", eight-way dialogue by Roland de Lassus, for four singers and saxophone quartet (2016), Alphonse Leduc / Betsy Jolas
- Lauda for four solo voices, mixed choir and large orchestra (1991), 15 mn, Sikorski / Sofia Goubaïdoulina
- Lauda 35 L’alto prence archangelo for tenor, electric guitar, 2 violas, cello and bass (2008), 4 mn / Gavin Bryars
- Lauda 36 Gloria in cielo for soprano, tenor, viola, bass clarinet and double bass (2008), 5 mn / Gavin Bryars
- Lauda 37 Ciascun ke fede sente for soprano, tenor, solo trumpet, viola, cello, bass and electric guitar (2008), 6 mn / Gavin Bryars
- Lauda 39 Magdalena degna da laudare for tenor, viola, cello, electric guitar and double bass (2009), 5 mn / Gavin Bryars
- Lauda 40 “Madonna Santa Maria” for four voices and four instruments (2011) / Gavin Bryars
- Lauda 41 “De la crudel morte de Cristo” lauda for soprano, tenor, electric guitar, viola, cello and bass (2011) / Gavin Bryars
- Lauda 42 lauda for soprano, tenor, electric guitar, viola, cello, double bass (2012) / Gavin Bryars
- Laudatio Pacis oratorio in nine movements for five solo voices, three choirs and large orchestra (without strings) (1975), 40 mn, Bärenreiter / Paul-Heinz Dittrich
- stage Lázaro one act opera (2004-2007), between 1 h 35 mn and 1 h 40 mn, Universal Edition / Cristóbal Halffter
- Le 11 mai pedagogical piece for three choirs and orchestra (1993), 10 mn, Partition disponible sur demande au compositeur / Claire Renard
- stage Le bal one-act opera for six solo voices and orchestra (2008-2009), 50 mn, Billaudot / Oscar Strasnoy
- Le Bal masqué secular cantata on a text by Max Jacob for baritone (or mezzo-soprano) and chamber orchestra (1932), 17 mn, Salabert / Francis Poulenc