Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?9753 works out of 49592
- Códice de Adivinanzas for narrator and viola (2017), 22 mn, University of York Music Press / Hilda Paredes
- elec stage Coeur révélateur show for prepared piano, actress, electronics and video, based on the short story by Edgar Allan Poe and the comic book by Alberto Breccia (2005) / Grégoire Lorieux
- Coffre I for soprano, flute, oboe, horn, tenor trombone and two percussions (1975), 3 mn / Walter Boudreau
- Coffre II (Le Cercle Gnostique II), for twelve bass voices and orchestra (1975), 1 h 24 mn, partition perdue / Walter Boudreau
- Coffre III (Le Cercle Gnostique I), for soprano, flute and guitar (1976-1977), 25 mn / Walter Boudreau
- Coïgitum After Matta I, for mezzo-soprano and ensemble (1983-1985), 15 mn, United Music Publishers / Richard Barrett
- Colin et Chloé for soprano, mezzo-soprano, tenor, choir and orchestra; continuation of the opera L'Écume des jours (1981), 36 mn, Le Chant du Monde / Edison Denisov
- Colindă – Baladă for solo tenor, two mixed choirs and instrumental ensemble (2000-2007), 16 mn, Editio Musica / György Kurtág
- Collage (Moments, Highlights) (Nudes) for mezzo-soprano, oboe and guitar (1998), 3 mn, NB noter / Lars Petter Hagen
- elec Collage: 4 (Jesu meine Freude) Mimo-living action for eight voices, eight brass instruments and tape (1979), Suvini Zerboni / Aldo Clementi
- Collected Airs for countertenor, contralto, flute, cello and trombone (1971) / Alvin Curran
- Colloque for soprano, baritone and piano (1940), 3 mn, Salabert / Francis Poulenc
- elec ircam Com que voz concert of melodies on sonnets by Luís Vaz de Camões and fados by Amália Rodrigues (2007-2008, 2009-2010), 1 h 20 mn, Suvini Zerboni [program note] / Stefano Gervasoni
- Com un epíleg for choir and orchestra (1988), 18 mn, Suvini Zerboni / Luis de Pablo
- elec stage Combattimento di Tancredi e Clorinda opera after Claudio Monteverdi (2005), 35 mn, Ricordi / Giorgio Battistelli
- Combattimento II for soprano and baroque ensemble (2017), 20 mn, Onoma éditions musicales / Zad Moultaka
- stage Come and Go chamber opera after a dramaticule by Samuel Beckett (1976-1977), 35 mn, Schott [program note] / Heinz Holliger
- Come down O love divine arrangement for unison voices and strings (1953) / Sir Peter Maxwell Davies
- Come live with me for mezzo-soprano and four instruments (1981), 15 mn, Peters [program note] / James Dillon
- Come se un amico song after Chopin, for voice and orchestra (2015), RAI.COM / Salvatore Sciarrino
- Come unto these yellow sands after The Tempest, for voice and piano (2012), 1 mn 30 s, Faber Music / Thomas Adès
- stage Comeback chamber opera (2016), 1 h 10 mn, Ricordi / Oscar Strasnoy
- Comentarios a dos textos de Gerardo Diego for voice and three instruments (1956), 11 mn, Modern / Luis de Pablo
- Coming Together for narrator and variable ensemble (1971) / Frederic Rzewski
- elec comme ses paroles for eight amplified voices, pre-recorded voices and amplified cello (2006-2008), 1 h 10 mn, The Fox Edition / Christopher Fox
- elec Comme'In Più Negre Tenebre for soprano, ensemble and electronics (1995), 12 mn, partition retirée du catalogue / Daniel D'Adamo
- Commemoration Sixty for children's choir, mixed choir, military band and orchestra (2005), 20 mn, Schott / Sir Peter Maxwell Davies
- elec stage Comment Wang-Fô fut sauvé for saxophone quartet, actor-narrator and electronics (2006, 2008), 60 mn about , pas d'éditeur / Alain Berlaud
- Commentaar for voice and piano (1981), 60 s, Boosey & Hawkes / Louis Andriessen
- stage Commentaires musical theater for two actors, baritone, cello, piano and viola (1996), 1 h 15 mn, partition téléchargeable sur le site du compositeur / Georges Aperghis
- Commiato for soprano and fifteen instrumentalists (1972), 12 mn, Suvini Zerboni / Luigi Dallapiccola
- Communio sacred song for choir and keyboard (1967) / Nino Rota
- Communio (Lux aeterna) from Requiem der Versöhnung, for contralto, child's voice, large mixed choir and ensemble (1995), 6 mn, Universal Edition / Wolfgang Rihm
- Communion Service for mixed choir and organ (1890), 12 mn 30 s, Inédit / Charles Ives
- stage Como agua sin luz for mezzo-soprano, tenor, male choir and ensemble (2001-2004), 60 mn / José Río‑Pareja
- Como cierva sedienta for soprano or female choir and orchestra (1998-2002), 30 mn, Universal Edition / Arvo Pärt
- elec Como una ola de fuerza y luz for soprano, piano, orchestra and tape (1971), 30 mn, Ricordi / Luigi Nono
- Comoedia for soprano and six instrumentalists (1993), 10 mn, Salabert / Pascal Dusapin
- company for five soloists (2008), 31 mn, Peters / Rebecca Saunders
- elec Compass for quartet and electronics (1972-1973), 30 mn, Peters / Roger Reynolds
- Composition for pianist and mother composition for musical theater (1964), Material Press / Alvin Lucier
- elec Composition française for large children's choir, large adult choir, vocal octet, four soloists (France, Algeria, Vietnam, Palestine), small harmony, cello, double bass (1991) / Nicolas Frize
- Comptines for soprano, clarinet and piano (2018), 10 mn, BabelScores / Noriko Baba
- Comptines for children's choir, piano, percussionist and harp (2005), 10 mn, Billaudot / Marc-André Dalbavie
- stage Computer Chaos musical theater for children (1990) / Sir Peter Maxwell Davies
- Con una minima goccia di sangue musical scene for baritone/haute-contre and piano to an Italian text by Edoardo Sanguineti (1997), 11 mn, Inédit / Thierry Machuel
- elec Concert de haine two hundred choristers-instrumentalists and tape (1986) / Nicolas Frize
- Concert de locomotives for nine SNCF motor coaches, 12 singers and a solo soprano, piano, percussions, station master and various sounds, objects and station accessories (2003) / Nicolas Frize
- Concert de Pierres for 8 percussionists, two child sopranos, and an entirely mineral instrumentarium, composed of more than a thousand lithic samples (stones, rocks, minerals, crystals ...) (1986) / Nicolas Frize
- elec Concert de Pierres 2ème creation for 5 percussionists, soprano, bass clarinet, violin and tape. Exclusively mineral instrumentation composed of more than 3,000 rocks and minerals, raw or tuned (1989) / Nicolas Frize
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