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Type:	--------- Instrumental ensemble music
With electronics:	Unknown Yes No
With the instruments:	viola [pupitre et instrument] violin [pupitre et instrument] second violin [pupitre et instrument] cello [pupitre et instrument] piano [instrument] horn [instrument] trombone [instrument] percussionist [pupitre et instrument] bassoon [instrument] flute [instrument] oboe [instrument] clarinet [instrument]
Without the instruments:

5500 works out of 51335

• stage The Lost Dancer ballet, for orchestra (2010), 20 mn, Billaudot / Thierry Escaich
• The Manhattan distance suite after Lì Mǎdòu (2010), for orchestra (2010), 10 mn, Suvini Zerboni [program note] / Carmine-Emanuele Cella
• The Masterwork/Award-Winning Fishknife for ensemble (1979), Chester Music / Michael Nyman
• stage The Minotaur ballet in one act and two scenes, for orchestra (1947), 33 mn, Associated Music Publishers / Elliott Carter
• The Modification and Instrumentation of a Famous Hornpipe as a Merry and Together Sincere Homage to Uncle Alfred arrangement of a piece by Purcell for six instruments (1969), 60 s, Universal Edition / Luciano Berio
• The Moon, like a heartbeat, like a drum... for 13 musicians (2006), 6 mn 30 s, Inédit / Paul Clift
• The Musicologist Scores for ensemble (2009), 18 mn, Chester Music / Michael Nyman
• The nine Symphonies of Beethoven for orchestra and ice cream seller's bell (1970), 12 mn, Boosey & Hawkes / Louis Andriessen
• the ocean of yes and no. for sixteen instruments (2008), 10 mn / Klaus Lang
• The Old Tower of Löbenicht for ensemble (1987), 15 mn, Schott / Gavin Bryars
• The Olympian: Lighting of the Torch and Closing official music of the 23rd Olympic Games, for orchestra with optional choir (1984), 5 mn, Dunvagen Music Publishers / Philip Glass
• The Origin of the Harp for ten instrumentalists (1994), 9 mn, Faber Music [program note] / Thomas Adès
• The Parliament of Angels for eighteen musicians (1995), 20 mn / James Wood
• The Perfect Stranger for orchestra (1984), 13 mn, Munchkin Music / Frank Zappa
• The Phantom themes and 18 variations for orchestra (2007-2009), 20 mn / Maija Hynninen
• the physics of fog, swirling for large ensemble (2018-2019), Project Schott New York (PSNY) / Ann Cleare
• elec The Port of Thessaloniki for ensemble and electronics (2018-2019), 3 mn / Carola Bauckholt
• stage The Prince of the Pagodas Ballet in 3 acts by John Cranko (1956), 2 h, Boosey & Hawkes / Benjamin Britten
• The Promise / The Heart Asks Pleasure First (The Piano) for ensemble (1992), 3 mn, Chester Music / Michael Nyman
• The Promise of Darkness for ensemble (1975), 22 mn, Peters / Roger Reynolds
• The Quiet for large orchestra divided into three groups (2010), 11 mn, Schott / Chaya Czernowin
• The Quinces Quandary Homage to Van Gogh, for chamber orchestra (1993-1994), 24 mn / Gloria Coates
• The Red Pony music for the film by Louis Milestone after John Steinbeck, for orchestra (1948), Boosey & Hawkes / Aaron Copland
• elec The Riot of Spring for large orchestra, tape and audience (2013), 25 mn, Donemus / Dmitri Kourliandski
• The Rocks under the Water for orchestra (2002), 12 mn, Billaudot / Marc-André Dalbavie
• The Rose Lake A Song without Words, for orchestra (1991-1993), 25 mn, Schott / Sir Michael Tippett
• The Science of Freedom for baroque flute, baroque violin, percussion, harpsichord and viola da gamba (1990), 20 mn, The Fox Edition / Christopher Fox
• The Screens for ensemble, collaboration with Foday Musa Suso. (1990), 60 mn, Dunvagen Music Publishers / Philip Glass
• stage The Seasons ballet in one act, for solo piano or orchestra (1947), 15 mn, Peters / John Cage
• The Secret Agent music for the film by Christopher Hampton (1996), 11 mn, Dunvagen Music Publishers / Philip Glass
• The Severed Garden for small ensemble (2009), 9 mn, Inédit [program note] / Genoel Von Lilienstern
• The Shadow of a Leaf in Water for chamber ensemble (2018), 10 mn about , BabelScores / Aida Shirazi
• The Shadow of Night for orchestra (2001), 30 mn, Boosey & Hawkes [program note] / Sir Harrison Birtwistle
• The Shadows of Time five episodes for orchestra (with three children's voices) (1997), 22 mn, Schott / Henri Dutilleux
• The Sixth Part of the World for large ensemble (2009), Chester Music / Michael Nyman
• The skin of the onion for six instruments (2002), 10 mn, Ricordi / Mauro Lanza
• The Sublime for ensemble (2007), 12 mn / Saed Haddad
• the thin tree. for large orchestra (2014), 23 mn / Klaus Lang
• The Tree of Life for large ensemble (2001), Ricordi / Liza Lim
• The Triumph of Time for orchestra (1971-1972), 28 mn, Universal Edition / Sir Harrison Birtwistle
• The Trojan Games after Virgil's Book V of the Aeneids, for chamber orchestra (2012), 14 mn, Schott / Sir Peter Maxwell Davies
• The Turfan Fragments for orchestra (1980), 17 mn, Universal Edition / Morton Feldman
• The turning point for large orchestra (2018), 5 mn / Ding Lanqing
• The Ugly Duckling Suite for brass ensemble and percussion (2017-2018) / Nina Šenk
• The Vermeer Room for ensemble (1989), 11 mn, Red Poppy / Julia Wolfe
• The Vociferated Void for ensemble (2008), 6 mn / Diana Soh
• The Watery Star for eight instrumentalists (1993), 26 mn, Una Corda [program note] / Hugues Dufourt
• The Wave for large ensemble (2015), 8 mn / Jean-Luc Fafchamps
• stage The Way for 2 ryuteki, 2 hichiriki, 2 shô, shakuhachi, biwa, 2 koto, 2 percussion and female dancer (1990), 32 mn, Schott / Toshi Ichiyanagi
• The Way to Castle Yonder pot-pourri for orchestra after Higglety Pigglety Pop! (1988-1990), 8 mn, Faber Music / Oliver Knussen

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