Works / By specific formation
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15478 works out of 49592
- When the light thickens for clarinet, violin, cello and piano (2012), 4 mn / Carmine-Emanuele Cella
- elec When the light thickens for clarinet, piano, violin, cello and live electronics (2014) / Carmine-Emanuele Cella
- When the Wind Blows for flute, soprano saxophone, tenor saxophone, baritone saxophone, flugerlhorn, trombone, guitar, double bass and piano (1996) / Frederic Rzewski
- When the Wind Chases You for piano (1928) / Henry Cowell
- When they go low we go high - Microlude for György Kurtág for piano four hands (2017) / Carola Bauckholt
- When you're feeling like expressing your affection for voice and piano (1935-1936), Faber Music / Benjamin Britten
- Where cobalt waves live for piano (2017), Project Schott New York (PSNY) / Ann Cleare
- Where She Lies for voice and piano (1924), J. Curwen & Sons / Henry Cowell
- Where the Bee Dances concerto for soprano saxophone and orchestra (1991), 21 mn, Chester Music / Michael Nyman
- where the bee sucks for voice and piano (2012), 3 mn, Schirmer / David Lang
- elec where the dark earth bends for RAGE Thormbones, orchestra and electronics (2022), 21 mn, Peters / Clara Iannotta
- Where the eagle cannot see for medium voice and piano (1899-1906), 2 mn, Associated Music Publishers / Charles Ives
- Where the Grass is Green and the Girls are Pretty for piano, violin and cello (2014), 8 mn / Frédéric Le Bel
- elec stage Where the Wild Things Are fantasy opera in one act (nine scenes) (1979-1983), 40 mn, Faber Music / Oliver Knussen
- while nailing at random for piano (1983), 10 mn, Schirmer / David Lang
- whirling tissue of light for piano (2013), Bärenreiter / Matthias Pintscher
- Whispers from Heavenly Death cantata for high voice and piano (1999, 1948), 7 mn, Schott / Hans Werner Henze
- White as Jasmine for soprano and large orchestra (1999), 14 mn, Faber Music / Jonathan Harvey
- White clouds blue void for accordion and tuba (2013), 11 mn / Frédéric Pattar
- White concerto for bass flute, bass clarinet, trombone, accordion, piano and percussion (2005), 10 mn, Jobert / Dmitri Kourliandski
- White lies for solo piano (2018) / Matteo Gualandi
- stage White Nights opera in three acts (2005), 2 h 20 mn / Toshi Ichiyanagi
- White Surface, a piano autopsy for prepared piano, a pianist and a percussionist (2015), Le Chant du Monde / Sebastian Rivas
- White voices for ensemble (1999), 11 mn, Suvini Zerboni / Riccardo Nova
- White Wind Waiting for guitar and orchestra (2013), Schott / Chaya Czernowin
- White’s SS for two pianos (1977), 18 mn / Gavin Bryars
- Whitman Settings for soprano and piano (1991), 10 mn, Faber Music / Oliver Knussen
- Who are these children? for tenor and piano (1969), 19 mn, Faber Music / Benjamin Britten
- Who knows the light for voice and piano (1899) / Charles Ives
- Whom Ye Adore for orchestra (1981), 15 mn, Faber Music / Jonathan Harvey
- Why (from The Diary of Anne Frank) (1995), 5 mn, Chester Music / Michael Nyman
- Why (from the Diary of Anne Frank) for small ensemble (1995), 5 mn, Chester Music / Michael Nyman
- elec Why is This Night Different From All Other Nights for violin, tuba, accordion, tape, prepared piano and optional percussion (1992), 33 mn / Alvin Curran
- Why Patterns? for flute, piano and glockenspiel (1978), 35 mn, Universal Edition / Morton Feldman
- Why so quiet for large orchestra (2014-2015), 19 mn, Billaudot / Yves Chauris
- Why? for piano (2002), Chester Music / Michael Nyman
- Wichita Vortex Sutra for solo piano (1988), 6 mn, Dunvagen Music Publishers / Philip Glass
- Wide for clarinet, piano, violin, viola and cello (2001), 8 mn / Sampo Haapamäki
- Widerhall for two pianos, percussion, clarinet, violin and cello (2001) / Birke J. Bertelsmeier
- Widerspiel for 2 pianos and large orchestra (1996-1999), 28 mn, Boosey & Hawkes / York Höller
- elec Widerstehen chamber opera for mezzo-soprano, actress, ensemble and electronics (2009-2012), 45 mn, The Fox Edition / Christopher Fox
- Widmung for high voice and piano (1898), 2 mn, Associated Music Publishers / Charles Ives
- Width of a Circle for voices and ensemble (2010), 18 mn, Peters / Jesper Nordin
- Wie aus der Ferne for cello and 11 musicians (1998), 16 mn, Inédit / Jacques Lenot
- Wie der Joe mit dem Motorrad in die Hölle fährt for piano (2002) / Martin Grütter
- elec Wie die Zeit die Materie verändert I for two pianos and electronics (1984-1991, 2001), 27 mn, Wilhelm Hansen / Asbjørn Schaathun
- Wie die Zeit die Materie verändert III for chamber orchestra (2007), 26 mn, Wilhelm Hansen / Asbjørn Schaathun
- Wie Fern, Wie Hell… for seventeen instruments (2006), 13 mn / Ying Wang
- Wie Melodien zieht es mir for high voice and piano (1898-1900), 2 mn 15 s, Associated Music Publishers / Charles Ives
- Wie Vögel… for voice and piano (1991) / Olivier Greif