Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?171 works out of 50070
- Nigra sum (a Jaume Plensa) for countertenor and viola (2018), 5 mn / Joan Magrané Figuera
- stage Notre Dame des Fleurs musical theater for soprano, mezzo-soprano, countertenor and ensemble (1966), 6 mn, Chester Music / Sir Peter Maxwell Davies
- Nuit de Pouchkine for solo countertenor, 12 mixed voices and viola da gamba (1990), 7 mn 30 s, Billaudot / Maurice Ohana
- elec stage Oblivion - Vanitas Sonora musical theater show for two voices, three instrumentalists and sound installation (2016), 40 mn, Le Chant du Monde / Sebastian Rivas
- Ohimè ch'Io cado orchestration of Monteverdi's madrigal, for countertenor, harpsichord, theorbo, two violins and cello (2015), 5 mn / Hilda Paredes
- Old Bones for countertenor and lute (2013), 11 mn, St. Rose Music Publishing / Nico Muhly
- Old Bones for countertenor and chamber orchestra (2018), 11 mn, St. Rose Music Publishing / Nico Muhly
- Ombra mai fu for countertenor and orchestra (2009), 4 mn, Chester Music / Michael Nyman
- elec stage Only The Sound Remains (2015), 1 h 55 mn, Chester Music / Kaija Saariaho
- elec Orlando a fictional musical biography, for actors, voices, choirs and orchestra (2017-2019), Ricordi Berlin / Olga Neuwirth
- Otto franmenti on a "Ballade" by Charles d'Orléans for soprano, countertenor, organ, lute and viola da gamba (1978), 40 mn about , Suvini Zerboni / Aldo Clementi
- stage Pane, sale, sabbia opera in one act and three scenes for four voices, actors and chamber orchestra (2017), 1 h 10 mn, Suvini Zerboni / Carmine-Emanuele Cella
- stage Parole di settembre, ciclo vocale (libro I, II, III / madrigale I, II / frottola) for soprano, countertenor, baritone and 13 instruments (2012-2013), 1 h 10 mn / Aureliano Cattaneo
- Partendo for countertenor and ensemble (2015), 22 mn about , Durand / Oscar Bianchi
- Pièces de chair II for baritone, a woman's voice, piano and ensemble. (1958-1960), 55 mn, Ricordi / Sylvano Bussotti
- Principles of Uncertainty for countertenor, piano, banjo, violin and cello (2007), 26 mn, St. Rose Music Publishing / Nico Muhly
- Principles of Uncertainty baroque instrument version (2007), 26 mn, St. Rose Music Publishing / Nico Muhly
- Principles of Uncertainty trio version (2007), 26 mn, St. Rose Music Publishing / Nico Muhly
- elec stage Pym opera (2014), 1 h 40 mn, Boosey & Hawkes / Johannes Kalitzke
- Quipú for countertenor and string quartet (2018), 3 mn, University of York Music Press / Hilda Paredes
- elec Requiem for three countertenors, twelve instruments and electronics (1998), 55 mn, Boosey & Hawkes / Helmut Oehring
- stage Resurrection for solo voices, male choir, mixed choir and ensemble (1989), 3 h, Chester Music / Sir John Tavener
- elec stage Richard III (2004), 2 h 30 mn, Ricordi / Giorgio Battistelli
- Romper del día six poems by José Ángel Valente countertenor and horn (2014), 13 mn, Suvini Zerboni / Stefano Gervasoni
- stage Saint François d'Assise Franciscan scenes, Opera in 3 acts and 8 tableaux, for 7 solo singers, mixed choir and very large orchestra (1975-1983), 4 h 20 mn, Alphonse Leduc / Olivier Messiaen
- stage Schachnovelle one act opera (2010-2012), 1 h 55 mn, Universal Edition / Cristóbal Halffter
- Schuberts Traum still life with Inferno, after a diary text by Franz Schubert, for eight singers and eight instruments (1999), 20 mn, Boosey & Hawkes / Johannes Kalitzke
- stage Schummellümmelleichen und schrille Tentakel operetta for countertenor and ensemble (2017-2018), between 15 mn and 1 h 10 mn about , Edition Juliane Klein / Gordon Kampe
- Seid Nüchtern und Wachet ... cantata for contralto, countertenor, bass, mixed choir and orchestra (1983), 35 mn, Hans Sikorski / Alfred Schnittke
- Senasrep serutainim for female voice, Martenot waves, clarinet, percussion and cello (2006), 20 mn / Yassen Vodenitcharov
- stage Sentences for countertenor and ensemble (2015), 30 mn, St. Rose Music Publishing / Nico Muhly
- Sezname, otevři se! Spoken opera (2013), 1 h 10 mn, Inédit / Martin Smolka
- Si dolce è 'l tormento orchestration of Monteverdi's madrigal, for countertenor, harpsichord, theorbo, two violins and cello (2015), 5 mn / Hilda Paredes
- Si en lo mal temps la serena be canta for countertenor and accordion (2017), 6 mn / Joan Magrané Figuera
- stage Sieben Häute for narrator, soprano, countertenor, bass clarinet, tuba, percussion, viola and cello (2018), 11 mn, Edition Juliane Klein / Gordon Kampe
- stage Sinatra in agony musical theater for countertenor, actor and ensemble (2017-2018), 1 h 20 mn about / Oscar Bianchi
- Skorpion for counterenor, clarinet, cello and accordion (2013), 7 mn, Schott / Jörg Widmann
- Speranze fuggite, sparite da me drammaturgia for countertenor, violin, viola, cello and doublebass (2018), 20 mn about , RAI.COM / Lucia Ronchetti
- Stachel der Empfindlichkeit for mezzo-soprano, countertenor, three cellos and four percussionists (1997-1998), 35 mn, Thürmchen Verlag / Carola Bauckholt
- stage Stilles Meer one-act, five-stage opera (2015), 1 h 30 mn, Schott / Toshio Hosokawa
- Suite de sonnets for vocal quartet and ensemble (1963), 17 mn, Eschig / Darius Milhaud
- elec Tetramorphes Revelo I (2017), 16 mn / Marco Antonio Suárez-Cifuentes
- The Apocalypse for solo voices, boy's and male choir and ensemble arranged in 3 spatial groups (1993), 3 h, Chester Music / Sir John Tavener
- elec stage The Carbon Copy Building for solo voices and ensemble (1999), 1 h 12 mn, Red Poppy / Michael Gordon
- stage The Exterminating Angel opera in three acts (2015-2016), 1 h 55 mn, Faber Music / Thomas Adès
- stage The Fashion worldly opera in twelve scenes (2007), 1 h 30 mn, Ricordi / Giorgio Battistelli
- stage The Gospel According to the Other Mary Passion Oratorio in two acts for orchestra, choir and soloists (2012), 2 h, Boosey & Hawkes / John Adams
- The Hidden Face for countertenor, oboe and string ensemble (1996), 15 mn, Chester Music / Sir John Tavener
- stage The Lark stage music for voices and percussion (1955), 11 mn, Boosey & Hawkes / Leonard Bernstein
- The mock marriage orchestration of the song by Henry Purcell, for countertenor, harpsichord, theorbo, two violins and cello (2015), 3 mn / Hilda Paredes