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Works / By specific formation

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Type:	--------- Vocal music and instrument(s)
With electronics:	Unknown Yes No
With the instruments:	flute [instrument] alto saxophone [instrument] clarinet [instrument] viola [pupitre et instrument] violin [pupitre et instrument] second violin [pupitre et instrument] cello [pupitre et instrument] piano [instrument] harp [instrument] horn [instrument] trombone [instrument] tuba [instrument] percussionist [pupitre et instrument] countertenor [instrument] singing voice [pupitre et instrument] speaking voice [pupitre et instrument]
Without the instruments:

5464 works out of 46454

• stage The First Emperor opera in three acts (2006), 2 h 35 mn, Schirmer / Tan Dun
• The Five Acts of Harry Patch for mezzo-soprano, baritone, choir and ensemble (2008), 15 mn, Chester Music / Sir Peter Maxwell Davies
• The Flea for tenor or soprano and piano (1960), 3 mn, Inédit / Ernst Krenek
• stage The Flood musical play (1961-1962), 24 mn, Boosey & Hawkes / Igor Stravinsky
• The Garden Memento for countertenor, percussion and piano (2006), 8 mn, Bärenreiter / Matthias Pintscher
• stage The Gold-Bug opera (2017), 1 h 10 mn, Ricordi / Dai Fujikura
• stage The Gospel According to the Other Mary Passion Oratorio in two acts for orchestra, choir and soloists (2012), 2 h, Boosey & Hawkes / John Adams
• The Greatest Man for medium voice and piano (1921), 1 mn 30 s, Associated Music Publishers [program note] / Charles Ives
• The Harmony of Morning for women's choir and ensemble (1944), 9 mn, Associated Music Publishers / Elliott Carter
• The Heart's Assurance song cycle for voice and piano (1950-1951), 17 mn, Schott / Sir Michael Tippett
• The Hidden Face for countertenor, oboe and string ensemble (1996), 15 mn, Chester Music / John Tavener
• The Holly and the Ivy for voices in unison and piano (1985), 2 mn, Chester Music / Witold Lutosławski
• The Holy Sonnets of John Donne for high voice and piano (1946), 26 mn, Boosey & Hawkes / Benjamin Britten
• elec The Horatian - Three songs version for mezzo-soprano and ensemble, taken from Surrogate Cities (1994-1999), 15 mn, Ricordi / Heiner Goebbels
• The Housatonic at Stockbridge from The Housatonic at Stockbridge for medium voice and piano (1908-1914), 3 mn 30 s, Peer International Corporation [program note] / Charles Ives
• The Immurement of Antigone for dramatic mezzo-soprano and ensemble (1978), 19 mn, Chester Music / John Tavener
• The Indians for medium voice and piano (1912-1921), 1 mn 30 s, Associated Music Publishers / Charles Ives
• The Innate for medium voice and piano (1908-1916), 2 mn 30 s, Merion Music / Charles Ives
• The Jacobite Rising for soprano, mezzo-soprano, tenor, baritone, choir and orchestra (1997), 40 mn, Chester Music / Sir Peter Maxwell Davies
• The Jade Flute for soprano, trumpet and piano (1989) / Halim El-Dabh
• stage The Judgement of Calliope - Das Urteil der Kalliope A Satyr Play - Ein Satyrspiel (1964-1991), 16 mn, Schott / Hans Werner Henze
• stage The Juniper Tree opera in two acts for soloists, choir and ensemble (1984), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
• stage The Lark stage music for voices and percussion (1955), 11 mn, Boosey & Hawkes / Leonard Bernstein
• The Last Day for children's voice, four male voices and large ensemble (1996), 29 mn, Boosey & Hawkes / Louis Andriessen
• The Last Ebb four melodies for soprano, flute and clarinet (2019), 11 mn, Verlag Neue Musik / Jérôme Combier
• The Last Letter for baritone and piano (2015), 11 mn, St. Rose Music Publishing / Nico Muhly
• The Last Letter for baritone and chamber orchestra (2018), 11 mn, Chester Music / Nico Muhly
• the last minutes of inhumanity an utopic Charon-cantata, for mezzo-soprano and orchestra (2018), 7 mn, Ricordi Berlin / Georg Friedrich Haas
• The Last Reader for medium voice and piano (1911-1921), 2 mn, Merion Music / Charles Ives
• elec stage The Last Supper dramatic tableau for fourteen solo voices, women's choir and chamber orchestra (1998-1999), 1 h 50 mn, Boosey & Hawkes / Sir Harrison Birtwistle
• elec The Lichtenberg Figures for voice, ensemble and electronics (2014-2015) / Eva Reiter
• The Light That Is Felt for deep voice and piano (1919-1920, 1899-1903), 60 s, Mercury Music / Charles Ives
• stage The Lighthouse one-act chamber opera with prologue (1979), 1 h 12 mn, Chester Music / Sir Peter Maxwell Davies
• The Literalist for soprano and ensemble (2017), 2 mn, Boosey & Hawkes / Sir Harrison Birtwistle
• elec The little match girls (unsung Candlejack's songs) for two voices, flute, harp, piano, violin, electronics and optional video (2013), 28 mn, Jobert / Dmitri Kourliandski
• stage The Little Sweep The opera from Let's make an Opera, an entertainment for young people, children's opera in 3 scenes, forming the second part of Let's make an Opera (1949), 45 mn, Boosey & Hawkes / Benjamin Britten
• stage The Little Sweep / Let's Make an Opera An Entertainment for Young People (1949), 1 h 10 mn, Boosey & Hawkes / Benjamin Britten
• stage the loser for baritone, piano and chamber ensemble (2016), 60 mn, Schirmer / David Lang
• elec The Louth Work ‘Orphic fragments’ for voice, ensemble and electronics (2017), 60 mn, Peters / James Dillon
• The Love Song of Har Dyal for high voice and piano (1898-1903), 2 mn 30 s, Associated Music Publishers / Charles Ives
• The Lover in Winter four songs for countertenor and piano (1989), 8 mn, Faber Music / Thomas Adès
• stage The Making of the Representative for Planet 8 opera in three acts, for soloists, small choir and orchestra (1986), 3 h, Dunvagen Music Publishers / Philip Glass
• stage The Man Who Mistook His Wife For A Hat stage music for three voices and ensemble (1986), 1 h 10 mn, Chester Music / Michael Nyman
• The Map of the World for high voice and piano (2011), 3 mn 34 s, St. Rose Music Publishing / Nico Muhly
• stage The Marriages Between Zones Three, Four and Five opera in two acts, for soloists, choir and orchestra (1997), 2 h 13 mn, Dunvagen Music Publishers / Philip Glass
• stage The Martyrdom of St. Magnus chamber opera in nine scenes (1976), 1 h 12 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
• elec ircam stage The Mask of Orpheus opera in three acts (1983-1986), 3 h 30 mn, Universal Edition / Sir Harrison Birtwistle
• The Mask of Time for soprano, mezzo-soprano, tenor and baritone, choir and orchestra (1980-1982), 1 h 35 mn, Schott / Sir Michael Tippett
• The Masque (from Prospero's Books) for soprano, contralto and ensemble (1990), 12 mn, Chester Music / Michael Nyman
• The Masses (Majority) for unison choir and orchestra (1920-1921, 1916), 5 mn 15 s, Merion Music / Charles Ives

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