Works / By specific formation
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704 works out of 50103
- stage Le Guignol au gourdin for solo voices, choir and orchestra (1958), 1 h 15 mn about , Billaudot
[program note]
/ Maurice Ohana
- elec Le téléphone bien tempéré (Apportez votre cellulaire) for 12 cellphone groups, solo harpsichord and organ, wind quintet, electroacoustic score and live electronic processing (2010-2011), 50 mn / Walter Boudreau
- Le Temps l'horloge five episodes for soprano and orchestra (2006-2009), 18 mn, Schott / Henri Dutilleux
- Le Temps restitué for soprano, choir and orchestra (1968), 40 mn, Bärenreiter
[program note]
/ Jean Barraqué
- elec Le trou noir univers for orchestra, soloists and electronics (1992-1993), 33 mn, Peters / Mark Andre
- leaf for harpsichord (2014), 2 mn, édition du compositeur / Richard Barrett
- Leçons de ténèbres for three voices and instrumental ensemble (2003), 1 h 35 mn, Zabak Productions
[program note]
/ Philippe Fénelon
- Leichte Bewegung im Grenzenlosen for harpsichord (2006), 19 mn, Wandelweiser / Jürg Frey
- stage Les Amants magnifiques music by Lully adapted, completed and orchestrated by André Jolivet for Molière's comedy-ballet, interludes taken from La Fontaine (1954), Inédit / André Jolivet
- Les Amants magnifiques variations on themes by Lully, for orchestra (1961), 12 mn, Boosey & Hawkes / André Jolivet
- Les Citations diptych for oboe, harpsichord, double bass and percussion (1985-1990), 15 mn, Alphonse Leduc / Henri Dutilleux
- stage Les Précieuses ridicules stage music for Molière's play (1949), 5 mn, Inédit / André Jolivet
- stage Les quatre jeunes filles opera in six scenes after Pablo Picasso (1986), 56 mn, Billaudot / Edison Denisov
- Les Sirènes chantent quand la raison s'endort for soprano and ensemble (1966), 6 mn, Boosey & Hawkes / Hans Zender
- elec Lesson of Anatomy n° 1 harpsichord, video and stereophonic soundtrack (2015), 19 mn 13 s, édition du compositeur
[program note]
/ Pierre Jodlowski
- Lied for thirteen instruments (1972), 16 mn, Suvini Zerboni / Franco Donatoni
- stage Life with an Idiot opera in two acts (1991), Hans Sikorski / Alfred Schnittke
- Llanto por Ignacio Sánchez Mejías oratorio for narrator, baritone, female choir and small orchestra (1978, 1950), 42 mn, Billaudot
[program note]
/ Maurice Ohana
- elec Lo menos importante for harpsichord and three tape recorders (1971), Alpuerto / Francisco Guerrero Marín
- elec stage Lost Objects for voices, choir, DJ, baroque orchestra and ensemble (2001), 1 h 2 mn, Red Poppy / Michael Gordon
- Lucy Escott Variations for harpsichord (1963), 10 mn, Schott / Hans Werner Henze
- stage Lunea Lenau-Szenen in 23 Lebensblättern, dramatic work for voice, choir and orchestra (2013-2017), 1 h 30 mn, Schott / Heinz Holliger
- Lusia-fantasia for harpsichord (2013), 7 mn / Juha T. Koskinen
- M for two sopranos, contralto and two instrumental ensembles (1996), 34 mn, Lemoine
[program note]
/ Brice Pauset
- elec stage Maa dance music in seven parts (1991), Wilhelm Hansen
[program note]
/ Kaija Saariaho
- Macabre Collage from the opera Le Grand Macabre, for large orchestra, adaptation by Elgar Howarth in collaboration with Ligeti (1974-1977, 1991), 18 mn, Schott / György Ligeti
- Madrigal II for four historical instruments (1961), 3 mn, Universal Edition / Henri Pousseur
- elec Maim triptych for large orchestra, solo quintet (with pre-recorded soloist tubax) and electronics (2001-2007), 47 mn, Schott / Chaya Czernowin
- Maintenant, de toutes nos forces, essayons de ne rien comprendre cantata for string quartet, harpsichord, countertenor and tenor (2017), 11 mn, Inédit / Pierre-Yves Macé
- stage Majakowskis Tod chamber opera for three protagonists, reciting choir and small orchestra (1989-1997), 1 h 20 mn, Schott / Dieter Schnebel
- elec stage Majakowskis Tod –Totentanz opera fragment and epilogue, collage of texts after Wladimir Majakowski and Lilja Brik by Dieter Schnebel (1989-1997), 2 h, Schott / Dieter Schnebel
- Mambo harpsichord version (2020), Ricordi / Luca Francesconi
- Marges I for harpsichord and percussion (1989), 8 mn, Jobert / Frédéric Durieux
- Marieva wedding waltz (1997), 5 mn / Aldo Clementi
- elec stage Massacre opera, for five singers, dancer, ensemble, multimedia and real-time electronics (2003), 1 h 23 mn / Wolfgang Mitterer
- stage Medeamaterial opera on a text by Heiner Müller (1991), 60 mn, Salabert / Pascal Dusapin
- Meditation On The Bach Chorale "Vor Deinen Thron Tret Ich Hiermit" (BWV 668) for harpsichord, 2 violins, viola, cello and double bass (1993), 10 mn, Sikorski / Sofia Goubaïdoulina
- Meeting for clarinet and harpsichord (1982), 6 mn, Chester Music / Esa-Pekka Salonen
- Memory for electric piano and harpsichord (1970-1973), 13 mn, Universal Edition / Luciano Berio
- Midhouse Air for clarinet, violin, cello and harpsichord (1999), Inédit / Sir Peter Maxwell Davies
- elec Minimancacirmcnrmhm081100 educational piece for harpsichord, five instrumentalists and tape (2000), 7 mn, Jobert
[program note]
/ Thierry Blondeau
- Miroir de Célestine for harpsichord and 32 percussion instruments (1989-1990), 15 mn, Billaudot / Maurice Ohana
- Mise en abîme I for large ensemble (1991), 8 mn, partition retirée du catalogue / Mark Andre
- Mise en abîme II (1992), 20 mn, partition retirée du catalogue / Mark Andre
- stage Missa Dahlemer Messe for four solo voices, two mixed choirs, orchestra and organ (1984-1987), 1 h 30 mn, Schott
[program note]
/ Dieter Schnebel
- Mistral for ensemble (1985), 21 mn, Peters / Roger Reynolds
- Modernsky Music for oboe, horn, bassoon and harpsichord (1981), 6 mn, Faber Music / Jonathan Harvey
- stage Molière oder Die Henker der Komödianten dramatic night play in 4 acts (1994-1997), 2 h, Edition Gravis / Johannes Kalitzke
- Monadologie XXIX 'London in the Rain' for flute, recorder, harp and harpsichord (2014), 17 mn, Ricordi / Bernhard Lang
- stage mons floris. (zwei etagen. keine treppe.) opera (2002), 50 mn / Klaus Lang