Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?3874 works out of 50070
- elec Paris, Gare du Nord electroacoustic music (2017), 16 mn / Elżbieta Sikora
- elec Paris-Stockholm improvisation on tape from recorded vocal poetry (1968), 11 mn 42 s / François Dufrêne
- elec Paris-Stockholm II improvisation on tape from recorded vocal poetry (1972) / François Dufrêne
- elec Paroles sur écoute acousmatic music (2003) / Frédéric Kahn
- elec Participle Dangling in Honor of Gertrude Stein for mobile, film and 2 tracks tape (1966) / Pauline Oliveros
- elec Partitions (ou AIMTR) music for interactive and generative installation (1996) / Jacopo Baboni Schilingi
- elec ircam Pas à pas for tape and spatialization device (1981), 45 mn, Feedback Studio Verlag / Rolf Gehlhaar
- elec Pas de 3... ou plus for tape (2010, 2009), 8 mn 45 s / Béatriz Ferreyra
- elec Passacaglia electroacoustic music (1960), 4 mn 28 s / Daphne Oram
- elec Passacaille pour un lutin choreographic music (1985) / Béatriz Ferreyra
- elec ircam Passage sound installation (2009), Inédit [program note] / Pierre Jodlowski
- elec Passage Almut Determeyer's video soundtrack (2004), 4 mn / Oliver Schneller
- elec Passage 10: "Musings on “Good Lives”: Relationships, Sustenance, Aspirations – Truth, Secrets, Boundaries, Purpose, Flight" (2013-2014), 58 mn 53 s / Roger Reynolds
- elec PASSAGE 2: "Benediction, Sharing, Legacy, Public Exposure, Seasons, The Sublime" performance (2010) / Roger Reynolds
- elec PASSAGE 3: "Going First Class, Perilous Consideration, Subconscious Craft, Anotherworldly Intersection, Unnatural Experience, The Source of Force, Memorability, Differences" performance (2010) / Roger Reynolds
- elec PASSAGE 4: "Alliances, Understanding the Context, Benediction, Sharing, Collaboration, Loyalty, Memorability, Mission" performance (2010) / Roger Reynolds
- elec PASSAGE 7: "John Cage – incidents, texts, conversations, and music" performance (2012) / Roger Reynolds
- elec PASSAGE 8: "On Learning, Varèse, Cage, Ashley, Musical Experience, and Intermedia" performance (2012) / Roger Reynolds
- elec PASSAGE 9: "Collaboration, Xenakis, Cage, Takemitsu, the Sublime, and Aesthetic Experience" performance (2012-2013), 1 h 30 mn / Roger Reynolds
- elec Passage pour mimes concrete music for the theater (1959) / Luc Ferrari
- elec Passagenweg for stereo tape (2005-2007), 1 h 14 mn / Pierre-Yves Macé
- elec Passagenweg (altérations) performance for computer, 2 record players and 8 speakers (2010), 20 mn / Pierre-Yves Macé
- elec Passages music video (2009), 8 mn 26 s / Francis Dhomont
- Passe temps music for the film by Jose Maria Bersoza (1984) / Henry Fourès
- elec Passeggiata sound installation for eight to fourteen speakers (2010), 35 mn / David Hudry
- elec Passion selon Kijno electroacoustic radiophonic piece (1987), 2 h / Elżbieta Sikora
- elec stage Passion, Poison and Petrifaction music for the play by George Bernard Shaw (1961) / Mario Lavista
- elec stage pas_de_direction sound installation and electronic music for a choreography by François Raffinot (2003), 45 mn, Inédit / François Sarhan
- elec Patamorphoses electronic music for film (1960), 15 mn 54 s / Bernard Parmegiani
- Patience electroacoustic music (1969), partition retirée du catalogue / Jon Appleton
- elec Paysage, personnage, nuage for tape (1980), 24 mn / François Bayle
- elec Peau Rouge for tape (2015) / Núria Giménez-Comas
- elec Peel for tape (2016), 8 mn 30 s / Stefan Prins
- elec Peinture 324x362 cm, 1985 piece for the exhibition Soulages - Noir lumière at the Center Pompidou (2009), 2 mn / Roque Rivas
- elec Pelforth music for commercial (1970) / Bernard Parmegiani
- elec Pendulum Music for three or more microphones, amps, speakers and performers (1968), between 5 mn and 8 mn, Universal Edition [program note] / Steve Reich
- elec Península de pajaros for electroacoustic sounds (2012), 12 mn / Javier Alvarez
- elec Pensées d'automne et Les pensées de la terre acousmatic music (2011), 15 mn, Inédit / Frédéric Kahn
- elec stage Per la dolce memoria di quel giorno music for a ballet by Maurice Béjart, for magnetic tape (recorded voice and orchestra) (1974), 1 h 20 mn, Universal Edition / Luciano Berio
- elec Perfect Lives television opera in seven thirty-minute episodes (1978-1983), 3 h 15 mn / Robert Ashley
- elec Perforation I electronic music (2009), 27 mn / Olivier Pasquet
- elec Périphérique musique concrete (2007), 1 mn 40 s, Inédit / Paul Clift
- elec Périphrases sur la Symphonie pour un homme seul based on the original elements of the complete version created in 1950 with Pierre Schaeffer (1985), 51 mn, pas d'éditeur / Pierre Henry
- stage Permis de construire - Avis de démolition music for an audiovisual installation and a piece for six dancers, to a choreography by Hervé Robbe. (2000), Inédit [program note] / Andrea Cera
- elec Perpetuum space of fascination for image transformations by Thierry Vincens (1979), 34 mn, pas d'éditeur / Pierre Henry
- elec Perpetuum mobile (Pluies fantômes) for 8-channel medium (2019), 15 mn 5 s / Francis Dhomont
- Persepolis polytope for magnetic tape (1971), 56 mn, Salabert / Iannis Xenakis
- elec stage Persistent Vision interactive electronic music with dance (2001-2002) / Edmund Campion
- elec Personnage et intervalles bleus for tape (1976), 19 mn / François Bayle
- elec Perspectives for two-track magnetic tape (1957), 7 mn, Suvini Zerboni / Luciano Berio