Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1651 works out of 50103
- II. Kantate, Op. 31 for soprano, bass, mixed choir and orchestra (1941-1943), 13 mn, Universal Edition / Anton Webern
- stage II. Les Choephores opera for soprano, baritone, narrator, mixed choir and orchestra (1915), 30 mn, Heugel / Darius Milhaud
- II2 Schumann-Moment Re-Visionen II, for voices (or wind intruments), harp and percussion (1989), 2 mn, Schott / Dieter Schnebel
- stage III. Les Euménides opera in three acts for solo voice, mixed choir and orchestra (1917-1922), 1 h 30 mn, Heugel / Darius Milhaud
- Il cane Primo madrigale (2006), 6 mn 30 s, Le Chant du Monde / Daniel D'Adamo
- Il Canto Sospeso for soprano, alto, tenor, mixed choir and orchestra (1956), 28 mn, Ars Viva / Luigi Nono
- stage Il carro e i canti one act opera (2008), 50 mn, Suvini Zerboni / Alessandro Solbiati
- stage Il Prigioniero Opera in a prologue and an act (1944-1948), 50 mn, Suvini Zerboni / Luigi Dallapiccola
- stage Il Re Cervo oder Die Irrfahrten der Wahrheit opera in three acts, reduced version of König Hirsch (1962), 2 h 30 mn, Schott / Hans Werner Henze
- stage Il ritorno d'Ulisse in patria free reconstruction of the opera by Claudio Monteverdi (1641) (1981), 3 h, Schott / Hans Werner Henze
- Im Fall for mezzo-soprano and ensemble (2017), 30 mn, Breitkopf & Härtel / Isabel Mundry
- Im Namen der Liebe for baritone and orchestra (1999), 26 mn, Universal Edition / Friedrich Cerha
- elec stage Im Paradies oder der Alte vom Berge five schematic opera acts on a large orchestra (1973-1975), 1 h 30 mn, Inédit / Klaus Huber
- Im Spätboot, op. 56 for bass and orchestra (1903-1906), 5 mn, Boosey & Hawkes / Richard Strauss
- elec Impressions, mouvements oratorio for narrator, choir and orchestra (1989), 42 mn, Jobert / Marc-André Dalbavie
- Impromptu for women's choir and orchestra (1910), 7 mn, Breitkopf & Härtel / Jean Sibelius
- Improvisation I sur Mallarmé Le vierge, le vivace et le bel aujourd'hui, for soprano and orchestra, called "large version" (1957-1962), 6 mn, Universal Edition [program note] / Pierre Boulez
- Improvisation I sur Mallarmé Le vierge, le vivace et le bel aujourd'hui, version for soprano and seven instrumentalists (1957), 6 mn, Universal Edition / Pierre Boulez
- Improvisation II sur Mallarmé Une dentelle s'abolit, for soprano and nine instruments (1957), 12 mn, Universal Edition [program note] / Pierre Boulez
- Improvisation III sur Mallarmé À la nue accablante tu, for soprano and orchestra (1959, 1983), 19 mn, Universal Edition / Pierre Boulez
- In Ajimano for voice, koto, cello, and chamber orchestra (2001), 12 mn, Schott / Toshio Hosokawa
- In die Luft geschrieben for mezzo-soprano, harp, celesta, percussion and string orchestra (2017-2018), 35 mn, Ricordi / Stefano Gervasoni
- In doppelter Tiefe for two female voices and orchestra (1999), 28 mn, Universal Edition / Wolfgang Rihm
- In exspectatione resurrectionis Domini cantata for baritone, choir and orchestra (1965), 18 mn, Universal Edition / Cristóbal Halffter
- In late late night I thank Cage for soprano, alto, two alto flutes, harp, viola and cello (2014), 3 mn, édition du compositeur / Christian Mason
- stage In memory of Taiping Lake opera, for solo voices, choir and ensemble (2005), 1 h 15 mn, Jobert / Shuya Xu
- In My Sky at Twilight for solo soprano and chamber orchestra (2002), 20 mn, Schirmer / Augusta Read Thomas
- elec In the Country of Last Things 2 for mezzo-soprano, narrator and ensemble, from Surrogate Cities (1993-1994), 5 mn, Ricordi / Heiner Goebbels
- Incense and Peppermints arrangement for orchestra and mezzo soprano (2010), 6 mn / Nicole Lizée
- Infinito Circular for soprano, harp and zarb (2013), 12 mn / Aurélio Edler-Copes
- Inkslinger's Aria for solo tenor, male choir and chamber orchestra (1940-1941), 5 mn, Faber Music / Benjamin Britten
- elec Inner light 2 for solo voices, instrumental ensemble and tape (1977), 35 mn, Faber Music / Jonathan Harvey
- stage Innocence opera in five acts (2018), 1 h 45 mn, Chester Music [program note] / Kaija Saariaho
- stage Inquest of Love opera in two acts (1991), 2 h 15 mn, Faber Music / Jonathan Harvey
- Inscriptions on Bone for solo contralto and fifteen instruments (1996), Ricordi / Guo Wenjing
- Insideout for soprano, baritone and ensemble (2013), 12 mn / Vito Žuraj
- elec Instances for choir and symphony orchestra (1991-1989), 40 mn, Jobert / Marc-André Dalbavie
- elec Instant remembered for soprano, narrator, ensemble and tape (1967-1968), 15 mn, Bärenreiter / Ernst Krenek
- elec Instants Mêlés for soprano and ensemble with electronics (2013-2014), 25 mn / Didier Rotella
- stage Intégrale Sade film - opera - concert excerpts (1989), variable, Ricordi / Sylvano Bussotti
- stage Intérieur monodrama for narrator and two instrumental groups (2020-2021), 60 mn, Durand / Joan Magrané Figuera
- stage Intermezzo domestic comedy with symphonic interludes in two acts (1919-1923), 2 h, Boosey & Hawkes / Richard Strauss
- Intersecazioni for violin and orchestra, with four solo voices (1959-1973), 30 mn, Universal Edition / Friedrich Cerha
- Intervalles III for soprano and orchestra (1976), 10 mn, Jobert / Philippe Boesmans
- Interview avec D. for Monsieur Croche and orchestra (1994), 26 mn, Peters / Mauricio Kagel
- elec stage Intolleranza 1960 action in two tableaux based on an idea by Angelo Maria Ripellino (1960-1970), 1 h 20 mn, Ars Viva / Luigi Nono
- stage Introducción y escena from the opera Lázaro, for three voices and orchestra (2004-2006), 28 mn 30 s, Universal Edition / Cristóbal Halffter
- Introitus T.S. Eliot in memoriam, Requiem mass, for male choir and ensemble (1965), 4 mn, Boosey & Hawkes / Igor Stravinsky
- Invisible Voices for six mixed voices and large orchestra (2005), 20 mn, Billaudot / Qigang Chen
- Iris for soprano and ensemble (2010), 15 mn / Laurent Martin