Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?728 works out of 50103
- elec stage pourquoi l’azur muet ... music by Last Space for soprano, mezzo-soprano and orchestra (2008), 30 mn, Bärenreiter / Matthias Pintscher
- Praise We Great Men for soloists, choir and orchestra, unfinished work (1976), 7 mn, Faber Music / Benjamin Britten
- elec stage Pym opera (2014), 1 h 40 mn, Boosey & Hawkes / Johannes Kalitzke
- Qualia (Jardí blau) for two solo voices, choir and orchestra (2004-2010), 45 mn about , Breitkopf & Härtel / José María Sánchez-Verdú
- elec ircam stage Quartett opera, for soprano, baritone, choir, orchestra and ensemble (2010-2011), 1 h 20 mn / Luca Francesconi
- Quatre chansons françaises for high-pitched voice and chamber orchestra (1928), Faber Music / Benjamin Britten
- Quatre mélodies sur des poésies anciennes for soprano (or mezzo) and orchestra (1928), 5 mn 30 s, Billaudot / André Jolivet
- Quatrième Symphonie (Last Symphony) for tenor (or baritone) and orchestra (1990), 42 mn, Peer Music / Lou Harrison
- QUID EST DEUS Cantata Hermetica, for choir and orchestra (2007), 33 mn, Universal Edition / Wolfgang Rihm
- Quodlibet for female voice and orchestra (1986-1988), 18 mn, Peters / Mauricio Kagel
- elec Rap Notes for three rappers soli, coloratura, orchestra and pre-recorded drum-track (2000), 12 mn about , Faber Music / Anders Hillborg
- stage Rapunzel opera in six acts (1952), 53 mn, Peer Music / Lou Harrison
- Récit de l'an zéro oratorio for narrator, soli, mixed choir and small orchestra (1958-1959), 38 mn, Billaudot [program note] / Maurice Ohana
- Reibeklänge for two voices and orchestra (2004), 10 mn, Thürmchen Verlag / Carola Bauckholt
- RELAIS (L'œil) ATILA roundling for baritone, percussion, violin, piano and orchestra (or ensemble) (1991-1992), 23 mn, Ricordi / Robert HP Platz
- Relámpagos for tenor and orchestra (1996), 12 mn, Suvini Zerboni / Luis de Pablo
- Rencontre sur l'Elbe music from the film directed by Grigory Alexandrov, for tenor solo, mixed choir and orchestra (1948), Le Chant du Monde / Dimitri Chostakovitch
- Requiem for soloists, choir and orchestra (1945-1946), manuscrit / Bruno Maderna
- Requiem Canticles for solo voices, choir and orchestra (1965-1966), 15 mn, Boosey & Hawkes / Igor Stravinsky
- elec Requiem für einen jungen Dichter Lingual for reciters, soprano, baritone, three choirs, electronic sounds, orchestra, jazz-combo and organ (1967-1969), 1 h 5 mn, Schott / Bernd Alois Zimmermann
- Requiem, Part 1 for narrator, male choir and ensemble (1963-1967) / Frederic Rzewski
- Requiem-Strophen for three solo voices, choir and orchestra (2015-2016), 1 h 20 mn, Universal Edition / Wolfgang Rihm
- Richard Wagnersche Klavierlieder for solo voices (mezzo-soprano and baritone) mixed choir and orchestra (1998-1999), 60 mn, Schott / Hans Werner Henze
- Ritualis Totems for mixed choir and large orchestra (2006-2007), 33 mn, Editions Musicales Européennes / Philippe Schœller
- stage Roberto Zucco Opera (1999-2000), 1 h 40 mn, Inédit / Jacques Lenot
- Roma Capomunni secular cantata for soloist, choir and orchestra (1970-1971), 48 mn, Schott / Nino Rota
- stage Rosa The Death of a Composer, opera in two acts (1993-1994), 1 h 40 mn, Boosey & Hawkes / Louis Andriessen
- ROSA Overture opera opening (1993), 12 mn, Boosey & Hawkes / Louis Andriessen
- elec S.O.S. Odysseus for children's choir, two actors and orchestra (2012-2013), 45 mn, Boosey & Hawkes / Iris ter Schiphorst
- Saint Nicolas Cantata for tenor solo, choir SATB, semi-choir SA, 4 children's voices and string orchestra, piano 4 hands, percussion and organ (1948), 50 mn, Boosey & Hawkes / Benjamin Britten
- Salmo CL for mixed choir, children's choir and orchestra (1938), 18 mn, Boosey & Hawkes / Alberto Evaristo Ginastera
- Sankt-Bach-Passion for soloists, choirs and orchestra (1981-1985), 1 h 40 mn, Peters / Mauricio Kagel
- stage Scene Polidimensionali XVII « Die Weisse Fürstin » musical theater based on a dramatic poem by Rainer Maria Rilke (1898) (2009-2010), 60 mn / Márton Illés
- Scènes et interludes du Grand Macabre for four singers, mixed choir, and orchestra (1978), 47 mn, Schott / György Ligeti
- Scenes from Alice in Wonderland for soprano, mezzo-soprano and orchestra (2004-2011), 40 mn, Boosey & Hawkes / Unsuk Chin
- Scenes from The Tempest for soprano, mezzo-soprano, tenor, baritone and orchestra (2005), 40 mn, Faber Music / Thomas Adès
- Schneeszenen for two sopranos and orchestra (2019) / Beat Furrer
- stage Schwergewicht oder Die Ehre der Nation burlesque operetta in one act (1927), 25 mn, Universal Edition / Ernst Krenek
- stage Scourge of Hyacinths opera in two acts (1994, 1999), 1 h 30 mn, Peer Music / Tania León
- Sechs Gesänge für Vokalensemble und Orchester (2022), 25 mn, Bärenreiter / Beat Furrer
- stage Secondhand-Zeit opera for eight voices, choir and orchestra (2018), 1 h 5 mn, Ricordi Berlin / Sergej Newski
- Sei cori di Michelangelo Buonarroti il giovane for choir with or without instruments (1933-1936), Ricordi / Luigi Dallapiccola
- Seid Nüchtern und Wachet ... cantata for contralto, countertenor, bass, mixed choir and orchestra (1983), 35 mn, Hans Sikorski / Alfred Schnittke
- Senza sale d'aspetto for narrator and orchestra (2011), 20 mn, Rai Trade / Salvatore Sciarrino
- Sept chants cruels for soprano and ensemble or orchestra (2001, 2001), between 22 mn and 35 mn, Éditions de l'Agité [program note] / Bernard Cavanna
- Serce nocy song cycle for baritone and orchestra (1956), 19 mn about , PWM (Polskie Wydawnictwo Muzyczne) / Kazimierz Serocki
- Seven Gates of Jerusalem - Sinfonie n° 7 for 5 solo voices, narrator, 3 mixed choirs and orchestra (1996), 1 h 8 mn, Schott / Krzysztof Penderecki
- Seven Spirituals for baritone and orchestra (1995), 20 mn / Tania León
- Shir I und II for baritone and orchestra (2017), 30 mn, Bärenreiter / Matthias Pintscher
- Shir IV for baritone, mixed choir and orchestra (2019), 15 mn, Bärenreiter / Matthias Pintscher