Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1338 works out of 50070
- Surabaya Johnny arrangement of a song from Happy End by Kurt Weill, for mezzo-soprano and ensemble (1972), 5 mn, Universal Edition / Luciano Berio
- Surrogate for piano, voice and percussion (2015), 12 mn, Inédit / Heiner Goebbels
- elec stage Surrogate for narrator and ensemble, taken from Surrogate Cities (1994), 7 mn, Ricordi / Heiner Goebbels
- Swan and Shadow for tenor and ensemble (2002, 2005), 8 mn / Anthony Cheung
- elec Sweetheart, Goodbye! for voice, ensemble and loudspeaker (2012), 12 mn 20 s / Brigitta Muntendorf
- Swing for six voices and ensemble (2015), 12 mn / Joan Magrané Figuera
- elec swrd for soprano, percussionist, CD player, sampler with bad microphone (1999-2001), 15 mn / Maja S. K. Ratkje
- stage Sycorax opera for voices, actor, choir and ensemble (2021), 1 h 20 mn, Ricordi Berlin / Georg Friedrich Haas
- elec stage Syllabaire pour Phèdre chamber opera for solo voices, choir, ensemble and electronics (1966-1967), 31 mn, Billaudot [program note] / Maurice Ohana
- Syllables for upper voices, synthesizer and piano (2007), 7 mn, St. Rose Music Publishing / Nico Muhly
- Symphonie de psaumes for mixed choir and orchestra (1948, 1930), 23 mn, Boosey & Hawkes / Igor Stravinsky
- elec Symphonie II - La liseuse for voice and spatialized orchestra (2003), 41 mn, Lemoine [program note] / Brice Pauset
- Tablet for four voices, piano for four hands and two recorders (1976) / Meredith Monk
- Take the Money and Run for voice and ensemble (2009), 3 mn 13 s, Chester Music / Michael Nyman
- Tango - Pas for piano, clarinet, percussion, synthesizer and voice (1988), 8 mn [program note] / Luc Ferrari
- Tao of Glass for voice and small ensemble (2019), 30 s, Dunvagen Music Publishers / Philip Glass
- stage Tarquin two-part chamber opera (1940), Universal Edition / Ernst Krenek
- Taste for soprano and ensemble (1992), 10 mn about , Inédit [program note] / Isabel Mundry
- Te espera esa Chispa for mixed choir and ensemble (1982), 10 mn, Inédit / Javier Alvarez
- Te Lucis ante Terminum (before the ending of the light we beseech thee) for choir and ensemble (1961), 11 mn, Schott / Sir Peter Maxwell Davies
- elec stage Temboctou for solo voices, choir, ensemble and tape (1981), 2 h 30 mn, Inédit / François-Bernard Mâche
- Temp’est for female voice and ensemble (1994), 25 mn, Peters / James Dillon
- elec ircam Tenebrae for six voices, ensemble and electronics (2012-2013), 28 mn, Durand [program note] / Alberto Posadas
- Tenebrae super Gesualdo motet for mezzo-soprano and ensemble (1972), 20 mn, Chester Music / Sir Peter Maxwell Davies
- Tenebrae super Gesualdo motet for choir and ensemble (1972), 20 mn, Chester Music / Sir Peter Maxwell Davies
- stage Teorema parable in music, in two acts (1991-1992), 1 h 10 mn, Ricordi / Giorgio Battistelli
- Tessera kommatia gia to Dekemvri tou 1944 for voice, violin and piano (1944) / Mikis Theodorakis
- Textile Nacht for soprano, trombone, percussion, piano and cello (2013-2014), 8 mn, Breitkopf & Härtel / Isabel Mundry
- elec Thanatoséros for soprano, tenor and ensemble (2010), 26 mn, Suvini Zerboni / Ivan Fedele
- elec The Kempelen machine for "prepared" voice, eight instruments and electromagnetic devices (2015), 20 mn, Ricordi / Mauro Lanza
- elec The Alvin Curran Filharmonia for voice, cello, guitar, percussion, Powerbook, piano and keyboards (2002) / Alvin Curran
- The Beautiful Names for tenor, mixed choir and ensemble (2004), 1 h 10 mn, Chester Music / Sir John Tavener
- The Blind Fiddler song cycle for mezzo-soprano and ensemble (1975), 43 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- The Borrower for soprano and ensemble (2017), 7 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- elec stage The Boy who lived down the lane I/II 5 scenes in search of an opera, for mezzo-soprano, baritone, seven instruments and electronics (2010-2011, 2012), 20 mn about / Diana Soh
- stage The Cappemakers opera for ten soloists, two narrators, male chorus and ensemble (1964), 30 mn, Chester Music / Sir John Tavener
- elec stage The Cave three-act documentary video opera in collaboration with videographer Beryl Korot (1993), 2 h 22 mn, Boosey & Hawkes / Steve Reich
- elec The Cave Four Genesis Settings, for voices, ensemble and sampler (2013), 11 mn, Boosey & Hawkes / Steve Reich
- elec The Church of Frequency & Protein for voice, trumpet, trombone, 2 percussion, piano, guitar, cello and DVD (2010), 52 mn / Jennifer Walshe
- the cold for women's choir, synthesizers and percussion (2020) / Arturo Corrales
- stage The Collected Works of Billy the Kid chamber opera in one act (2017-2018), 60 mn, Schott / Gavin Bryars
- elec The Desert Music chamber version (1984), 46 mn, Boosey & Hawkes [program note] / Steve Reich
- The Distance (This) for soprano and ensemble (2008), Majolika / Jason Eckardt
- The Doctrine of Similarity for choir and instruments (1999-2000), 19 mn, Peters [program note] / Brian Ferneyhough
- The Elements of Style for soprano, tenor and ensemble (2005), 24 mn, St. Rose Music Publishing / Nico Muhly
- elec stage The Embalmer playful chamber monodrama (2001-2002), 1 h 10 mn, Ricordi / Giorgio Battistelli
- The Ethernal Time Shadow Ramprasad, trans, for a voice and two synthesizers (1982) / Terry Riley
- stage The Exterminating Angel opera in three acts (2015-2016), 1 h 55 mn, Faber Music / Thomas Adès
- The Faire Starre for choir and ensemble (2018), 20 mn, Chester Music / Nico Muhly
- stage The Fall of the House of Usher opera in two acts for soloists and ensemble (1987), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass