Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?5026 works out of 49433
- Die Stimme seiner Klasse for voice and piano (1960), 2 mn 30 s, Inédit / Paul Dessau
- Die Tage des Fastens und die Tage der doppelten Vollkommenheit for female voice and piano (or other instrument) (1998), 60 s / Klaus Lang
- elec stage Die Taktik opera for four voices, choir, three dancers, trombone, percussion, piano, violin, viola, cello and electronics (2012), 1 h 60 s / Jennifer Walshe
- Die Teppichweber von Kujan-Bulak for soprano and orchestra (1957), 7 mn 5 s, Deutscher Verlag für Musik / Hanns Eisler
- Die Teufel von Loudun opera in three acts (2012, 1968-1969), 1 h 50 mn, Schott / Krzysztof Penderecki
- Die Thälmann-Kolonne for voice and piano (1936), 3 mn, Friedrich Hofmeister Musikverlag / Paul Dessau
- stage Die Tragödie des Teufels opera in two tableaux (2009), 1 h 40 mn, Schott / Peter Eötvös
- Die USA-Kompanie von Son My for voice and piano (1970), Inédit / Paul Dessau
- stage Die Verurteilung des Lukullus opera in twelve scenes (1950, 1951, 1949), 1 h 30 mn, Schott / Paul Dessau
- elec stage Die Wiederholung live radio play (1995), 1 h 25 mn / Heiner Goebbels
- stage Die Witwe des Schmetterlings (Butterfly Widow) opera in three acts (1968), 60 mn, Boosey & Hawkes / Isang Yun
- Die Wüste hat zwölf Ding' for contralto and orchestra (1985), 10 mn, Universal Edition / Hans Zender
- elec Dienstag 13. April: Keine Robben for baritone, electric guitar and tape (2021), 11 mn, Edition Juliane Klein / Gordon Kampe
- Dies illa for three solo voices, three mixed choirs and orchestra (2014), 22 mn, Schott / Krzysztof Penderecki
- Dies Irae Oratorium ob memoriam in perniciei castris in Oswiecim necatorum inexstinguibilem reddendam, for soprano, tenor, bass, mixed choir and orchestra (1967), 22 mn, Schott / Krzysztof Penderecki
- Diksjon 9 for soprano and guitar (1996), 5 mn, NB noter / Lars Petter Hagen
- Dimensionen der Zeit und der Stille for mixed choir of 40 voices and percussion and string ensemble (1959-1960, 1961), 15 mn, Schott / Krzysztof Penderecki
- stage Dionysos Eine Opernphantasie (2009-2010), 2 h 30 mn, Universal Edition / Wolfgang Rihm
- elec stage Diotima e euridice chamber opera for voices, instruments and electronics (2005), 1 h 10 mn, Suvini Zerboni / Nicola Sani
- Dir - In Dir for vocal sextet and string sextet (2003-2010), 40 mn, Suvini Zerboni [program note] / Stefano Gervasoni
- elec Dirge for prepared piano, metal vocals, and computer generated sound in real time (2015) / Sandra Wuan-Chin Li
- Dirge in the Woods for voice and piano (1954), 3 mn, Boosey & Hawkes / Aaron Copland
- Disclosure for medium voice and piano (1921), 60 s, Peer International Corporation / Charles Ives
- Disire for soprano, saxophone, percussion, piano, violin and viola (2012), 8 mn 30 s [program note] / Francisco Alvarado
- stage disPLACE (I. Story of a house) for soprano, baritone, viola and cello (2015), 30 mn / Joan Magrané Figuera
- stage Distacco music for a play directed by Giorgio Pressburger (2007), 30 mn, autre [program note] / Andrea Cera
- Distacco I for piano and voice (1953) / Ennio Morricone
- Distacco II for piano and voice (1953) / Ennio Morricone
- Distendi la fronte for five voices and instruments (2016, 2019), RAI.COM / Salvatore Sciarrino
- elec stage Divorzio all’italiana action music for the twilight of the family (2007-2008), 1 h 30 mn, Ricordi / Giorgio Battistelli
- Dix chants populaires russes for soprano, contralto, tenor, bass, mixed choir and piano (1951), 27 mn, Le Chant du Monde / Dimitri Chostakovitch
- stage DKE Show [III], song with chorus for voice and piano (1896-1897), 45 s / Charles Ives
- Do You Be for ten voices, two pianos, synthesizer, violin and bagpipe (1987) / Meredith Monk
- Do you Doodle as you Dawdle for choir, piano and percussion ad libitum (1948) / Henry Cowell
- Do you Know how it Sounds? for a voice, piano and tabla (1983) / Terry Riley
- elec stage Doctor Ox’s Experiment opera for 12 solo voices, choir and orchestra (1997), 2 h 10 mn, Schott / Gavin Bryars
- Dodici sonetti di Camões (da "Com que voz") for baritone and ensemble (2007-2009, 2017), 31 mn, Suvini Zerboni / Stefano Gervasoni
- Dolce amore for female voice and piano after the Lauda Spiritu Sancto dolce amore (2011), 3 mn, Suvini Zerboni / Alessandro Solbiati
- Dolce Terra for soprano and piano (1980), Inédit / Luca Francesconi
- Dolmen Music for six voices, piano, violin, cello and percussion (1980) / Meredith Monk
- stage Dolorès, ou le Miracle de la femme laide Opera buffa in one act (1941-1944), 55 mn, Salabert / André Jolivet
- Dominosa ADHD: Haute Couture for soprano and ensemble (2012) / Mirela Ivičević
- Dommen for soli, choir, children's choir and youth orchestra (1962), 50 mn, Wilhelm Hansen / Per Nørgård
- Don for soprano and orchestra (1960-1962, 1989), 15 mn, Universal Edition / Pierre Boulez
- stage Don Chisciotte della Mancia comic opera after Giovanni Battista Lorenzi and Giovanni Paisiello (1976), 2 h 15 mn, Schott / Hans Werner Henze
- Don Chisciotte della Mancia concert suite for two sopranos, tenor buffo, baritone, wind ensemble and ensemble (1976-1978), 22 mn, Schott / Hans Werner Henze
- elec stage Don Juan à Gnide ou les séductions de la chasteté - Répons III musical theater, for one actor, soprano, baritone, five instruments and light projections (1996), 60 mn / Henri Pousseur
- Don Perlimplin ovvero il Trionfo dell'amore e dell'immaginazione, radio opera (1961), Suvini Zerboni / Bruno Maderna
- elec stage Don Quijote one-act opera, original version (1996-1999), 1 h 55 mn, Universal Edition / Cristóbal Halffter
- elec stage Don Quijote de la Mancha 31 theatrical adventures, for 11 solo voices and ensemble (1989-1991, 1999), 2 h 45 mn, Breitkopf & Härtel / Hans Zender