Works / By type
10835 works for Chamber music
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Gavin Bryars (1943) Biography Oeuvre Documentary resources
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stage 11th Floor for ensemble, 40 mn, Schott
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A Family Likeness for recorder consort, 8 mn, Schott
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After Mendelssohn piano duet, 59 s
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After the Requiem (Septet), 25 mn
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stage After the opera music for the ballet Trick Cell Play, Schott
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Alaric I or II for saxophone quartet, 15 mn, Schott
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Alaric III for basset-horn, violin, piano, electric keyboard and 2 electronic percussion, 15 mn
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Altissima Luce trio for bass clarinet, viola and cello
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stage Amjad dance by Edouard Lock, after Tchaikovsky, for two violas, cello and piano, 1 h 20 mn, Schott
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At Portage and Main for percussion quintet, 17 mn, Schott
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Aus den Letzten Tage for 2 violins, clarinet, electric keyboard and 2 percussion, 15 mn, Schott
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Between the National and Bristol string quartet n°1, 23 mn, Schott
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elec stage Biped for violin, cello, electric guitar, double bass, electric keyboard and pre-recorded tape, 45 mn, Schott
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Danse Dieppoise (also called Danse à la Talouienne) for horn, tuba, piano and vibes, 10 mn
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stage Dido and Orfeo (after Purcell and Gluck), for ensemble, 1 h 30 mn, Schott
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Eglisak for 2 pianos, 2 violins and percussion, 23 mn
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Grainger's Woggle for four pianos 16 hands, Schott
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Hi-Tremolo for vibes, marimba and two pianos, 10 mn
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Homage to Vivier for flute, clarinet, vibes and piano, 10 mn
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Intermezzo for clarinet, cello and piano, 10 mn
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It Never Rains for electric guitar, viola, cello and double bass, 5 mn, Schott
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Lachrimae Crepusculae (after Dowland) for viol consort and lute, 5 mn, Schott
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Lauda Rubata a Tre a work in lauda form for electric guitar, cello and bass clarinet, 5 mn, Schott
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Lauda: The Flower of Friendship for viola, electric guitar, cello and double bass, 13 mn, Schott
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Les Fiançailles for 2 pianos (4 or 8 hands), string quintet, optional 2 vibes and sizzle cymbal, 20 mn, Schott
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My First Homage for two pianos, 15 mn, Schott
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Non la connobbe il mondo mentre l’ebbe for flute, clarinet, vibraphone, piano, violin and cello, 15 mn, Schott
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One Last Bar Then Joe Can Sing for 5 percussion, 15 mn, Schott
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Pavane for French horn, violin, 3 percussion and double bass, 12 mn
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Pictured Within (variation 11) music for the ballet Trick Cell Play
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Poggioli in Zaleski’s Gazebo for piano, tuba, vibes, xylophone and bells, 12 mn
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Ponukelian Melody for cello, tuba, reed organ and tubular bells (3 players), 10 mn
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Sforzesco Sforzando for four pianos, 20 mn
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Sketch for Sub Rosa for 2 pianos (version made only for recording), 10 mn
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String Quartet No. 2, 25 mn, Schott
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String Quartet No. 3, 21 mn, Schott
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String Quartet No. 4, 20 mn, Schott
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Sub Rosa for clarinet, recorder, vibes, violin, piano and double bass, 10 mn, Schott
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The English Mail-Coach for 2 vibes and 6 roto-toms, 6 mn
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stage The Heart of August ballet in two acts, 45 mn, Schott
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The Other Side of the River for percussion quartet, 22 mn, Schott
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elec The Perfect Crime for two pianos, tape, percussion, optional slides, 20 mn
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stage The Seasons for two violas, two cellos and double bass, originally written for a ballet choreographed by Édouard Lock, 40 mn, Schott
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Toru’s Mist for shakuhachi, violin, piano and Japanese untuned percussion, 12 mn, Schott
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elec Tra-La-La-Lira-Lira-Lay (formerly entitled Detective Fiction and Related Subjects) for cello, tuba, reed organ and tapes/slides, 15 mn
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Unless The Eye Catch Fire for bass clarinet, piano, 2 violas, cello, double bass and percussion, 30 mn
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White To Play (And Win) for percussion trio, 12 mn
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Wonderlawn for electric guitar, viola, cello and double bass (with pedals), 58 mn
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Zaleski’s Perfumed Garden for four pianos 16 hands, 12 mn, Schott
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“I send you this Cadmium Red” for bass clarinet, electric guitar, viola and double bass, 40 mn