Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?4100 works out of 49592
- stage The Flood musical play (1961-1962), 24 mn, Boosey & Hawkes / Igor Stravinsky
- The Force for Peace in War cantata for soprano and chamber orchestra (1974-1988), between 22 mn and 24 mn / Gloria Coates
- The forest of frost for female voice, flute, accordion and percussion (1996-1997), 27 mn / Klaus Lang
- The Future of Anonymity for voice and accordion (1991) / Pauline Oliveros
- The Garden Memento for countertenor, percussion and piano (2006), 8 mn, Bärenreiter / Matthias Pintscher
- The Geography of Heaven for choir, two harmoniums, two pianos and strings (1935), Inédit / Lou Harrison
- elec stage The Geometry opera for 4 actors, voice, clarinet, guitar and live electronics (2009), 60 mn / Jennifer Walshe
- stage The Gold-Bug opera (2017), 1 h 10 mn, Ricordi / Dai Fujikura
- The Golden Rule for choir and orchestra (2005), 15 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- stage The Gospel According to the Other Mary Passion Oratorio in two acts for orchestra, choir and soloists (2012), 2 h, Boosey & Hawkes / John Adams
- The Greatest Man for medium voice and piano (1921), 1 mn 30 s, Associated Music Publishers [program note] / Charles Ives
- elec The Horatian - Three songs version for mezzo-soprano and ensemble, taken from Surrogate Cities (1994-1999), 15 mn, Ricordi / Heiner Goebbels
- The Housatonic at Stockbridge from The Housatonic at Stockbridge for medium voice and piano (1908-1914), 3 mn 30 s, Peer International Corporation [program note] / Charles Ives
- elec ircam The Immigrant cinema screening with live music for the film by Charlie Chaplin (2024), 24 mn / Martin Matalon
- The Immurement of Antigone for dramatic mezzo-soprano and ensemble (1978), 19 mn, Chester Music / Sir John Tavener
- The Indians for medium voice and piano (1912-1921), 1 mn 30 s, Associated Music Publishers / Charles Ives
- The Innate for medium voice and piano (1908-1916), 2 mn 30 s, Merion Music / Charles Ives
- The Jacobite Rising for soprano, mezzo-soprano, tenor, baritone, choir and orchestra (1997), 40 mn, Chester Music / Sir Peter Maxwell Davies
- stage The Judgement of Calliope - Das Urteil der Kalliope A Satyr Play - Ein Satyrspiel (1964-1991), 16 mn, Schott / Hans Werner Henze
- stage The Juniper Tree opera in two acts for soloists, choir and ensemble (1984), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- The Last Day for children's voice, four male voices and large ensemble (1996), 29 mn, Boosey & Hawkes / Louis Andriessen
- the last minutes of inhumanity an utopic Charon-cantata, for mezzo-soprano and orchestra (2018), 7 mn, Ricordi Berlin / Georg Friedrich Haas
- The Last Reader for medium voice and piano (1911-1921), 2 mn, Merion Music / Charles Ives
- elec stage The Last Supper dramatic tableau for fourteen solo voices, women's choir and chamber orchestra (1998-1999), 1 h 50 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- The Liar for voice and piano (1983) / Frederic Rzewski
- elec The Lichtenberg Figures for voice, ensemble and electronics (2014-2015) / Eva Reiter
- The Light That Is Felt for deep voice and piano (1919-1920, 1899-1903), 60 s, Mercury Music / Charles Ives
- stage The Lighthouse one-act chamber opera with prologue (1979), 1 h 12 mn, Chester Music / Sir Peter Maxwell Davies
- The Little Black Boy for voice and piano (1952), Peters / Henry Cowell
- elec The little match girls (unsung Candlejack's songs) for two voices, flute, harp, piano, violin, electronics and optional video (2013), 28 mn, Jobert / Dmitri Kourliandski
- stage The Little Sweep The opera from Let's make an Opera, an entertainment for young people, children's opera in 3 scenes, forming the second part of Let's make an Opera (1949), 45 mn, Boosey & Hawkes / Benjamin Britten
- stage The Little Sweep / Let's Make an Opera An Entertainment for Young People (1949), 1 h 10 mn, Boosey & Hawkes / Benjamin Britten
- The Lost Jimmie Whalen for voice and piano (1954) / Henry Cowell
- elec The Louth Work ‘Orphic fragments’ for voice, ensemble and electronics (2017), 60 mn, Peters / James Dillon
- The Love of Money for voice and piano (1993) / Frederic Rzewski
- The Love Song of Har Dyal for high voice and piano (1898-1903), 2 mn 30 s, Associated Music Publishers / Charles Ives
- stage The Making of the Representative for Planet 8 opera in three acts, for soloists, small choir and orchestra (1986), 3 h, Dunvagen Music Publishers / Philip Glass
- The Map of the World for high voice and piano (2011), 3 mn 34 s, St. Rose Music Publishing / Nico Muhly
- stage The Marriages Between Zones Three, Four and Five opera in two acts, for soloists, choir and orchestra (1997), 2 h 13 mn, Dunvagen Music Publishers / Philip Glass
- stage The Martyrdom of St. Magnus chamber opera in nine scenes (1976), 1 h 12 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- elec ircam stage The Mask of Orpheus opera in three acts (1983-1986), 3 h 30 mn, Universal Edition / Sir Harrison Birtwistle
- The Mask of Time for soprano, mezzo-soprano, tenor and baritone, choir and orchestra (1980-1982), 1 h 35 mn, Schott / Sir Michael Tippett
- The Masses (Majority) for unison choir and orchestra (1920-1921, 1916), 5 mn 15 s, Merion Music / Charles Ives
- The Medicine Wheel for one voice, piano, sitar, tabla and synthesizer (1983) / Terry Riley
- stage The Minotaur opera in thirteen scenes (2005-2007), 1 h 50 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- The Morning Pool for voice and piano (1918) / Henry Cowell
- The Music of Undertow for voice, violin, accordion and percussion (2004), Dunvagen Music Publishers / Philip Glass
- elec stage The Navigator opera in six scenes and a prelude (2008), 1 h 30 mn, Ricordi [program note] / Liza Lim
- elec The New Math(s) for voice, flute, violin, marimba and CD (2000), 16 mn, Boosey & Hawkes / Louis Andriessen
- The New River for medium voice and piano (1911-1921), 60 s, Merion Music / Charles Ives