Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?4100 works out of 49591
- Ihr Spreeathener for voice and piano (fragment) (1934), Inédit, manuscrit perdu / Paul Dessau
- II Symfonia (Symfonia pieśni) for soprano, baritone, mixed choir and orchestra (1953), 23 mn about , PWM (Polskie Wydawnictwo Muzyczne) / Kazimierz Serocki
- II. Kantate, Op. 31 for soprano, bass, mixed choir and orchestra (1941-1943), 13 mn, Universal Edition / Anton Webern
- II. Keintate for chansonnier medium voice and ensemble (1983-1985), 57 mn, Universal Edition / Friedrich Cerha
- stage II. Les Choephores opera for soprano, baritone, narrator, mixed choir and orchestra (1915), 30 mn, Heugel / Darius Milhaud
- II2 Schumann-Moment Re-Visionen II, for voices (or wind intruments), harp and percussion (1989), 2 mn, Schott / Dieter Schnebel
- stage III. Les Euménides opera in three acts for solo voice, mixed choir and orchestra (1917-1922), 1 h 30 mn, Heugel / Darius Milhaud
- Ikon of Eros for soprano, baritone, violin, mixed choir and orchestra (2000), 1 h 10 mn, Chester Music / Sir John Tavener
- Ikon of St Seraphim for countertenor, 4 basses, 2 violins, mixed choir and ensemble (1988), 30 mn, Chester Music / Sir John Tavener
- Ikon of the Crucifixion for solo voices, mixed choir and ensemble (1988), 11 mn, Chester Music / Sir John Tavener
- Il canto s'attrista, perché? scene after Aeschylus (2018-2019), 1 h 20 mn, RAI.COM / Salvatore Sciarrino
- Il Canto Sospeso for soprano, alto, tenor, mixed choir and orchestra (1956), 28 mn, Ars Viva / Luigi Nono
- stage Il carro e i canti one act opera (2008), 50 mn, Suvini Zerboni / Alessandro Solbiati
- Il Dio narrante monologue for narrator, percussion and piano (1996), 8 mn 30 s, Suvini Zerboni / Alessandro Solbiati
- Il gigante golia for soprano and orchestra (1990, 1975), 10 mn, Salabert / Georges Aperghis
- stage Il gioco dei mostri fantastic opera in two acts, composed with Lucio Gregoretti (1999), 60 mn, Suvini Zerboni / Nicola Sani
- stage Il Medico dei Pazzi Neapolitan musical action (2014), 1 h 30 mn, Ricordi / Giorgio Battistelli
- stage Il Prigioniero Opera in a prologue and an act (1944-1948), 50 mn, Suvini Zerboni / Luigi Dallapiccola
- stage Il Re Cervo oder Die Irrfahrten der Wahrheit opera in three acts, reduced version of König Hirsch (1962), 2 h 30 mn, Schott / Hans Werner Henze
- stage Il Re Teodoro in Venezia opera by Giovanni Paisello (1784), new orchestration and new recitatives by Hans Werner Henze and David Paul Graham, stage adaptation by Lorenzo Mariani (1991-1992), 2 h 30 mn, Schott / Hans Werner Henze
- stage Il ritorno d'Ulisse in patria free reconstruction of the opera by Claudio Monteverdi (1641) (1981), 3 h, Schott / Hans Werner Henze
- Il rotondo silenzio della notte for female voice, flute, oboe, clarinet, piano and string quartet (1986), RCA Italiana / Ennio Morricone
- Illegales Flüsterlied for voice and piano (1936), Inédit / Paul Dessau
- Illuminations for soprano and ensemble (1985), 20 mn, Universal Edition / Beat Furrer
- elec stage Illusion for two actors, two voices, piccolo, clarinet, cello, ensemble and electronics (2006), 60 mn, Peters / Roger Reynolds
- Ilmenau / Over all the treetops for medium voice and piano (1903), 1 mn 30 s, Peer International Corporation [program note] / Charles Ives
- Im Fall for mezzo-soprano and ensemble (2017), 30 mn, Breitkopf & Härtel / Isabel Mundry
- Im Fliederbusch ein Vöglein saß for voice and piano (1895), Arnold Schönberg, édition complète / Arnold Schoenberg
- Im Lichte werden wir wandeln for baritone and small orchestra (2007-2012), 12 mn, Ricordi / Younghi Pagh-Paan
- Im Memoriam Mr Whitney for voice and accordion (1991) / Pauline Oliveros
- Im Namen der Liebe for baritone and orchestra (1999), 26 mn, Universal Edition / Friedrich Cerha
- elec stage Im Paradies oder der Alte vom Berge five schematic opera acts on a large orchestra (1973-1975), 1 h 30 mn, Inédit / Klaus Huber
- Im Reich der Liebe for voice and piano (1899), Arnold Schönberg, édition complète / Arnold Schoenberg
- Im Sonnenschein for voice and piano (1935) / Richard Strauss
- Im Spätboot, op. 56 for bass and orchestra (1903-1906), 5 mn, Boosey & Hawkes / Richard Strauss
- Im Walde for voice and piano (1878) / Richard Strauss
- IMA for solo voices, mixed choir and orchestra (2002), 27 mn 13 s, Schott / Peter Eötvös
- Immer leiser wird mein Schlummer for voice and piano (1880) / Richard Strauss
- elec stage Immer noch Loge music theatre for three voices, ensemble and recording (2021), 60 mn, Edition Juliane Klein / Gordon Kampe
- Immortality for medium voice and piano (1921), 1 mn 30 s, Merion Music [program note] / Charles Ives
- impermanence Part 2 for eight voices and ensemble (2006) / Meredith Monk
- stage Impressions d’Afrique musical theater after Raymond Roussel (1999-2000), 1 h 30 mn, Ricordi / Giorgio Battistelli
- elec Impressions, mouvements oratorio for narrator, choir and orchestra (1989), 42 mn, Jobert / Marc-André Dalbavie
- Impromptu for women's choir and orchestra (1910), 7 mn, Breitkopf & Härtel / Jean Sibelius
- Improvisation A+B for voice and ensemble (1985-1986), 1 h 30 mn, Inédit / John Cage
- Improvisation I sur Mallarmé Le vierge, le vivace et le bel aujourd'hui, version for soprano and seven instrumentalists (1957), 6 mn, Universal Edition / Pierre Boulez
- Improvisation I sur Mallarmé Le vierge, le vivace et le bel aujourd'hui, for soprano and orchestra, called "large version" (1957-1962), 6 mn, Universal Edition [program note] / Pierre Boulez
- Improvisation II sur Mallarmé Une dentelle s'abolit, for soprano and nine instruments (1957), 12 mn, Universal Edition [program note] / Pierre Boulez
- Improvisation III sur Mallarmé À la nue accablante tu, for soprano and orchestra (1959, 1983), 19 mn, Universal Edition / Pierre Boulez
- In Ajimano for voice, koto, cello, and chamber orchestra (2001), 12 mn, Schott / Toshio Hosokawa