Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?5619 works out of 50583
- The Ethernal Time Shadow Ramprasad, trans, for a voice and two synthesizers (1982) / Terry Riley
- stage The Eye of Horus for solo voice and percussion (1967) / Halim El-Dabh
- stage The Fall of the House of Usher opera in two acts for soloists and ensemble (1987), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- The Fields of Sorrow for two sopranos, eight-part choir and ensemble (1971-1972), 9 mn, Universal Edition / Sir Harrison Birtwistle
- stage The First Emperor opera in three acts (2006), 2 h 35 mn, Schirmer / Tan Dun
- The Five Acts of Harry Patch for mezzo-soprano, baritone, choir and ensemble (2008), 15 mn, Chester Music / Sir Peter Maxwell Davies
- The Flea for tenor or soprano and piano (1960), 3 mn, Inédit / Ernst Krenek
- stage The Flood musical play (1961-1962), 24 mn, Boosey & Hawkes / Igor Stravinsky
- The Force for Peace in War cantata for soprano and chamber orchestra (1974-1988), between 22 mn and 24 mn / Gloria Coates
- stage The Fox and the Crow chamber opera (2011), 7 mn, Birdsong / Charlotte Bray
- The Garden Memento for countertenor, percussion and piano (2006), 8 mn, Bärenreiter / Matthias Pintscher
- The Ghosts of Alhambra Spanish Songbook I, for baritone, guitar and percussion (2008), 16 mn, Peters / George Crumb
- stage The Gold-Bug opera (2017), 1 h 10 mn, Ricordi / Dai Fujikura
- stage The Gospel According to the Other Mary Passion Oratorio in two acts for orchestra, choir and soloists (2012), 2 h, Boosey & Hawkes / John Adams
- The Greatest Man for medium voice and piano (1921), 1 mn 30 s, Associated Music Publishers [program note] / Charles Ives
- elec ircam Ircam cursus The heart off guard for soprano, string trio and electronics (2014) / Gabriele Vanoni
- The Heart's Assurance song cycle for voice and piano (1950-1951), 17 mn, Schott / Sir Michael Tippett
- The Hidden Face for countertenor, oboe and string ensemble (1996), 15 mn, Chester Music / Sir John Tavener
- The Holly and the Ivy for voices in unison and piano (1985), 2 mn, Chester Music / Witold Lutosławski
- The Holy Sonnets of John Donne for high voice and piano (1946), 26 mn, Boosey & Hawkes / Benjamin Britten
- elec The Horatian - Three songs version for mezzo-soprano and ensemble, taken from Surrogate Cities (1994-1999), 15 mn, Ricordi / Heiner Goebbels
- The Housatonic at Stockbridge from The Housatonic at Stockbridge for medium voice and piano (1908-1914), 3 mn 30 s, Peer International Corporation [program note] / Charles Ives
- elec ircam The Immigrant cinema screening with live music for the film by Charlie Chaplin (2024), 24 mn / Martin Matalon
- The Immurement of Antigone for dramatic mezzo-soprano and ensemble (1978), 19 mn, Chester Music / Sir John Tavener
- The Incandescent Tongue for soprano and trumpet (2020), 5 mn 50 s, Ricordi / Liza Lim
- The Indians for medium voice and piano (1912-1921), 1 mn 30 s, Associated Music Publishers / Charles Ives
- The Innate for medium voice and piano (1908-1916), 2 mn 30 s, Merion Music / Charles Ives
- stage The Io Passion chamber opera (2003), 1 h 35 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- The Jacobite Rising for soprano, mezzo-soprano, tenor, baritone, choir and orchestra (1997), 40 mn, Chester Music / Sir Peter Maxwell Davies
- The Jade Flute for soprano, trumpet and piano (1989) / Halim El-Dabh
- stage The Judgement of Calliope - Das Urteil der Kalliope A Satyr Play - Ein Satyrspiel (1964-1991), 16 mn, Schott / Hans Werner Henze
- stage The Juniper Tree opera in two acts for soloists, choir and ensemble (1984), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- stage The Lark stage music for voices and percussion (1955), 11 mn, Boosey & Hawkes / Leonard Bernstein
- The Last Day for children's voice, four male voices and large ensemble (1996), 29 mn, Boosey & Hawkes / Louis Andriessen
- elec The Last Discourse for soprano, bass, amplified double bass and mixed choir (1997), 22 mn, Chester Music / Sir John Tavener
- elec The Last Dream of the Beast an aria from The Double Life of Amphibians, for soprano, cello section, tape and ghost electronics (1979), 17 mn / Morton Subotnick
- The Last Ebb four melodies for soprano, flute and clarinet (2019), 11 mn, Verlag Neue Musik / Jérôme Combier
- The Last Letter for baritone and piano (2015), 11 mn, St. Rose Music Publishing / Nico Muhly
- The Last Letter for baritone and chamber orchestra (2018), 11 mn, Chester Music / Nico Muhly
- the last minutes of inhumanity an utopic Charon-cantata, for mezzo-soprano and orchestra (2018), 7 mn, Ricordi Berlin / Georg Friedrich Haas
- The Last Reader for medium voice and piano (1911-1921), 2 mn, Merion Music / Charles Ives
- elec stage The Last Supper dramatic tableau for fourteen solo voices, women's choir and chamber orchestra (1998-1999), 1 h 50 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- elec The Lichtenberg Figures for voice, ensemble and electronics (2014-2015) / Eva Reiter
- The Light That Is Felt for deep voice and piano (1919-1920, 1899-1903), 60 s, Mercury Music / Charles Ives
- The Light That Is Felt for solo bass, mixed choir and organ (1895-1898), 2 mn 45 s, Inédit / Charles Ives
- stage The Lighthouse one-act chamber opera with prologue (1979), 1 h 12 mn, Chester Music / Sir Peter Maxwell Davies
- The Literalist for soprano and ensemble (2017), 2 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- the little match girl passion for four solo voices with percussion (2007), 35 mn, Schirmer / David Lang
- the little match girl passion for chamber choir and four solo voices (2008), 35 mn, Schirmer / David Lang
- stage The Little Sweep The opera from Let's make an Opera, an entertainment for young people, children's opera in 3 scenes, forming the second part of Let's make an Opera (1949), 45 mn, Boosey & Hawkes / Benjamin Britten
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