Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1436 works out of 51335
- Variationen über das "Heidenröslein" (Goethe) version for voice and chamber orchestra (2018), 10 mn, Schott / Dieter Schnebel
- Variations chorales sur sur " Vom Himmel hoch da komm' ich herr'" de J.S. Bach for choir and orchestra (1956), 15 mn, Boosey & Hawkes / Igor Stravinsky
- elec stage Venere e Adone Naufragio di un mito, for voices, choir and orchestra (2020), 1 h 20 mn, Ricordi / Salvatore Sciarrino
- elec Venetian Journal for tenor, orchestra and magnetic tape (1972), 19 mn, Ricordi [program note] / Bruno Maderna
- Veni Sancte Spiritus (Come, Holy Spirit) for solo voices, choir and orchestra (1963), 20 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- stage Venus in Africa one act opera (1954), 45 mn, Schirmer / George Antheil
- stage Venus und Adonis one-act opera for singers and dancers (1993-1995), 1 h 10 mn, Schott / Hans Werner Henze
- Verführung, op. 33 for soprano (or tenor) and orchestra (1896-1897), 8 mn, Boosey & Hawkes / Richard Strauss
- elec stage Verkommenes Ufer two-part stage composition (1983-1986), 1 h 40 mn, Breitkopf & Härtel / Robert HP Platz
- Versuch über Schweine for baritone Sprechgesang and orchestra (1968), 20 mn, Schott / Hans Werner Henze
- elec ircam Vertigo Apocalypsis oratorio for mixed choir, chamber orchestra and electronics (1978-1997), 40 mn, Editions Musicales Européennes [program note] / Philippe Schœller
- Vezelay (La Colline inspirée) for voice and ensemble (1967), Inédit / Darius Milhaud
- Vier letzte Lieder for soprano and orchestra (1948), 22 mn, Boosey & Hawkes / Richard Strauss
- Vier Lieder aus Kein Licht for mezzo-soprano and orchestra (2022), 16 mn, Durand / Philippe Manoury
- Vier Orchesterlieder op. 22 for medium voice and orchestra (1913-1916), 13 mn about , Universal Edition / Arnold Schoenberg
- Vierte Abgesangsszene for mezzo-soprano and orchestra (1979-1980), 15 mn, Universal Edition / Wolfgang Rihm
- Villanelle from Hector Berlioz's Summer Nights. Transcription for soprano or tenor and chamber orchestra (1984), 4 mn, Lemoine / Michaël Levinas
- stage Violetter Schnee opera for four voices, one actress, mixed choir and orchestra (2019) / Beat Furrer
- Viridaria for soprano and orchestra on a poem by Emmanuel Hocquard (1994-1995), 15 mn, Jobert / Frédéric Durieux
- Vocalise for soprano and orchestra (2001), 3 mn, Durand / Laurent Petitgirard
- Voci destroying muros for female voice and orchestra (1970), 17 mn, partition retirée du catalogue / Luigi Nono
- Voice and Instruments for soprano and chamber orchestra (1972), 15 mn, Universal Edition / Morton Feldman
- Voiceless Voice in Hiroshima requiem for choir, orchestra, soloists, reciters and tape ad lib. (1989-2001), 1 h 10 mn, Schott / Toshio Hosokawa
- Voie for narrator, three choirs and orchestra (1965-1966), 35 mn, Peters / Vinko Globokar
- Voilé, dévoilé lyrical scene for female voice and orchestra based on a poem by Philippe Jaccottet (2014), 20 mn 30 s, Lemoine / Edith Canat de Chizy
- stage Volo di Notte one act opera (1937-1939), 60 mn, Universal Edition / Luigi Dallapiccola
- stage Volpone opera in three acts (1949-1952), 2 h 15 mn about , Schirmer / George Antheil
- stage Von Heute auf Morgen op. 32 one act opera (1928-1929), 53 mn, Schott / Arnold Schoenberg
- stage Vor, während, nach Zaide commentary for an unfinished opera by W. A. Mozart on a libretto by J. A. Schachtner (1994-1995), 20 mn, Ricordi / Luciano Berio
- stage Vorspiel, Visionen und Finale from Paradise Lost, for 6 soloists, large mixed choir and orchestra (1979), 40 mn, Schott / Krzysztof Penderecki
- stage Waiting for the Barbarians opera in two acts (2005), 1 h 15 mn, Dunvagen Music Publishers / Philip Glass
- stage Wake musical theater for mixed choir and orchestra (2018), 1 h 15 mn, Ricordi / Giorgio Battistelli
- Walt Whitman for mixed choir and chamber orchestra (1914), 60 s / Charles Ives
- War Requiem for soprano, tenor, baritone, choir, orchestra, chamber orchestra, children's choir and organ (1961), 1 h 25 mn, Boosey & Hawkes / Benjamin Britten
- Warble for Lilac Time for soprano or tenor and piano, or soprano and chamber orchestra (1954, 1943), 8 mn, Peer International Corporation / Elliott Carter
- Was aber - for two female voices and orchestra (1986), 9 mn, Universal Edition / Wolfgang Rihm
- stage Water for choir and orchestra (2008), 1 h 16 mn, Red Poppy / Michael Gordon
- elec Water Passion After St. Matthew for voice, choir and ensemble (2000), 1 h 30 mn, Schirmer / Tan Dun
- Weaves for two solo voices, choir and chamber orchestra (2010), Boosey & Hawkes / Meredith Monk
- Wechsellied zum Tanz Der Triumph der Empfindsamkeit, n°4, for soprano and orchestra (1926), 4 mn, Universal Edition / Ernst Krenek
- Welcome Ode for SAB youth choir and orchestra (1976), 8 mn, Faber Music / Benjamin Britten
- Weltethos for narrator, large choir, children's choir and orchestra (2009-2011), 1 h 30 mn, Faber Music / Jonathan Harvey
- stage Wenn du dem Wind... three scenes from the opera Penthesilea after Heinrich von Kleist for soprano and orchestra (2014), 20 mn, Salabert / Pascal Dusapin
- wenn steine sich gen himmel stauen music for baritone and large orchestra (2011-2012), 25 mn, Bärenreiter / Philipp Maintz
- stage What Next? one-act opera (1997-1998), 47 mn, Boosey & Hawkes / Elliott Carter
- When lilacs last in the door-yard bloom'd - A requiem "For those we love" for mezzo-soprano, baritone, mixed choir and orchestra (1946), 60 mn, Schott / Paul Hindemith
- elec stage Where the Wild Things Are fantasy opera in one act (nine scenes) (1979-1983), 40 mn, Faber Music / Oliver Knussen
- White as Jasmine for soprano and large orchestra (1999), 14 mn, Faber Music / Jonathan Harvey
- stage White Nights opera in three acts (2005), 2 h 20 mn / Toshi Ichiyanagi
- stage White Raven opera in five acts, for soloists, choir and orchestra, collaboration with Robert Wilson (1991), 2 h 20 mn, Dunvagen Music Publishers / Philip Glass