
Ariadna Alsina Tarrés
Spanish composer born 6 October 1980 in Figueres.
Ariadna Alsina Tarrés studied violin at the Conservatori Superior de Música del Liceu and sonology at the Catalonia College of Music (ESMUC), where she focused on composition, studying with Luis Naón and Gabriel Brnčic. She then went to Paris to study composition with José Manuel López López, Horacio Vaggione, Christine Groult, Hèctor Parra (2011), and Martin Matalon (2012-2015). She took part in the IRCAM Cursus of 2015-16 while also earning her masters in multimedia composition at the Geneva Haute École de Musique, working with Pascal Dusapin, Luis Naón, Eric Daubresse, and Michael Jarrell. She has also taken masterclasses with Kaija Saariaho, Franck Bedrossian, Marco Stroppa, Philippe Manoury, Francesco Filidei, Luca Francesconi, and Daniel Teruggi.
She is currently researching the notation of time in mixed music for a doctorate at the Université Paris-VIII, directed by Makis Solomos and Alain Bonardi.
Influenced by the spectro-morphology theory, Alsina Tarrés is interested in the malleability and the transformation of sound material and the exploration of timbre in her compositions.
Her music has been performed in many European countries and in the United States by Ensemble Sillages, Ensemble Taller Sonoro, and Barcelona Modern Project, and by musicians including Shao-Wei Chou, Takao Yakutomé, Thibaut Trosset, Esther Lafebvre, Ana María Villamizar, and Sarah Lefeuvre.
In 2015, she received a Special Mention from the jury of the Prix Russolo for her composition Dis-Till-Action, recorded for the Studio Forum label.
Working with Emmanuelle Lizère, Alsina Tarrés designed Le son au bout des doigts, a musical creation for three interactive children’s installations exhibited at the Pompidou Center in June 2017 for the Festival ManiFeste.
© Ircam-Centre Pompidou, 2019
Sources
Ariadna Alsina Tarrés.
- Solo (excluding voice)
- elec Destil-Lacions for violin and electronics (2013)
- elec Être liquides for flute and electronics (2013)
- elec ircam Ircam cursus L'Air cassé de la carapace for accordion and electronics (2016), 7 mn [program note]
- Chamber music
- elec Distillations sur le poids d'une plume for flute, clarinet, saxophone and electronics (2013)
- elec Les Rumeurs for saxophone quartet and electronics (2015)
- elec ircam Musique pour DreamWork for saxophone, electric guitar, percussion, piano and electronics in real time (2018-2019), 11 mn
- Instrumental ensemble music
- Fourmillement for ensemble (2014)
- Au fil nu for ensemble (2015)
- Concertant music
- elec Closca for solo accordion, ensemble and electronics (2016)
- Vocal music and instrument(s)
- elec stage Un certain Plume for narrator, recorder and electronics (2015)
- elec Ne pleurez pas insectes (boue qui s'écoule) for soprano, cello and electronics (2017), 12 mn
- Electronic music / fixed media / mechanical musical instruments
- elec Déménagement d'une idée electroacoustic piece (2010)
- elec Dins Hi Ha Dos Ocelis Que Canten Hörspiel (2011)
- elec Reconstruction electroacoustic piece (2011)
- elec Voiles vitrés electroacoustic piece (2012)
- elec Dis-Till-Action electroacoustic piece (2013)
- elec ircam Le son au bout des doigts sound and visual installation (2017)
- 2019
- elec ircam Musique pour DreamWork for saxophone, electric guitar, percussion, piano and electronics in real time, 11 mn
- 2017
- elec ircam Le son au bout des doigts sound and visual installation
- elec Ne pleurez pas insectes (boue qui s'écoule) for soprano, cello and electronics, 12 mn
- 2016
- elec Closca for solo accordion, ensemble and electronics
- elec ircam Ircam cursus L'Air cassé de la carapace for accordion and electronics, 7 mn [program note]
- 2015
- Au fil nu for ensemble
- elec Les Rumeurs for saxophone quartet and electronics
- elec stage Un certain Plume for narrator, recorder and electronics
- 2014
- Fourmillement for ensemble
- 2013
- elec Destil-Lacions for violin and electronics
- elec Dis-Till-Action electroacoustic piece
- elec Distillations sur le poids d'une plume for flute, clarinet, saxophone and electronics
- elec Être liquides for flute and electronics
- 2012
- elec Voiles vitrés electroacoustic piece
- 2011
- elec Dins Hi Ha Dos Ocelis Que Canten Hörspiel
- elec Reconstruction electroacoustic piece
- 2010
- elec Déménagement d'une idée electroacoustic piece
Bibliographie
- Ariadna ALSINA TARRÉS, Alain BONARDI, « Proposition pour une écriture du temps des interactions entre musique électroacoustique et corps en mouvement », Journées d’Informatique Musicale, Albi, mars 2016, disponible sur HAL (lien vérifié en janvier 2019).
Discographie
- Ariadna ALSINA TARRÉS, Dis-Till-Action, dans « Luigi Russolo Contest 2015 » avec des œuvres de Hayashi Kyohei, Paul Ramage, Edwin Kenzo Huet, Alessandro Ratoci, Florent Colautti et Oil Texture, 1 cd Studio Forum, 2015.
Lien internet
- Page SoundCloud : https://soundcloud.com/ariadnaalsina (lien vérifié en janvier 2019).