© Laura Pastor
Joan Gómez Alemany
Spanish composer born 10 August 1990 in Valencia.
Joan Gomez Alemany was born in Spain in 1990. He trained as a pianist and studied visual art at the Valencia Polytechnic University before traveling to Austria to study composition at the Kunstuniversität Graz with Clemens Gadenstätter; he then returned to Spain to continue his composition studies with Oliver Rappoport at the Conservatori Superior de Música del Liceu in Barcelona. Other formative encounters in his composing career include Mark Andre, Pierluigi Billone, Raphaël Cendo, Brian Ferneyhough, Ashley Fure, Dimitri Kourliandski, Michael Maierhof, Hèctor Parra, Stefan Prins, Yann Robin, Jorge Sánchez-Chiong, Rebecca Saunders, and Mauricio Sotelo, among others.
As he was studying composing, he also took courses and workshops with film directors such as Pedro Costa, Víctor Erice, and Miguel Ángel Baixauli.
He has participated in numerous festivals and masterclasses, including Impuls Academy in 2019 and 2017, the Internationales Musikinstitut Darmstadt in 2018, the Ensems Festival in 2018, the Mixtur Festival in 2018, 2017, and 2016, the Barcelona Modern Project Course in 2018, 2017, and 2016, and the Fourth Conference in Electroacoustic Music at the Conservatorio Katarina Gurska in Madrin in 2016, where he met professors Trevor Wishart and Adolfo Nuñez.
His work often focuses on mixed music, electroacoustic music, and the relationships between sound and image. His music has been performed by groups such as the Multilatérale, Nikel, Schallfeld, IEMA (International Ensemble Modern Academy), JOGV (Jove Orquestra de la Generalitat Valenciana), Container, BCN216, and Morphosis ensembles, in Germany, Austria, Spain, France, and Israel.
In 2019, he presented his score for Peter Tscherkassky’s film L’Arrivée (1998).
© Ircam-Centre Pompidou, 2019
Sources
Joan Gómez Alemany ; site de ManiFeste 2019.
- Solo (excluding voice)
- elec Siegfried Delirium for horn and electronics (2016), 7 mn 30 s
- elec Sonaten für Klavier und Elektronik (il Lamento di Orfeo) for piano and electronics (2016), 21 mn 30 s
- Miirnaetu - Miniature for clarinet (2017), 2 mn
- Díptic Valldecrist for organ (2018), 15 mn
- elec Interacciones sonoras, Lo acústico y lo electrónico for saxophone and electronics (2018), 60 mn
- elec Palabras a Julia for cello and electronics (2018), 3 mn
- Chamber music
- Anamorphosis for saxophone, piano and accordion (2017), 6 mn 30 s
- In Feldman's grave for saxophone, piano and percussion (2017), 16 mn
- Lo duro y lo blando for bass clarinet, harp, cello and double bass (2017), 11 mn
- The mirror of sound for two double basses (2017), 9 mn 30 s
- Un fragmento de tierra for guitar quartet (2017), 22 mn 30 s
- elec 4 Disparates de Goya for clarinet, cello, percussion, piano and electronics (2018), 8 mn
- Azhan for saxophone and percussion (2018), 26 mn
- elec Un nouveau morceau de musique surréaliste for bass clarinet, guitar, double bass and live electronics (2018), 12 mn
- When paper wrinkles itself for three percussions (2018), 5 mn
- Instrumental ensemble music
- The religion of sound for ensemble (2017), 11 mn
- Geometria del color for chamber orchestra (2018), 9 mn
- Farbegeometrie for large ensemble (2019), 12 mn
- elec L'Horta la Nostra Terra for wind orchestra, dulzainas, tablas and electronics (2019), 15 mn
- elec TV (TeleVision) = TN (TransNacional) = TNT (TurnerNetworkTelevision) (TriNitroToulene) for ensemble, video and electronics (2019), 8 mn
- A cappella vocal music
- Rembrandt's palette for three voices (2019), 5 mn
- Electronic music / fixed media / mechanical musical instruments
- elec Deus cum musica cogitat. Sed quid Deus cogitat? electroacoustic piece (2016), 6 mn 30 s
- elec Omaggio a Scelsi electroacoustic piece (2017), 17 mn
- elec Das Blut von Tristan und Isolde electroacoustic piece (2018), 11 mn
- elec Un grito y un cadáver electroacoustic piece (2018), 5 mn
- elec L'Arrivée (2019), 2 mn
- 2019
- Farbegeometrie for large ensemble, 12 mn
- elec L'Arrivée, 2 mn
- elec L'Horta la Nostra Terra for wind orchestra, dulzainas, tablas and electronics, 15 mn
- Rembrandt's palette for three voices, 5 mn
- elec TV (TeleVision) = TN (TransNacional) = TNT (TurnerNetworkTelevision) (TriNitroToulene) for ensemble, video and electronics, 8 mn
- 2018
- elec 4 Disparates de Goya for clarinet, cello, percussion, piano and electronics, 8 mn
- Azhan for saxophone and percussion, 26 mn
- elec Das Blut von Tristan und Isolde electroacoustic piece, 11 mn
- Díptic Valldecrist for organ, 15 mn
- Geometria del color for chamber orchestra, 9 mn
- elec Interacciones sonoras, Lo acústico y lo electrónico for saxophone and electronics, 60 mn
- elec Palabras a Julia for cello and electronics, 3 mn
- elec Un grito y un cadáver electroacoustic piece, 5 mn
- elec Un nouveau morceau de musique surréaliste for bass clarinet, guitar, double bass and live electronics, 12 mn
- When paper wrinkles itself for three percussions, 5 mn
- 2017
- Anamorphosis for saxophone, piano and accordion, 6 mn 30 s
- In Feldman's grave for saxophone, piano and percussion, 16 mn
- Lo duro y lo blando for bass clarinet, harp, cello and double bass, 11 mn
- Miirnaetu - Miniature for clarinet, 2 mn
- elec Omaggio a Scelsi electroacoustic piece, 17 mn
- The mirror of sound for two double basses, 9 mn 30 s
- The religion of sound for ensemble, 11 mn
- Un fragmento de tierra for guitar quartet, 22 mn 30 s
- 2016
- elec Deus cum musica cogitat. Sed quid Deus cogitat? electroacoustic piece, 6 mn 30 s
- elec Siegfried Delirium for horn and electronics, 7 mn 30 s
- elec Sonaten für Klavier und Elektronik (il Lamento di Orfeo) for piano and electronics, 21 mn 30 s
Liens internet
- SoundCloud : https://soundcloud.com/joan-g-mez (lien vérifié en mai 2019).
Bibliographie
- Joan GÓMEZ ALEMANY, « EL (Ⓐ)CⒶSO WAGNER », Sul Ponticello n° 64, avril 2019.
- Joan GÓMEZ ALEMANY, « El sonido y la improvisación desde el punto de vista de un compositor », Sul Ponticello n° 60, décembre 2018.
- Joan GÓMEZ ALEMANY, « Sons abstractes », Sul Ponticello n° 58, octobre 2018.
- Joan GÓMEZ ALEMANY, « HÍBRIDS_ a través del video, del sonido y del recuerdo », Sul Ponticello n° 57, septembre 2018.
- Joan GÓMEZ ALEMANY, « Apuntes sobre la concepción sonora », Sul Ponticello n° 55, juillet 2018.
- Joan GÓMEZ ALEMANY, « Geometría del color », Sul Ponticello n° 54, juin 2018.
(liens vérifiés en mai 2019).