French composer and pianist born 17 July 1982 in Roubaix.
Didier Rotella studied piano with André Gorog, Françoise Thinat, Anne Quéffelec, Georges Pludermacher, and Géry Moutier, and composition with Edith Canat de Chizy, Alain Louvier, Yan Maresz, Luis Naon, Frédéric Durieux, and Hector Parrà.
His recent compositions are strongly influenced by research on instrumental gestures as a basis for the creation of a musical discourse, either in terms of the relationship between the performer and electronic sounds, or in purely acoustic works. This research places a strong emphasis on the notion of energy (exerted by the performer, received by the listener), be it in terms of the coordination of sonic densities, of virtuosity, or of the purging of sounds until only a singular vibration remains. His musical language transposes the traditional idea of tension-release into the realm of timbre, moving between noise-based textures and pure tones, and frequently employing microtonality. His works which make use of electronics are characterised by a “degradation” of the material performed by the instrumentalist(s), culminating in concrète deformation—or a “hybridisation”—of the instrument itself.
Rotella’s dual role as pianist/composer with Ensemble Regards has allowed him to intensively research the connection between instrumental gestures and musical notation, as well as to explore the notion of sonic hybridisation, notably through the composition of a work for two augmented pianos whose premiere is scheduled to take place in 2021 as part of a Franco-Italian project.
His catalogue comprises a number of vocal works, including two operas and several pieces for voice and ensemble. As a performer, in addition to standard works for piano solo and chamber formations, he has premiered many new works of contemporary music, either as a soloist or as a member of various chamber ensembles.
Didier Rotella holds a pedagogy degree (CA) in piano. He was a resident at Villa Medici and Casa de Vélazquez. As a composer, his works have been performed by ensembles such as Intercontemporain, Links, Divertimento, Neue Vocalsolisten, the Orchestra of Graduates of the Paris Conservatoire, Ensemble Orchestral Contemporain, Moscow Ensemble Modern, the Diotima and Tana Quartets, Ensemble Regards, Ensemble Proxima, etc. As a pianist, he has performed in France and abroad, including performances as soloist in works such as Prokofiev’s Piano Concerto No. 3 and Rachmaninoff’s Piano Concerto No. 3.
His works are primarily published by Impronta Verlag U.G, and are also available on BabelScores.
Awards, Grants, and Prizes
- Winner of the Franco Donatoni Competition, 2016
- Second Prize in the Sorodha Competition, 2016
- Resident at Villa Medici, 2015
- Chevillond-Bonneau Prize in the Orleans Piano Competition, 2014
- Salabert Foundation Prize, 2014
- Fondation de France Grant, 2013
- First Prize in the Jurgenson Competition, in the “Ensemble” category, 2011
© Ircam-Centre Pompidou, 2018
Site officiel du compositeur, ResMusica, Ircam.
- Solo (excluding voice)
- Deuxième Sonate for piano (2003-2004), 16 mn
- Trois Préludes for piano (2006-2007), 18 mn
- Trois Hymnes Primitifs for violin (2008), 14 mn
- elec Strophe 1 for piano and electronics (2013, 2010-2012), 7 mn 30 s
- elec ircam Ircam cursus Strophe 3 [Sur le fil] for flute and electronics (2016), 9 mn [program note]
- Heart Mechanics for porcelain chime (2018), 18 mn, Impronta
- Chamber music
- Instrumental ensemble music
- Mémorial for ensemble of 11 instrumentalists (2007-2008), 10 mn
- Polychromies 2 : "Moving color" for ensemble of 13 saxophones and piano (2008), 12 mn
- Gribiche music for the film by Jacques Feyder (2009), 1 h 20 mn
- Errances for ensemble of twenty instrumentalists (2012), 13 mn
- Etude pour un jour de pluie for ensemble of 9 instrumentalists (2013), 8 mn 30 s
- Polychromies III - émergence for orchestra (2017), 15 mn about
- elec ircam Catharsis for two percussions, two augmented pianos and electronics (2018), 25 mn [program note]
- Prologue pour la Dame Rouge for ensemble (2018), 18 mn
- elec Absence for harmony orchestra and electronics (2019), 10 mn about
- Concertant music
- Vocal music and instrument(s)
- 5 Mélodies for singing and piano (2003-2006), 17 mn about
- elec Instants Mêlés for soprano and ensemble with electronics (2013-2014), 25 mn
- stage Le Monde est devenu Sombre for singers, instrumental ensemble and children's choir (2013-2014), 32 mn about
- D'un Soleil Arachnide for five voices and ensemble (2016-2017), 17 mn, Impronta
- A cappella vocal music
- Chimères for a capella choir (8 mixed voices) (2008-2009), 10 mn about
- Electronic music / fixed media / mechanical musical instruments
- elec Absence for harmony orchestra and electronics, 10 mn about
- Fragrances for string quartet, 20 mn
- Etude pour un jour de pluie for ensemble of 9 instrumentalists, 8 mn 30 s
- Strophe 2 for clarinet and piano, 8 mn
- Trois Préludes for piano, 18 mn
- Anathème 2 for saxophone and piano, 13 mn
- Deuxième Sonate for piano, 16 mn