14 avril 2005 01 h 01 min
14 avril 2005 24 min
12 mai 2005 52 min
4 février 2005 01 h 18 min
17 octobre 2007 49 min
27 juin 2007 01 h 12 min
11 juillet 2007 48 min
12 septembre 2007 01 h 07 min
19 septembre 2007 01 h 13 min
26 septembre 2007 01 h 00 min
3 octobre 2007 01 h 12 min
10 octobre 2007 01 h 10 min
24 octobre 2007 50 min
21 novembre 2007 57 min
0:00/0:00
In this talk, I will first discuss conceptual analyses of the notions of interaction and improvisation in music from the standpoint of the philosophy of action. In particular, I will contend that interaction and improvisation are best conceived as overlapping but importantly distinct notions. I will also present and evaluate a set of positive criteria for improvised action (as opposed to merely negative criteria such as "unplanned" or "unscripted"). In the second part of the talk, I will discuss how these notions can be applied to music-making settings involving artificial entities, such as software or robots.
In this talk, I will first discuss conceptual analyses of the notions of interaction and improvisation in music from the standpoint of the philosophy of action. In particular, I will contend that interaction and improvisation are best conceived as overlapping but importantly distinct notions. I will also present and evaluate a set of positive criteria for improvised action (as opposed to merely negative criteria such as "unplanned" or "unscripted"). In the second part of the talk, I will discuss how these notions can be applied to music-making settings involving artificial entities, such as software or robots.
1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43
Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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