Bibliographie sélective

  • Robert ASHLEY, Atalanta (Acts of God). Santa Fe: Burning Books, 2011.
  • Robert ASHLEY, Music with Roots in the Aether. Köln: MusikTexte, 2000.
  • Robert ASHLEY, Outside of Time: Ideas about Music. Köln: MusikTexte, 2009.
  • Robert ASHLEY, Quicksand. Santa Fe: Burning Books, 2011.
  • Robert ASHLEY, Larry Austin, and Karlheinz Stockhausen. “Conversation,” in Source, Issue Number One, 1967, p. 106.
  • Robert ASHLEY, Perfect Lives. San Francisco: Burning Books/Archer Fields, 1991.
  • Larry AUSTIN, Douglas KAHN et Nilendra GURUSINGHE, eds. Source: Music of the Avant-garde, 1966-1973. Berkeley, Los Angeles, and London: University of California Press, 2011.
  • Daniel CAUX, Le “Sonic Arts Union”, in Le silence, les couleurs du prisme & la mécanique du temps qui passe, Éditions de l’éclat, pp. 351-359. 
  • David COPE. New Directions in Music. Dubuque: Wm. C. Brown Company, 1973.
  • Cole GAGNE and Tracy CARAS, Soundpieces: Interviews with American Composers. Metuchen, N.J. and London, Scarecrow Press, 1982.
  • Kyle GANN, “The British Don’t Have Oral Sex.” Village Voice, December 13, 1994 (Vol. XXXIX No. 50), p. 92.
  • Kyle GANN, “Finnegans Opera.” Village Voice, October 29, 1991 (Vol. XXXVI No. 44, p. 90).
  • Kyle GANN, “Opera Rad.” Village Voice, April 4, 2000 (Vol XLV No. 13, pp. 116, 119)
  • Kyle GANN, “Real-Life Ring.” Village Voice, November 15, 1994 (Vol. XXXIX No. 46), p. 84.
  • Kyle GANN, “Shouting at the Dead,” Village Voice, October 8, 1991 (Vol. XXXVI No. 41), p. 89.
  • Kyle GANN, “Where the River Ends.” Village Voice, April 29, 2003 (Vol. XLVIII No. 17), p. 109.
  • Peter GREENAWAY, Four American Composers: a series of one hour films about Robert Ashley, John Cage, Philip Glass and Meredith Monk. Transatlantic Films (London)/Mystic Fire Video (New York), 1982/91 (film)
  • H. Wiley HITCHCOCK, “Current Chronicle” in The Musical Quarterly, Vol. 48, No. 2 (Apr., 1962), p. 246.
  • Kevin James HOLM-HUDSON, “Music, Text, and Image in Robert Ashley’s Video Opera Perfect Lives.” Doctoral dissertation, University of Illinois, 1992
  • Richard S. JAMES “ONCE: Microcosm of the 1960s Musical and Multimedia Avant-Garde,” in American Music, Vol. 5, No. 3 (Winter, 1987), 359-390.
  • Roger JOHNSON, Scores: An Anthology of New Music. New York: Schirmer Books, 1981.
  • Leta E. MILLER “ONCE and Again: The Evolution of a Legendary Festival,” in liner notes to Music from the ONCE Festival 1961-1966. New World 80567-2. 2003.
  • Nyman, Nyman. Experimental Music: Cage and Beyond. Cambridge: Cambridge University Press, 1974.
  • Ted. RANCONT “Coins, Balloons and Explosions Play Roles in ONCE Festival,” Ann Arbor News. Feb. 29, 1964.
  • M., K. Burch and M. SUMNER, eds. The Guests Go In to Supper: Texts, Scores and Ideas of Seven American Composers: Ashley, Ono, Gage, Anderson, Amirkhanian, Peppe, Atchley. Oakland: Burning Books 1986.

Discographie sélective

Compact-discs :

  • Robert ASHLEY, Crash, Lovely Music, CD 5001-2, 2015.
  • Robert ASHLEY, Atalanta (Acts of God) Vol II, Lovely Music, CD 3303-4, 2010.
  • Robert ASHLEY, Concrete, Lovely Music, CD 2010, 2008.
  • Robert ASHLEY, Foreign Experiences, Lovely Music, CD 1008, 2006.
  • Robert ASHLEY, *Celestial Excursions,*Lovely Music, CD 1007, 2005.
  • Various Artists, Music From the ONCE Festival, Advance, 2003. Contient les pièces : *Sonata,The Fourth of July, Details (2b),Fives,In Memoriam…Crazy Horse,Quartet.
  • Robert ASHLEY, Dust, Lovely Music, CD 1006, 2000.
  • Robert ASHLEY, *Automatic Writing,*Lovely Music, CD 1002, 1996. Contient les pièces : Automatic Writing(1979), Purposeful Lady Slow Afternoon(1968) et She Was A Visitor(1967).
  • Robert ASHLEY, *eL/Aficionado,*Lovely Music, CD 1004, 1994.
  • Robert ASHLEY, Atalanta (Acts of God), Lovely Music, CD 3301, 1997.
  • Robert ASHLEY, Perfect Lives, Lovely Music, CD 4917, 1990.
  • Robert ASHLEY, Yellow Man With Heart With Wings, Lovely Music, CD 1003, 1990.

Vinyles :

  • Robert ASHLEY & Walter MARCHETTI, October 25, 2001 Merkin Concert Hall NYC, Choose Records, 011, 2007.
  • Robert ASHLEY, Wolfman, Alga Marghen, plana-A 20NMN.047, 2002.
  • Robert ASHLEY, String Quartet Describing The Motions Of Large Real Bodies / How Can I Tell The Difference?, Alga Marghen, plana-A 10NMN.030, 2002.
  • Robert ASHLEY, Atalanta (Acts Of God), Lovely Music, VR 3301, 1985.
  • Robert ASHLEY, Henning CHRISTIANSEN, Giancarlo SCHIAFFINI, “Blue” Gene TYRANNY, Rosenfest Berlin 1984 (Fragment XXX), BerlinerKünstlerprogrammdesDAAD, DAAD 011, 1984.
  • Robert ASHLEY, Perfect Lives (Private Parts): Music Word Fire And I Would Do It Again (Coo Coo), Lovely Music, VR 4908, 1981.
  • Robert ASHLEY, Perfect Lives (Private Parts): The Bar, Lovely Music, VR 4904, 1980.
  • Robert ASHLEY, Automatic Writing, Lovely Music, VR 1002, 1979.
  • Robert ASHLEY, Private Parts, Lovely Music, LML 1001, 1978.
  • Robert ASHLEY, In Sara, Mencken, Christ And Beethoven There Were Men And Women, Cramps Records, CRSLP 6103, 1974.
  • Robert ASHLEY, David BEHRMAN, Larry AUSTIN, Allan BRYANT, Source: Music Of The Avant Garde Issue Number 4, Source Records, 1968.

Liens

(liens vérifiés en mai 2018)


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