Catalogue

Le catalogue complet des œuvres de R. Murray Schafer est disponible sur l’Encyclopédie canadienne : https://www.thecanadianencyclopedia.ca/fr/article/r-murray-schafer-emc

(lien vérifié en septembre 2021).

Bibliographie

  • R. Murray SCHAFER, British Composers in Interview, Londres, Faber & Faber, 1963.
  • R. Murray SCHAFER, The Composer in the Classroom, Toronto, Berandol Press, 1965 ; New York, Associated Music, 1965.
  • R. Murray SCHAFER, Ear Cleaning: Notes for an Experimental Music Course, Toronto, Berandol, 1967 ; New York, Associated Music, 1967.
  • R. Murray SCHAFER, The New Soundscape: Handbook for the Modern Music Teacher, Toronto, Berandol, 1969 ; New York: Associated Music, 1969.
  • R. Murray SCHAFER, The Book of Noise, Vancouver, Privately Printed, 1970.
  • R. Murray SCHAFER, When Words Sing, Toronto, Berandol, 1970 ; New York, Associated Music, 1970.
  • R. Murray SCHAFER, A Survey of Community Noise By-Laws in Canada, Vancouver, The World Soundscape Project, 1974.
  • R. Murray SCHAFER, The Vancouver Soundscape, Vancouver, The World Soundscape Project, 1974.
  • R. Murray SCHAFER, E.T.A Hoffmann and Music, Toronto, University of Toronto Press, 1975.
  • R. Murray SCHAFER, The Rhinoceros in the Classroom, Londres, Universal Edition, 1975.
  • R. Murray SCHAFER, Creative Music Education: A Handbook for the Modern Music Teacher, New York, Schirmer, 1976.
  • R. Murray SCHAFER, Smoke: A Novel, Vancouver, Privately Printed, 1976.
  • R. Murray SCHAFER, A Chaldean Inscription, Toronto, Privately Printed, 1977.
  • R. Murray SCHAFER, European Sound Diary, Vancouver, ARC Publications, 1977.
  • R. Murray SCHAFER, Five Village Soundscapes, Vancouver, ARC Publications, 1977
  • R. Murray SCHAFER, Music in the Cold, Toronto, Privately Printed, 1977.
  • R. Murray SCHAFER, The Soundscape, Rochester, Destiny Books, 1977.
  • R. Murray SCHAFER, The Tuning of the World, Toronto, McClelland and Steward, 1977 (traduction française, sous le titre Le Paysage sonore, Paris, Lattès, 1979).
  • R. Murray SCHAFER et Barry TRUAX (Ă©ds.), Handbook of Acoustic Ecology: Music of the Environment Series, Vancouver, ARC Publications, 1978.
  • R. Murray SCHAFER, Ezra Pound and Music: The Complete Criticism, Londres, Faber & Faber, 1978.
  • R. Murray SCHAFER, A Collection, Indian River, Arcana, 1979.
  • R. Murray SCHAFER, The Sixteen Scribes, Bancroft (Ontario), Arcana, 1981.
  • R. Murray SCHAFER, Ariadne, Indian River, Arcana, 1984.
  • R. Murray SCHAFER, Dicamus et Labyrinthos: A Philologist’s Notebook, Bancroft (Ontario), Arcana, 1984.
  • R. Murray SCHAFER, On Canadian Music, Indian River, Arcana, 1984.
  • R. Murray SCHAFER, The Thinking Ear: Complete Writings on Music Education, Toronto, Arcana, 1986.
  • R. Murray SCHAFER, A Sound Education: 100 Exercises in Listening and Sound-making, Indian River, Arcana, 1992.
  • R. Murray SCHAFER, Voices of Tyranny: Temples of Silence, Indian River, Arcana, 1993.
  • R. Murray SCHAFER, Wolf Tracks, Indian River, Arcana, 1997.
  • R. Murray SCHAFER, Patria: The Complete Cycle, Indian River, Arcana, 2002.
  • Stephen ADAMS, R. Murray Schafer, Toronto, University of Toronto Press, 1983.
  • Rae CROSSMAN, « Notes from the Wild: An Account in Words and Music of R. Murray Schafer’s And Wolf Shall Inherit the Moon », The New Quarterly, 101 (2007), p. 109-155.
  • Paul DUTTON, « The Broken Thread: Ariadne in the Works of R. Murray Schafer », Descant, XIX/3 (1988), p. 47-79.
  • Kate GALLOWAY, « Pathways and Pilgrimages: The In-Between Spaces in the Patria Cycle », Intersections: Canadian Journal of Music, XXVIII/1 (2007), p. 134-145.
  • Kate GALLOWAY, « Roughing It in the Woods: Community and Emplaced Experience in the Cultural Practice of Patria », MUSICultures, XLIX/2 (2012), p. 30–60.
  • Keith POTTER et John SHEPHERD, « Interview with Murray Schafer », Contact: Today’s Music, 13 (1976), p. 3-10.
  • John REA, « Richard Wagner and R. Murray Schafer: Two Revolutionary and Religious Poets », The Canada Music Book/Les Cahiers canadiens de musique, 8 (1974), p. 37-51.
  • Barry TRUAX, « Soundscape Studies: An Introduction to the World Soundscape Project », Numus West, 5 (1974), p. 36-39.
  • Ellen WATERMAN, « Confluence and Collaboration; Patria the Epilogue: And Wolf Shall Inherit the Moon»,Musicworks, 70 (1998), p. 6-10, et 72 (1998), p. 16-24.
  • Ellen WATERMAN, « Wolf Music: Style, Context and Authenticity in R. Murray Schafer’s And Wolf Shall Inherit the Moon », Canadian University Music Review, XVIII/2 (1998), p. 72-88.

Discographie sélective

  • R. Murray SCHAFER, Loving, New Music Concerts Ensemble, sous la direction de Robert Aitken, Melbourne Records SMLP 4035-SMLP 4036 (1978).
  • R. Murray SCHAFER, A Garden of Bells, Grouse Records GR 101 (1986).
  • R. Murray SCHAFER, String Quartets 1-5, Orford String Quartet, Centrediscs CMCCD 39/4090 (1991).
  • R. Murray SCHAFER, Concerto for flute *&*orchestra,Harp Concerto,The Darkly Splendid Earth, Robert Aitken (flĂ»te), Judy Loman (harpe), Jacques Israelievitch (violin), Toronto Symphony Orchestra et Vancouver Symphony Orchestra, sous la direction de Kazuyoshi Akiyama et Andrew Davis, CBC SMCD 5114 (1993).
  • R. Murray SCHAFER, Love Songs for a Small Planet, Magic Songs, Vancouver Chamber Choir, Centrediscs / Centredisques CD-CMCCD 4893 (1993).
  • R. Murray SCHAFER, Gitanjali, The Garden of the Heart, Adieu, Robert Schumann, Donna Brown (soprano), Anna Maria Popescu, Judith Forst (mezzo-soprano), Orchestre du Centre national des arts, sous la direction de Mario Bernardi, SMCD 5173 (1997).
  • R. Murray SCHAFER, Vancouver Soundscape (1973) and Soundscape Vancouver (1996), Cambridge Street Records CSR-2CD 9701 (1997).
  • R. Murray SCHAFER, Patria , Selections from Operas, Schafer Ensemble, Opening Day Records ODR 9307 (2000).
  • R. Murray SCHAFER, String Quartets 1-7, Quatuor Molinari, Atma ACD 2 2188/89 (2000).
  • R. Murray SCHAFER, Once on a Windy Night, Seventeen Haiku, Vox Naturae, A Medieval Bestiary, Vancouver Chamber Choir, Grouse Records GR 105 (2001).
  • R. Murray SCHAFER, Canadian Composers Portraits: R. Murray Schafer, R. Murray Schafer (musique, texte, narration), Michael Cumberland (cor des Alpes, tuba), John Dewirst (trombone), Wendy Humphries (soprano), Stuart Laughton (trompette, cornet Ă  bouquin), Tilly Prudhorn (clarinette), Ellen Waterman (flĂ»te),Centrediscs / Centredisques CD-CMCCD 8902 (2002).
  • R. Murray SCHAFER, Music for the Morning of the World, Le Cri de Merlin, Deluxe Suite for Piano, Bradyworks, Centrediscs / Centredisques CD-CMCCD/DVD 12006 (2006).
  • R. Murray SCHAFER, Letters from Mignon, Eleanor James (mezzo-soprano), Esprit Orchestra, sous la direction d’Alex Pauk, ACD2 2553 Atma Classique (2007).
  • R. Murray SCHAFER, Duo for Violin and Piano, Wild Bird, Nancy Dahn (violon) et Timothy Steeves (piano), Centrediscs / Centredisques CD-CMCCD 16110 (2010).
  • R. Murray SCHAFER, My Life in Widening Circles, Trio for Violin, Viola and Cello, Wild Bird, Kinderlieder, Duo for Violin and Piano, Six Songs from Rilke’s Book of Hours,Land’s End Chamber Ensemble, Centrediscs / Centredisques CD-CMCCD 17712 (2012).

Filmographie

  • Bing, Bang, Boom (NFB 1975).
  • Music for Wilderness Lake (Fichman-Sweete Productions, dĂ©sormais Rhombus Media 1980).
  • Adieu Robert Schumann (CBC 1981).
  • Carnival of Shadows, adaptation filmĂ©e dePatria 3: The Greatest Show (Rhombus Media 1989).
  • Salt Water People (NFB 1992).

Liens internet

(liens vérifiés en septembre 2021).


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