Citizen Kane (O. Welles, RKO, 1941)
*The Devil and Mr. Webster /*All That Money Can Buy (W. Dieterle, Dieterle Prod., 1941)
The Magnificent Ambersons (O. Welles, RKO, 1942)
Jane Eyre (R. Stevenson, 20th C. Fox, 1943)
Hangover Square (J. Brahm, 20th C. Fox, 1945)
Anna and the King of Siam (J. Cromwell, 20th C. Fox, 1946)
The Ghost and Mrs. Muir (J. Mankiewicz, 20th C. Fox, 1947)
The Day the Earth Stood Still (R. Wise, 20th C. Fox, 1951)
On Dangerous Ground (N. Ray–I. Lupino, RKO, 1951)
Five Fingers[L’Affaire Cicéron] (J. Mankiewicz, 20th C. Fox, 1952)
The Snows of Kilimanjaro (H. King–R.W. Baker, 20th C. Fox, 1952)
White Witch Doctor (H. Hathaway, 20th C. Fox, 1953)
Beneath the Twelve Mile Reef (H. King, 20th C. Fox, 1953)
King of the Khyber Rifles (H. King, 20th C. Fox, 1953)
The Egyptian (M. Curtiz, 20th C. Fox, 1954) (en collaboration avec A. Newman)
Garden of Evil (H. Hathaway, 20th C. Fox, 1954)
Prince of Players (P. Dunne, 20th C. Fox, 1955)
The Kentuckian (B. Lancaster, Hecht–Lancaster Prod., 1955)
The Trouble with Harry[Mais qui a tué Harry ?] (A. Hitchcock, Paramount, 1955)
The Man in the Gray Flannel Suit (N. Johnson, 20th C. Fox, 1956)
The Man who Knew Too Much (A. Hitchcock, Paramount, 1956)
The Wrong Man[Le Faux coupable] (A. Hitchcock, Warner Bros., 1956)
Williamsburg (G. Seaton, court-métrage, 1957)
A Hatful of Rain (F. Zinnemann, 20th C. Fox, 1957)
The Naked and the Dead (R. Walsh, Gregory Prod., 1958)
Vertigo[Sueurs froides] (A. Hitchcock, Paramount, 1958)
The Seventh Voyage of Sinbad (N. Juran, Morningside Prod., 1958)
North by Northwest[La Mort aux trousses] (A. Hitchcock, MGM, 1959)
Blue Denim (P. Dunne, 20th C. Fox, 1959)
Journey to the Center of the Earth (H. Levin, 20th C. Fox, 1959)
Psycho (A. Hitchcock, Shamley Prod., 1960)
The Three Worlds of Gulliver (J. Sher, Morningside Prod., 1960)
Mysterious Island (C. Endfield, Ameran Films, 1961)
Cape Fear (J.L. Thompson, Melville Prod., 1962)
Tender Is the Night (H. King, 20th C. Fox, 1962)
The Birds (A. Hitchcock, Universal, 1963) (consultant musical)
Jason and the Argonauts (D. Chaffey, Columbia, 1963)
Marnie (A. Hitchcock, Universal, 1964)
Joy in the Morning (A. Segal, MGM, 1965)
Torn Curtain (A. Hitchcock, Universal, 1966) (partition refusée)
Fahrenheit 451 (F. Truffaut, Anglo Enterprises–Vineyard Film, 1966)
La Mariée était en noir (F. Truffaut, Films du Carosse– Artistes associés–De Laurentis, 1968)
Twisted Nerve (R. Boulting, Charte Film Prod., 1968)
Obsessions (P. de la Para, Scorpio Films, 1969)
The Battle of Neretva (V. Bilajic, Scorpio Films, 1969)
The Night Digger / The Road Builder (A. Reid, Twinckenham Film Studios, 1971)
Endless Night (S. Gilliat, MGM, 1972)
Sisters[SĹ“urs de sang] [B. De Palma, American International Pictures, 1973)
It’s Alive[Le Monstre est vivant] (L. Cohen, Warner Bros., 1974)
Taxi Driver (M. Scorsese, Columbia, 1976)
Obsession (B. De Palma, Columbia, 1976)