updated 28 July 2020

Hilda Paredes

Mexican composer living in Great Britain, born in 1957 in Mexico City.

Born in Mexico City, Hilda Paredes has lived in London since 1979. Following studies at the Guildhall School of Music, she earned a Master of Arts from the University of London and a Doctorate from the University of Manchester. She also attended classes with Sir Peter Maxwell Davies and Richard Rodney Bennett at the Dartington Summer School.

In 1989, she participated in the Garden Venture Opera Project in Dartington, for which she wrote Agamemnon takes a bath. Subsequently, she composed her first chamber opera, The Seventh Seed (1991), which was recorded and released on the Mode Records label. Her second opera, El Palacio Imaginado (2003), commissioned by the Musik der Jahrhunderte Festival, the English National Opera, and the New Haven Festival of Arts and Ideas, was performed to great acclaim on both sides of the Atlantic.

Paredes has received numerous accolades, including grants from the Rockefeller Foundation for Culture (Mexico/USA) and the Guggenheim Foundation, the Ballet Prize from the Arts Council of Great Britain in 1988 for El Prestidigitador, and support from the Sistema Nacional de Creadores (FONCA) in Mexico.

A composer with a truly international reputation, Paredes’ works have been performed by ensembles such as London Sinfonietta, Ensemble Modern, Ensemble Recherche, and the Arditti Quartet, the latter of which has premiered a number of her pieces, including Can Silim Tun (1999; in collaboration with Neue Vocalsolisten), Papalote (2000; with Jake Arditti), and Canciones lunáticas (2008-2009). Her music is frequently programmed in prestigious festivals such as Huddersfield and Edinburgh in the United Kingdom, Eclat and Ultraschall in Germany, Musica and Octobre en Normandie in France, Wien Modern in Austria, Akiyoshidai and Takefu in Japan, Ars Musica in Brussels, Archipel and Music Monat in Switzerland, De Ijsbreker Chamber Music Festival in Amsterdam, Warsaw Autumn, Ultima in Oslo, Melbourne Festival, and other festivals in the United States, Spain, and Mexico.

Hilda Paredes teaches composition and lectures at the University of Manchester. She has also presented guest lectures at North American universities such as UCSD, Buffalo, and Mills College (where she served as “Darius Milhaud Visiting Professor” in 2007), at Centre Acanthes in France, and at the Escola Superior de Música de Catalunya in Barcelona, where she was invited to teach in 2011. Additionally, she is active in the new music scene in her country of birth, notably teaching at institutions including the University of Mexico and collaborating with Mexican National Radio.

Notable works in Paredes’ catalogue include Fragmentos de Altazor for six voices, commissioned by the Neue Vocalsolisten and premiered in Stuttgart in December 2010; Revelación (2011) for ensemble and real-time electronics with choreography by Ana Luján, commissioned by Integra - Fusing music and technology and Grup Instrumental (Valencia); and Altazor, commissioned by the Festival D’Automne for Guillermo Anzorena, Ensemble L’Instant Donné, with electronics produced at IRCAM, premiered in November, 2011. In 2017, she was commissioned by the University of New Mexico to compose several pieces for children based on the popular songs included in the JD Robb archive; this gave rise to the works Los animales, El burrito pardo, Arre, arre mi burrito, and Don Gato, among others. In 2018, her chamber opera Harriet, based on the life of American abolitionist and political activist Harriet Tubman, was premiered at the Muziekgebouw in Amsterdam.

Sources

Hilda Paredes

Solo (excluding voice)
- Humoresque, Melancholico, Toccata three pieces for two-keyboard harpsichord (1978-1981), 8 mn
- Permutaciones for violin (1985), 7 mn, University of York Music Press [program note]
- IKAL for recorder (1991), 8 mn [program note]
- Chaczidzib for piccolo (1992), 8 mn, University of York Music Press
- Tríptico Caligrama, A contraluz, Parábola, for piano (1993-1994), 22 mn, University of York Music Press [program note]
- Yay be for two-keyboard harpsichord (1996-1997), 7 mn [program note]
- Zuhuy kak for cello (1997), 11 mn, University of York Music Press [program note]
- Metamorfósis for guitar (1999), 9 mn, University of York Music Press [program note]
- Tzolkin for percussion (2001), 11 mn, University of York Music Press [program note]
- Las Estrellas educational piece for piano (2003), 60 s
- Recordando a Celia educational piece for piano (2003), 3 mn, Boosey & Hawkes [program note]
- Tanz Zanates educational piece for piano (2003), 2 mn
- In Memoriam Thomas Kakuska for violin (2006), 10 mn, University of York Music Press [program note]
- elec Páramo de voces for piano and electronics (2006), 14 mn, University of York Music Press [program note]
- Sobre un páramo sin voces for piano and electronics (2006), 5 mn, University of York Music Press [program note]
- Paráfrasis for solo trombone (2009), 12 mn, University of York Music Press
- elec Eihei-Ji for flute (bass, tenor or soprano) and electronics (2013), 9 mn, University of York Music Press
- Intermezzo malinconico for bass clarinet (2013), 13 mn, University of York Music Press
- Sparkle for piano (2019), 3 mn, University of York Music Press
Chamber music
- stage Tlapitzalli 2 for flute and percussion (1987), 6 mn
- Tlapitzalli 3 for three recorders (1988), 14 mn
- elec Towards the sun for flute, cello, synthesizer, tabla and live electronics (1990), 15 mn
- U Yu T'an for string quartet (1998), 15 mn, University of York Music Press [program note]
- Cotidales for piano and string quartet (2001), 18 mn, University of York Music Press [program note]
- Seed of time for horn, piano and string trio (2003), 5 mn
- elec A través del granizo for prepared piano, harpsichord and electronics (2007), 10 mn, University of York Music Press
- Alegoría Tri-partita trio with piano (2008), 18 mn, University of York Music Press [program note]
- Cuerdas del destino second string quartet (2007-2008), 18 mn, University of York Music Press [program note]
- elec Óox p’eel ikil t’aan for trumpet, percussion, tape and live electronics (2007-2008), 24 mn, University of York Music Press [program note]
- Bitácora capilar for string quartet (2013), 14 mn, University of York Music Press
- Reencuentro for flute, clarinet in Bb and cello (2013), 6 mn, University of York Music Press
- Hacia una bitácora capilar for string quartet (2014), 9 mn, University of York Music Press
- elec Sortilegio for harp, percussion and electronics (2015), 18 mn, University of York Music Press
- Siphonophorae for flute, clarinet in A, piano, violin, viola and cello (2016), 15 mn, University of York Music Press
- Espacios intemporales for saxophone quartet (2017), 19 mn, University of York Music Press
- Serpientes y escaleras for viola and cello (2018), 12 mn, University of York Music Press
- Estrofas del viento for clarinet in A and viola da gamba (2019), 8 mn, University of York Music Press
- Juegos prohibidos trio for clarinet in Bb, piano and cello (2019), 12 mn, University of York Music Press
- Rainy days for two toy pianos (2019), 5 mn, University of York Music Press
Instrumental ensemble music
- Dance for ensemble (1983), 7 mn
- Music for the Cabinet of Dr. Caligari for ensemble (1984), 6 mn
- Ajaucan for symphony orchestra (1987), 12 mn
- stage El Prestidigitador for three clarinetists and two percussionists (1987), 12 mn
- Oxkintok for symphony orchestra (1991), 14 mn
- “de aquel hondo tumulto” for ensemble (1993), 7 mn
- Homenaje a Remedios Varo for ensemble (1995, 1996), 12 mn, University of York Music Press [program note]
- Tres piezas In Memoriam L.J. for ensemble (1998), 10 mn, University of York Music Press [program note]
- Zaztun for symphony orchestra (1996-1999), 11 mn
- Ah Paaxo’ob for ensemble (2001), University of York Music Press
- Corazón de Onix for ensemble (2005), University of York Music Press
- Recuerdos del Porvenir for ensemble (2005), University of York Music Press
- Recordare for symphony orchestra (2006), 15 mn, University of York Music Press [program note]
- elec Revelación for ensemble and electronics (2011), 21 mn, University of York Music Press
- Jitanjáfora for ensemble (2014), 15 mn, University of York Music Press
Concertant music
- El Canto del Tepozteco for flute, guitar, fifteen strings, percussion and celesta (1986), 11 mn, University of York Music Press
- Demente cuerda for harp and ensemble (2004), 13 mn
- Señales, homenje a Johnathan Harvey concerto for violin and ensemble (2012), 19 mn, University of York Music Press
- Son dementes cuerdas for guitar and string quartet (2015), 15 mn, University of York Music Press
- Miles away concerto for trumpet and ensemble (2016), 22 mn, University of York Music Press
- Acertijo de marfil for piano and orchestra (2019), 18 mn, University of York Music Press
Vocal music and instrument(s)
- Anachronic songs for voice and piano (1979), 5 mn
- Fuegos de San Juan for mezzo-soprano, women's choir and chamber orchestra (1985), 12 mn
- stage Agamemnon takes a bath musical theater piece for baritone, trombone, piano and actress (1989), 6 mn [program note]
- stage Oxkutzkab graphic musical theater piece for actors, vocal ensemble and string quartet (1989), between 4 mn and 6 mn
- Sonetos Eróticos for soprano, flute, guitar and harp (1989), 16 mn, Ediciones Mexicanas de Música
- Testamento de Hecuba for mezzo-soprano and guitar (1989), 6 mn
- The Seventh Seed chamber opera in three acts for solo voices, string quartet and percussion (1991), 47 mn
- Globo, luciérnagas, faro for female voice and piano (1992), 12 mn [program note]
- En el nombre del Padre Pagan Requiem, for eight solo voices, four percussionists and piano (1994-1995), 25 mn
- Nana de la luna lullaby for mezzo-soprano and piano (1998), 6 mn, University of York Music Press
- Can Silim Tun for vocal quartet and string quartet (1999), 15 mn [program note]
- Papalote for high pitched voice and violin (2000), 4 mn, University of York Music Press [program note]
- elec stage EL Palacio Imaginado chamber opera in three acts, for nine singers, ensemble and band (2003), 1 h 30 mn
- Papalote version for high pitched voice and string quartet (2007), 5 mn, University of York Music Press [program note]
- Quipú del amor for vocal quartet, trombone and percussion (2007), 3 mn, University of York Music Press
- Canciones lunáticas for countertenor and string quartet (2008-2009), 22 mn, University of York Music Press
- Tres canciones lunáticas for countertenor and string quartet (2008-2009), 12 mn [program note]
- Uolis t’an for viola and mayan reciter (2009), 4 mn
- Kamex ch’ab for four male voices and string quartet (2010), 24 mn, University of York Music Press [program note]
- elec ircam Altazor for baritone, ensemble and electronics (2011), University of York Music Press
- Canciones sobre poemas de Eduardo Hurtado for voice, flute, clarinet and piano (2012), 15 mn, University of York Music Press
- stage La tierra de la miel stage music for soprano, percussion, guitar and piano (2012), 19 mn, University of York Music Press
- Three Gesualdo arrangements for countertenor and string quartet (2012), 17 mn, University of York Music Press
- Two Dowland arrangements for countertenor and string quartet (2012), 8 mn, University of York Music Press
- Canciones sobre poemas de Eduardo Hurtado for voice and piano (2013), 13 mn, University of York Music Press
- Quipú del amor version for string quartet and mezzo-soprano or counterenor (2013), 4 mn, University of York Music Press
- A swallowed bait for baritone and ensemble (2014), 12 mn, University of York Music Press
- Ohimè ch'Io cado orchestration of Monteverdi's madrigal, for countertenor, harpsichord, theorbo, two violins and cello (2015), 5 mn
- Si dolce è 'l tormento orchestration of Monteverdi's madrigal, for countertenor, harpsichord, theorbo, two violins and cello (2015), 5 mn
- The mock marriage orchestration of the song by Henry Purcell, for countertenor, harpsichord, theorbo, two violins and cello (2015), 3 mn
- Celular for soprano and string quartet (2016), 8 mn, University of York Music Press
- Arre, arre mi burrito for children's choir, soprano flute, temple blocks and marimba (2017), 2 mn
- Códice de Adivinanzas for narrator and viola (2017), 22 mn, University of York Music Press
- Don Gato for children's choir, guitar, violin and cello (2017), 3 mn
- El burrito pardo for children's choir, cymbal, güiro and marimba (2017), 60 s
- Los animales for children's choir, clarinet in Bb, cymbal, snare drum, piano and double bass (2017), 3 mn
- elec stage Harriet Scenes in the Life of Harriet Tubman, chamber opera for soprano, mezzo-soprano, percussion, violin, guitar and electronics (2018), 1 h 30 mn, University of York Music Press
- Quipú for countertenor and string quartet (2018), 3 mn, University of York Music Press
- Don Gato version for children's choir, harp, violin and cello (2020), 3 mn
A cappella vocal music
- Fragmentos de Altazor for six voices (2010), 15 mn, University of York Music Press

2020
- Don Gato version for children's choir, harp, violin and cello, 3 mn
2019
- Acertijo de marfil for piano and orchestra, 18 mn, University of York Music Press
- Estrofas del viento for clarinet in A and viola da gamba, 8 mn, University of York Music Press
- Juegos prohibidos trio for clarinet in Bb, piano and cello, 12 mn, University of York Music Press
- Rainy days for two toy pianos, 5 mn, University of York Music Press
- Sparkle for piano, 3 mn, University of York Music Press
2018
- elec stage Harriet Scenes in the Life of Harriet Tubman, chamber opera for soprano, mezzo-soprano, percussion, violin, guitar and electronics, 1 h 30 mn, University of York Music Press
- Quipú for countertenor and string quartet, 3 mn, University of York Music Press
- Serpientes y escaleras for viola and cello, 12 mn, University of York Music Press
2017
- Arre, arre mi burrito for children's choir, soprano flute, temple blocks and marimba, 2 mn
- Códice de Adivinanzas for narrator and viola, 22 mn, University of York Music Press
- Don Gato for children's choir, guitar, violin and cello, 3 mn
- El burrito pardo for children's choir, cymbal, güiro and marimba, 60 s
- Espacios intemporales for saxophone quartet, 19 mn, University of York Music Press
- Los animales for children's choir, clarinet in Bb, cymbal, snare drum, piano and double bass, 3 mn
2016
- Celular for soprano and string quartet, 8 mn, University of York Music Press
- Miles away concerto for trumpet and ensemble, 22 mn, University of York Music Press
- Siphonophorae for flute, clarinet in A, piano, violin, viola and cello, 15 mn, University of York Music Press
2015
- Ohimè ch'Io cado orchestration of Monteverdi's madrigal, for countertenor, harpsichord, theorbo, two violins and cello, 5 mn
- Si dolce è 'l tormento orchestration of Monteverdi's madrigal, for countertenor, harpsichord, theorbo, two violins and cello, 5 mn
- Son dementes cuerdas for guitar and string quartet, 15 mn, University of York Music Press
- elec Sortilegio for harp, percussion and electronics, 18 mn, University of York Music Press
- The mock marriage orchestration of the song by Henry Purcell, for countertenor, harpsichord, theorbo, two violins and cello, 3 mn
2014
- A swallowed bait for baritone and ensemble, 12 mn, University of York Music Press
- Hacia una bitácora capilar for string quartet, 9 mn, University of York Music Press
- Jitanjáfora for ensemble, 15 mn, University of York Music Press
2013
- Bitácora capilar for string quartet, 14 mn, University of York Music Press
- Canciones sobre poemas de Eduardo Hurtado for voice and piano, 13 mn, University of York Music Press
- elec Eihei-Ji for flute (bass, tenor or soprano) and electronics, 9 mn, University of York Music Press
- Intermezzo malinconico for bass clarinet, 13 mn, University of York Music Press
- Quipú del amor version for string quartet and mezzo-soprano or counterenor, 4 mn, University of York Music Press
- Reencuentro for flute, clarinet in Bb and cello, 6 mn, University of York Music Press
2012
- Canciones sobre poemas de Eduardo Hurtado for voice, flute, clarinet and piano, 15 mn, University of York Music Press
- stage La tierra de la miel stage music for soprano, percussion, guitar and piano, 19 mn, University of York Music Press
- Señales, homenje a Johnathan Harvey concerto for violin and ensemble, 19 mn, University of York Music Press
- Three Gesualdo arrangements for countertenor and string quartet, 17 mn, University of York Music Press
- Two Dowland arrangements for countertenor and string quartet, 8 mn, University of York Music Press
2011
- elec ircam Altazor for baritone, ensemble and electronics, University of York Music Press
- elec Revelación for ensemble and electronics, 21 mn, University of York Music Press
2010
- Fragmentos de Altazor for six voices, 15 mn, University of York Music Press
- Kamex ch’ab for four male voices and string quartet, 24 mn, University of York Music Press [program note]
2009
- Canciones lunáticas for countertenor and string quartet, 22 mn, University of York Music Press
- Paráfrasis for solo trombone, 12 mn, University of York Music Press
- Tres canciones lunáticas for countertenor and string quartet, 12 mn [program note]
- Uolis t’an for viola and mayan reciter, 4 mn
2008
- Alegoría Tri-partita trio with piano, 18 mn, University of York Music Press [program note]
- Cuerdas del destino second string quartet, 18 mn, University of York Music Press [program note]
- elec Óox p’eel ikil t’aan for trumpet, percussion, tape and live electronics, 24 mn, University of York Music Press [program note]
2007
- elec A través del granizo for prepared piano, harpsichord and electronics, 10 mn, University of York Music Press
- Papalote version for high pitched voice and string quartet, 5 mn, University of York Music Press [program note]
- Quipú del amor for vocal quartet, trombone and percussion, 3 mn, University of York Music Press
2006
- In Memoriam Thomas Kakuska for violin, 10 mn, University of York Music Press [program note]
- elec Páramo de voces for piano and electronics, 14 mn, University of York Music Press [program note]
- Recordare for symphony orchestra, 15 mn, University of York Music Press [program note]
- Sobre un páramo sin voces for piano and electronics, 5 mn, University of York Music Press [program note]
2005
- Corazón de Onix for ensemble, University of York Music Press
- Recuerdos del Porvenir for ensemble, University of York Music Press
2004
- Demente cuerda for harp and ensemble, 13 mn
2003
- elec stage EL Palacio Imaginado chamber opera in three acts, for nine singers, ensemble and band, 1 h 30 mn
- Las Estrellas educational piece for piano, 60 s
- Recordando a Celia educational piece for piano, 3 mn, Boosey & Hawkes [program note]
- Seed of time for horn, piano and string trio, 5 mn
- Tanz Zanates educational piece for piano, 2 mn
2001
- Ah Paaxo’ob for ensemble, University of York Music Press
- Cotidales for piano and string quartet, 18 mn, University of York Music Press [program note]
- Tzolkin for percussion, 11 mn, University of York Music Press [program note]
2000
- Papalote for high pitched voice and violin, 4 mn, University of York Music Press [program note]
1999
- Can Silim Tun for vocal quartet and string quartet, 15 mn [program note]
- Metamorfósis for guitar, 9 mn, University of York Music Press [program note]
- Zaztun for symphony orchestra, 11 mn
1998
- Nana de la luna lullaby for mezzo-soprano and piano, 6 mn, University of York Music Press
- Tres piezas In Memoriam L.J. for ensemble, 10 mn, University of York Music Press [program note]
- U Yu T'an for string quartet, 15 mn, University of York Music Press [program note]
1997
- Yay be for two-keyboard harpsichord, 7 mn [program note]
- Zuhuy kak for cello, 11 mn, University of York Music Press [program note]
1995
- En el nombre del Padre Pagan Requiem, for eight solo voices, four percussionists and piano, 25 mn
- Homenaje a Remedios Varo for ensemble, 12 mn, University of York Music Press [program note]
1994
- Tríptico Caligrama, A contraluz, Parábola, for piano, 22 mn, University of York Music Press [program note]
1993
- “de aquel hondo tumulto” for ensemble, 7 mn
1992
- Chaczidzib for piccolo, 8 mn, University of York Music Press
- Globo, luciérnagas, faro for female voice and piano, 12 mn [program note]
1991
- IKAL for recorder, 8 mn [program note]
- Oxkintok for symphony orchestra, 14 mn
- The Seventh Seed chamber opera in three acts for solo voices, string quartet and percussion, 47 mn
1990
- elec Towards the sun for flute, cello, synthesizer, tabla and live electronics, 15 mn
1989
- stage Agamemnon takes a bath musical theater piece for baritone, trombone, piano and actress, 6 mn [program note]
- stage Oxkutzkab graphic musical theater piece for actors, vocal ensemble and string quartet, between 4 mn and 6 mn
- Sonetos Eróticos for soprano, flute, guitar and harp, 16 mn, Ediciones Mexicanas de Música
- Testamento de Hecuba for mezzo-soprano and guitar, 6 mn
1988
- Tlapitzalli 3 for three recorders, 14 mn
1987
- Ajaucan for symphony orchestra, 12 mn
- stage El Prestidigitador for three clarinetists and two percussionists, 12 mn
- stage Tlapitzalli 2 for flute and percussion, 6 mn
1986
- El Canto del Tepozteco for flute, guitar, fifteen strings, percussion and celesta, 11 mn, University of York Music Press
1985
- Fuegos de San Juan for mezzo-soprano, women's choir and chamber orchestra, 12 mn
- Permutaciones for violin, 7 mn, University of York Music Press [program note]
1984
- Music for the Cabinet of Dr. Caligari for ensemble, 6 mn
1983
- Dance for ensemble, 7 mn
1981
- Humoresque, Melancholico, Toccata three pieces for two-keyboard harpsichord, 8 mn
1979
- Anachronic songs for voice and piano, 5 mn

Liens Internet

Site personnel d’Hilda Paredes, http://www.hildaparedes.com
« Researching new structures », conférence de l’académie Acanthes du 13 juillet 2005 à l’Arsenal, version française ici.
« Listen how they talk », conférence de l’académie Acanthes du 14 juillet 2005 à l’Arsenal

(liens vérifiés en juillet 2020).

Discographie

Hilda PAREDES, Zuhuy Kak, Rohan de Saram, violoncelle,**dans « 20th Century British Works for Solo Cello », 1 CD First Hand Records, 2019, FHR45.
Hilda PAREDES, Hacia una bitácora capilar, Quatuor Arditti, dans « Arditti String Quartet: Gifts and Greetings », 1 CD Winter and Winter, 2016, 9102352.
Hilda PAREDES, « Cuatro Corridos: A Chamber Opera » avec des compositions de Lei Liang, Arlene Sierra et Hebert Vásquez, 1 CD Bridge Records, 2016, 9473.
Hilda PAREDES, Páramo de voces, Alberto Rosado, piano, dans « e-piano video&electronics. Spanish and Latin American Music », 1 CD IBS Artist, 2016, IBS 82016.
Hilda PAREDES, Páramo de voces ; Homenaje a Remedios Varo ; Intermezzo malinconcio ; Recuerdos del Porvenir ; Señales, dans « Señales », 1 CD Mode, 2016, 292.
Hilda PAREDES, Cuerdas Del Destino ; Canciones lunática ; Papalote ; In Memoriam Thomas Kakuska ; Papalote, Quatuor Arditti, dans « Cuerdas Del Destino », 1 CD æon, 2014, AECD 1439.
Hilda PAREDES, Uy U T’an, dans « Music from Mexico », Quatuor Arditti, 1 cd Mode Records, New York, 2006, n° 165.
Hilda PAREDES, « Listen how they talk », Can Silim Tun ; Ah Paaxo’ob ; Cotidales ; Uy**U T’an, Neue Vocalsolisten, Quatuor Arditti, Ian Pace, Ensemble Modern, 1 cd SWR, Hessischer Rundfunk, Mode records, 2005, New York, n° 149.
Hilda PAREDES, Permutaciones, The Seventh Seed, Lourdes Ambriz, John Oakley-Tucker, Carol Plantamura, Virginia Sublet, Isaac Langen, Quatuor Arditti, Steve Shick : percussion, Rand Steiger : direction, 1 cd Mode Records New York, 1997, n° 60.
Hilda PAREDES, Recordando a Celia, 1 cd Somm Recordings, UK, coll. Salsa Nueva.
Hilda PAREDES, Tres piezas In Memoriam L.J., La Banda Elastica, 1 cd Luna Negra, 1997, CDLN-22.
Hilda PAREDES, Globo, luciérnagas, faro, Adriana Díaz de León : voix, Oscar Tarragó : piano, Ediciones Pentagrama, Mexico, 1995, PCD300.
Hilda PAREDES, Nana de la luna, Encarnación Vázquez et Alberto Cruz Prieto, 1 cd Euram records, 092-3.
Hilda PAREDES, Metamorfósis, Pablo Gómez, 1 cd Quindicim, QPO1067.
Hilda PAREDES, Three pieces for double-manual harpsichord, Agueda González, 1 cd Quindicim QP169.
Hilda PAREDES, Sobre un páramo sin voces, Ana Cervantes, 1 cd Quindicim, QP 186.
Hilda PAREDES, Tríptico: Caligrama, A contraluz, Parábola, Michael K. Harvey, 1 cd Move, n° 3324.

Bibliographie

Monika FURST-HEIDTMANN, « Das ei(ge)ne und das andere, die Mexikanische komponistin Hilda Paredes », Neue Zeitschrift fur Musik, janvier 2009.
Susana GAVIÑA, « Hilda Paredes, compositora », ABC Las Artes y las Letras, Espagne, 18-24 mars 2006.
Preguntamos a Hilda Paredes,entretien dansDiverdi,boletín de información discográfica, Espagne, juin 2009, p. 7.
Hilda PAREDES,« Verstilidad y desafío: London Sinfonietta y el Cuarteto Arditti », Doce Notas, Madrid, janvier 2006.
Hilda PAREDES,« Música para Cuerdas y Helicópteros, entretien avec Karlheinz Stockhausen », La Jornada Semanal, Mexico, 1996.
Hilda PAREDES, entretien avec Marcia Torresasía dans La Jornada Semanal, Mexico, 4 juillet 1993 p. 27.
Hilda PAREDES, « El añorado expresionismo », entretien avecAurelio Tello dans la revue Siempre, Mexico, n° 1911, février 1990 p. 52.
Hilda PAREDES (publié et traduit par),« The concept of time in the music of Elliott Carter », Pauta 42, Mexico, 1992.
Hilda PAREDES,(publié et traduit en espagnol par),« Conversación con Luciano Berio »*,* Pauta 47-48, Mexico, 1993.
Hilda PAREDES,(publié et traduit en espagnol par),« The concept of time in Indian Music »*,* Pauta 49, Mexico, 1994.
Clara MEIEROVICH, « Mujeres en la creación musical de México »*,* Cuadernos de Pauta, México, 2000, p. 241.
Yolanda MORENO RIVAS, « Da capo y Posmodernos »*,* La composición en México en el siglo XX, Consejo Nacional para la Cultura y las Artes Mexico 1994, chapitre VII p. 106.

Ressources.ircam

Hilda Paredes

Liens Internet

Bibliographie

Composers

Works