In 2008 I inherited a writing desk from my grandmother. Upon opening it and exploring the contents, I realised that the inside of this desk was the only physical space that she could have truly called her own.
Fascinated by this notion, immersed in Cavarero’s writings on the female voice, baffled by the amount of Opera being written in the 21st century, re-reading Dido and Eurydice’s respective myths and listening to Gluck and Purcell’s operas, I set out to find my own particular way to engage with the idea of opera. What has emerged is a miniature, intimate and immersive journey into an imaginary world.
Cette fiche œuvre a valeur encyclopédique, elle ne reflète pas les collections de la médiathèque de l'Ircam. Veuillez vous référer aux fiches "partitions".
Vous constatez une erreur ?
1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43
Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
Copyright © 2022 Ircam. All rights reserved.