The setup and the execution of the electroacoustic part of this work requires a Computer Music Designer (Max expert).

Version Information

Documentation date
1 mai 2025
Version
Concert 20/01/2025 a effacer
Status
valid
Realisation
  • David Poissonnier (Computer Music Designer)
  • Guillaume Bourgogne (Conductor (orchestra))
  • Malena Fouillou (Computer Music Designer)
Length
18 min
Upgrade motivation
Reconstruction of the original version for Max. The piece was performed in Lausanne on January 20, 2025 after a patch updated at Ircam, with Ensemble contemporain of HEMU at BCV Concert Hall. The original version ran on a Next ISPW

Other Versions

Concert 20/01/2025
valid
1 mai 2025

Archives-2023
archived
19 octobre 2023

Concert 2023
in_progress
12 septembre 2022

Archives-2022
archived
25 janvier 2022

Detailed Staff

Soloist
solo soprano

2 flutes, oboe, 2 clarinets, horn, trumpet, trombone, 2 percussionists, piano, celesta, electronic/MIDI keyboard/synthesizer, 2 violins, 2 violas, 2 cellos

Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.

Channel Details

Number of input channels
4
Number of output channels
6

Electronic Equipment List

Computer Music Equipment

1 KX 88
MIDI Keyboard (Yamaha) - Nordstage 3
1 Footswitch / Sustain Pedal
Footswitch / Sustain Pedal (generic)
1 Volume Pedal
Volume Pedal (generic)
1 MacBook Pro
Apple Laptops (Apple) - Apple M4 Pro macOS 15.4.1 (24E263)
1 Ircam Spat
Library (Ircam) - version 5
1 antescofo~
External objects (Ircam) - version 1.0-599
1 Max 8
Max (Cycling74) - version 8.6.5

Audio Equipment

6 Loudspeaker
Loudspeakers (generic) - L-Acoustics
27 Microphone
Microphone (generic)

Downloads

Score

Frédéric Durieux

commentaire

Score annotated by Frédéric Durieux

267.88 Mo

Recording

commentaire

Recording and interview (with the conductor Guillaume Bourgogne and Frederic Durieux) 20/01/2025. DO NOT DISTRIBUTE

1.21 Go

max project 2025

commentaire

Patch concert 2025 + simulation

3.56 Go

Simulation ensemble + voix

1.16 Go


Instructions

General Information

"So Schnell, Zu Fruh" is a work by Frédéric Durieux created in 1993. The premiere took place the 11-12-1993 at IRCAM's Espace de Projection. It is a work for ensemble and electronic. The electronic consists of real time audio effects and also audio samples.

Setup

Audio inputs

  1. soprano
  2. piano+percu1 (vibra)
  3. mix percu2
  4. tutti

Loudspeaker setup

Patch presentation

Patch installation

  • Copy the SoSchnellZuFru2025 folder to your hard disk.
  • Add this folder path in Max File Preferences.
  • Restart Max.

Max audio status

Patch initialisation

  • Open the SoSchnellZuFruh2025.maxproj.
  • The main patch SoSchnellZuFruh2025.maxpat should open automatically.
  • Check the Midi connection. You should receive pedals informations (volume, sustain) and the keyboard notes.
  • Choose the midi input port corresponding to the keyboard.
  • Start the dsp.
  • Press the computer keyboard right arrow to init the patch.
  • Open the Follower sub-patch and open the “Manual trigger enable” toggle to activate MIDI controller triggering.

The music is ready to start. All triggers are manual (by the computer music designer himself, or a musician with a MIDI controller).

Performance notes

Electronic events

  • Bar 1/7 : "Clac" rebond sample pizz bartok. (frontal sound diffusion)
  • 8/27 : marimba + flute sequences with spatialisation
  • 28/35 : "Clac"
  • 36/60 : marimba + flute sequences with spatialisation
  • 61 : "Bali" with low marimba + Clarinet
  • 64 : "Clac"
  • 65: keyboard sounds preset 2: hybrid flute (from explosante fixe) + reverb on keyboards
  • 76 : keyboard preset 1
  • 76/179 : keyboards live transformations (harmonizer, freqshift)
  • 105 : keyboard preset 2
  • 167 : keyboard preset 1
  • 180 : "Clac"
  • 180/237 : flute sequences with repeated notes - rotations
  • 180/179 : vibra + marimba processed sequence
  • 186/189 : "Clac"
  • 194/204 : "Clac" pizz bartok
  • 196 : flute sound
  • 206 : rebonds in delay + spatialisation
  • 208/212 : "Clac"
  • 217 : rebonds in delay + spatialisation
  • 219/230 : "Clac"
  • 231 : rebonds in delay + spatialisation
  • 236/255 : transformed keyboard + Spatialisation
  • 258/284 : vibra+piano live transformations
  • 330 : voice transformation : reverb and spatialisation
  • 332/360 : live transformation on tutti orchestra + metalic resonance, add more and more transformation at the mixing desk for a maximal effect at bar 358
  • 358 : keyboard preset 2

Updated at

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