Audio Language Models

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Les médias liés à cet évènement

Introduction à la journée d'études du GdR IASIS dédiée à la synthèse audio - Thomas Hélie, Mathieu Lagrange

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Poster sessions - Clara Boukhemia, Samir Sadok, Amandine Brunetto, Haoran Sun, Vincent Lostanlen, Morgane Buisson, Xiran Zhang, Reyhaneh Abbasi, Ainė Drėlingytė, Étienne Paul André, Yuexuan Kong, Étienne Bost, Axel Marmoret, Javier Nistal, Hugo Pauget Ballesteros

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AI in 64Kbps: Lightweight neural audio synthesis for embedded instruments - Philippe Esling

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Music sound synthesis using machine learning - Fanny Roche

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Grey-box modelling informed by physics: Application to commercial digital audio effects - Judy Najnudel

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Introduction à la journée d'études du GdR IASIS dédiée à la synthèse audio - Thomas Hélie, Mathieu Lagrange

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Poster sessions - Clara Boukhemia, Samir Sadok, Amandine Brunetto, Haoran Sun, Vincent Lostanlen, Morgane Buisson, Xiran Zhang, Reyhaneh Abbasi, Ainė Drėlingytė, Étienne Paul André, Yuexuan Kong, Étienne Bost, Axel Marmoret, Javier Nistal, Hugo Pauget Ballesteros

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AI in 64Kbps: Lightweight neural audio synthesis for embedded instruments - Philippe Esling

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Music sound synthesis using machine learning - Fanny Roche

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Grey-box modelling informed by physics: Application to commercial digital audio effects - Judy Najnudel

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Hybrid deep learning for music analysis and synthesis - Gaël Richard

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Invariance learning for a music indexing robust to sound modifications - Rémi Mignot

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Basic Pitch: A lightweight model for multi-pitch, note and pitch bend estimations in polyphonic music - Rachel Bittner

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GDR ISIS, Méthodes et modèles en traitement de signal, Introduction

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Labeling a Large Music Catalog - Romain Hennequin

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Audio analysis and audio synthesis require modeling long-term, complex phenomena and have historically been tackled in an asymmetric fashion, with specific analysis models that differ from their synthesis counterpart. In this presentation, we will introduce the concept of audio language models, a recent innovation aimed at overcoming these limitations. By discretizing audio signals using a neural audio codec, we can frame both audio generation and audio comprehension as similar autoregressive sequence-to-sequence tasks, capitalizing on the well-established Transformer architecture commonly used in language modeling. This approach unlocks novel capabilities in areas such as textless speech modeling, zero-shot voice conversion, text-to-music generation and even real-time spoken dialogue. Furthermore, we will illustrate how the integration of analysis and synthesis within a single model enables the creation of versatile audio models capable of handling a wide range of tasks involving audio as inputs or outputs. We will conclude by highlighting the promising prospects offered by these models and discussing the key challenges that lie ahead in their development.

intervenants

informations

Type
Séminaire / Conférence
Lieu de représentation
Ircam, Salle Igor-Stravinsky (Paris)

IRCAM

1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43

heures d'ouverture

Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche

accès en transports

Hôtel de Ville, Rambuteau, Châtelet, Les Halles

Institut de Recherche et de Coordination Acoustique/Musique

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