Bibliographie

Écrits de Michael Tippett
  • Michael TIPPETT, The Selected Letters of Michael Tippett, ed. Thomas Schuttenhelm, London, Faber and Faber, 2005.
  • Michael TIPPETT, « The relation of autobiographical experience to the created work of art », in Tippett: Music and Literature, ed. Suzanne Robinson, Aldershot, and Burlington, Ashgate, 2002, p. 20-34.
  • Michael TIPPETT, Tippett on Music, ed. Meirion Bowen, Oxford, Clarendon Press, 1995.
  • Michael TIPPETT, Those Twentieth Century Blues: An Autobiography, London, Hutchinson, 1991.
  • Michael TIPPETT, Music of the Angels: Essays and Sketchbooks of Michael Tippett, selected and edited by Meirion Bowen, London, Eulenburg Books, 1980.
  • Michael TIPPETT, E. William DOTY, Lectures in Fine Arts, Second Series, Austin, University of Texas at Austin, 1979.
  • Michael TIPPETT, Moving into Aquarius, Frogmore, St. Albans, Hertfordshire, Paladin Books, 1974.
  • Michael TIPPETT, « Music and Poetry », in Recorded Sound, vol. 17 (January 1965), 292.
  • Michael TIPPETT, « At Work on King Priam », in Score, n° 28, January 1961, p. 58-68.
Écrits sur Michael Tippett
  • Francesca ALLINSON, A Childhood with wood engravings by Enid Marx, London, The Hogarth Press, 1937.
  • John AMOS, Amiscellany, London, Faber and Faber, 1985.
  • Meirion BOWEN, Michael Tippett, seconde Ă©dition, London, Robson Books, 1997.
  • Meirion BOWEN, « String Quartet No. 5 », notes sur le livret du disque Tippett: The 5 String Quartets, Lindsay Quartet (ASV, DC DCS 231, 1993).
  • David CAIRNS, « Tippett and the Midsummer Marriage », notes sur le livret du disque The Midsummer Marriage (Lyrita, SRCD.2217, 1995).
  • David CLARKE, The Music and Thought of Michael Tippett, Cambridge, Cambridge University Press, 2001.
  • David CLARKE (ed.), Tippett Studies, Cambridge, Cambridge University Press, 1999.
  • Stephen COLLISSON, « Significant gestures to the past: formal processes and visionary moments in Tippett’s “Triple Concerto” », in Tippett Studies, ed. David Clarke, Cambridge, Cambridge University Press, 1999, p. 145-166.
  • Mick CSAKY (ed.), « Feelings of inner experience », in How Does it feel?: Exploring the world of your senses, London, Thames and Hudson, 1979, p. 175-176.
  • Richard DUFALLO, Trackings: Composers Speak with Richard Dufallo, Oxford, New York, Oxford University Press, 1989.
  • Bryan FISHER, An Adventure in Living (unpublished manuscript, 1998).
  • Lewis FOREMAN, « Forging a relationship and a role: Michael Tippett and the BBC, 1928-51 », in Michael Tippett: Music and Literature, ed. Suzanne Robinson, Aldershot, Ashgate, 2002, p. 122-150.
  • Kenneth GLOAG, Tippett: A Child of Our Time, Cambridge, Cambridge University Press, 1999.
  • Kenneth GLOAG, « Tippett’s Second Symphony, Stravinsky and the language of neoclassicism: towards a critical framework », in Tippett Studies, ed. D. Clarke, p. 78-94.
  • Kenneth GLOAG, Nicholas JONES, The Cambridge Companion to Michael Tippett, Cambride, Cambridge University Press, 2013.
  • Scott GODDARD, « The Younger English Composers: IX. Michael Tippett » in The Monthly Musical Record, March-April 1939, p. 73.
  • Rowena HARRISON, « Homeric resonance: “King Priam” and the Illiad », in Tippett: Music and Literature, ed. Suzanne Robinson, Aldershot and Burlington, Ashgate, 2002, p. 215-234.
  • Jean-Philippe HEBERLE, Michael Tippett ou l’expression de la dualitĂ© en mots et en notes, Paris, L’Harmattan, 2006.
  • Robert Stephan HINES (ed.), The Orchestral Composer’s Point of View: Essays on Twentieth-Century Music by Those Who Wrote It (with an introduction by William Schuman), Norman, University of Oklahoma Press, 1970.
  • Ian KEMP, Pillage and plunder in the music of Michael Tippett, (with an introduction by Timothy Day) National Sound Archive Lecture (Novello House, 26 November 1985).
  • Ian KEMP, Tippett: The Composer and His Music, London, Eulenburg, New York, Da Capo Press, 1984.
  • Ian KEMP, Michael Tippett: A Symposium on his 60th Birthday, London, Faber and Faber, 1965.
  • Lawrence KRAMER, Interpreting Music, Berkeley, London, Los Angeles, University of California Press, 2011.
  • Christopher MARK, « Tippett, sequence and metaphor », in Tippett Studies, ed. D. Clarke, p. 95-116.
  • Oliver NEIGHBOUR, « Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (with a Note about Tippett) », in Music and Letters, vol. 89(3), 2008, p. 337-45.
  • Bayan NORTHCOTT, « Tippett’s Third Symphony », in Music and Musicians, vol. 20, issue 10, June 1972, p. 31.
  • David PEAT, « David Peat Interviews Composers: Sir Michael Tippett 1905-1998 », June 1996. 1 July 2012. http://www.fdavidpeat.com/interviews/tippett.htm (lien vĂ©rifiĂ© en mars 2017)
  • Anthony POPLE, « From pastiche to free composition: R.O. Morris, Tippett, and the development of pitch resources in the “Fantasia Concertante on a Theme of Corelli” », in Tippett Studies, ed. D. Clarke, p. 27-54.
  • Derrick PUFFETT, « Tippett and the Retreat from Mythology. Derrick Puffett Offers an Alternative View of the Tippett Legacy », The Musical Times, vol. 136, No. 1823, 1995, p. 6-14.
  • Thomas SCHUTTENHELM, « Between Image and Imagination: Tippett’s Creative Process », in The Cambridge Companion to Michael Tippett, Cambridge, Cambridge University Press, 2013.
  • Keith SPENCE, Giles SWAYNE (eds.), « The Composer’s World », in How Music Works, London, New York, Macmillan, 1981, p. 347-56.
  • Iain STANNARD, « Arrest and Movement: Tippett’s Second Piano Sonata and the Genesis of a Method », in Twentieth-century Music, vol. 4, issue 02, 2007, p. 133-61.
  • Charles STIUART, « Morley College Music », The Musical Times, vol. 92, n° 1303, September 1951, p. 393.
  • Tom SUTCLIFFE, « Tippett and The Knot Garden », Music and Musicians, vol. 19, December 1970, p. 53-54.
  • Allen TATE (ed.), « Remembering Eliot », in T.S. Eliot: The Man and his Work, New York, Dell Pub. Co., 1966, p. 55-56.
  • Mike THORNE, « Michael Tippett in Interview », in Hi-Fi News and Record Review, January 1975.
  • Edward VENN, « Idealism and ideology in Tippett’s writings », in Tippett: Music and Literature, ed. Suzanne Robinson, Aldershot and Burlington, Ashgate, 2002, p. 35-59.
  • Eric Walter WHITE, Tippett and his Operas, London, Barrie and Jenkins, 1979.
  • Arnold WHITTALL, The Music of Britten and Tippett, seconde Ă©dition, Cambridge, Cambridge University Press, 1990.
  • Arnold WHITTALL, « “Is there a choice at all?”: King Priam and motives for analysis », in Tippett Studies, ed. D. Clarke, p. 55-77.
  • Arnold WHITTALL, « Resisting tonality: Tippett, Beethoven and the sarabande », Music Analysis, vol. 9/3, October 1990, p. 267-286.
  • Ian WOODWARD, « Tippett on his music and the Beatles », in The Christian Science Monitor, 27 May 1968.

Discographie

  • Michael TIPPETT, String Quartet No. 5. Heath Quartet. 2 cd Wigmore Hall (Live), 2015, WHLive 0080/2.
  • Michael TIPPETT, String Quartets Nos. 3 & 5. The Tippett Quartet. 1 cd Naxos, 2009, No. 8.570497.
  • Michael TIPPETT, Concerto for Double String Orchestra, Piano Concerto, Fantasia Concertante on a theme of Corelli. Bath Festival Chamber Orchestra with the Moscow Chamber Orchestra, dir. Rudolf Barshai ; Philharmonia Orchestra ; John Ogdon, piano ; dir. Colin Davis ; Bath Festival Chamber Orchestra, Robert Masters, Yehudi Menuhin, violons ; Derek Simpson, violoncelle ; dir. Michael Tippett. 1 cd EMI Classics, 2009, No. 2 35743 2.
  • Michael TIPPETT, String Quartets Nos. 1, 2, & 4. The Tippett Quartet. 1 cd Naxos, 2008, No. 8.570496.
  • Michael TIPPETT, Concerto for Double String Orchestra, Little Music for String Orchestra. English Sinfonia. 1 cd Resonance (3), 2006, No. 3057.
  • Michael TIPPETT, Piano Sonatas Nos. 1-3. Peter Donohoe, piano. 1 cd Naxos, 2005, No. 8.557611.
  • Michael TIPPETT, Boyhood’s End. Mark Padmore, tĂ©nor ; Roger Vignoles, piano. 1 cd Hyperion, 2005, CDA No. 67459.
  • Michael TIPPETT, Concerto for Double String Orchestra, Fantasia Concertante on atheme of Corelli, Ritual Dances from The Midsummer Marriage. BBC Symphony Orchestra and Chorus ; Jacqueline Hartley, Michael Davis, violons ; Paul Watkins, violoncelle ; dir. Andrew Davis et StephenJackson. 1 cd Apex, 2001, No. 8573 89098 2.
  • Michael TIPPETT, Ritual Dances from The Midsummer Marriage, Piano Concerto. BBC Scottish Symphony Orchestra ; Benjamin Frith, piano ; dir. George Hurst. 1 cd Naxos, 1999, No. 8.553591.
  • Michael TIPPETT, A Child of Our Time. BBC Symphony Orchestraand Chorus ; John Shirley-Quirk, baryton ; contralto : Helen Watts, contralto ; Jill Gomez, soprano ; Kenneth Woollam, tĂ©nor ; dir. Gennadi Rozhdestvensky. 1 cd BBC Music, 1999, BBCM No. 5013-2.
  • Michael TIPPETT, The Five String Quartets. The Lindsays. 2 cd ASV, 1998, DCS No. 231.
  • Michael TIPPETT, The Rose Lake, The Vision of St. Augustine. London Symphony Orchestra and Chorus, John Shirley-Quirk, baryton ; dir. Colin Davis. 1 cd Conifer Classics, 1997, No. 75605 51304 2.
  • Michael TIPPETT, String Quartet No. 4. The Lindsays. 1 cd ASV1996, DCA No. 608.
  • Michael TIPPETT, Concerto for Double String Orchestra, Fantasia Concertante on atheme of Corelli, Ritual Dances from The Midsummer Marriage. BBC Symphony Orchestra and Chorus, dir. Andrew Davis and Stephen Jackson. 1 cd Teldec Classics, 1996, No. 4509-94542-2.
  • Michael TIPPETT, Concerto for Double String Orchestra. London Symphony Orchestra, dir. Leopold Stokowski. 1 cd BBC Legends, 1996, BBCL No. 4059-2.
  • Michael TIPPETT, Symphony No. 2 & 4. BBC Symphony Orchestra and Chorus, dir. Michael Tippett. 1 cd BBC Music Magazine, 1995, MM No. 130.
  • Michael TIPPETT, Songs for Ariel, Songs for Achilles, Boyhood’s End, The Heart’s Assurance. Andrew Ball, piano ; Craig Ogden, guitare ; Martyn Hill, tĂ©nor. 1 cd Hyperion, 1995, CDA No. 66749.
  • Michael TIPPETT, Triple Concerto, Concerto for Double String Orchestra. Bournemouth Symphony Orchestra, Phillip de Groote, violoncelle ; Simon Rowland-Jones, alto ; Leon Chilingrian, violon ; dir. Richard Hickox. 1 cd Chandos, 1995, No. 9384.
  • Michael TIPPETT, Symphony No. 1, Piano Concerto. Bournemouth Symphony Orchestra, piano, Howard Shelley; dir. Richard Hickox. 1 cd Chandos, 1995, No. 9333.
  • Michael TIPPETT, Divertimento on ‘Sellinger’s Round’, Little Music for String Orchestra, The Heart’s Assurance, Concerto for Double String Orchestra. City of London Sinfonia, tenor, John Mark Ainsley; dir. Richard Hickox. 1 cd Chandos, 1995, No. 9409.
  • Michael TIPPETT, Symphony No. 2, Suite from New Year. Bournemouth Symphony Orchestra ; dir. Richard Hickox. 1 cd Chandos, 1994, No. 9299.
  • Michael TIPPETT, Praeludium for Brass, Bells and Percussion, Symphony No. 3. Bournemouth Symphony Orchestra ; Howard Shelley, piano ; dir. Richard Hickox. 1 cd Chandos, 1994, No. 9276.
  • Michael TIPPETT, Symphony No. 4, Fantasia Concertante on a theme by Corelli, Fantasia on a theme of Handel. Bournemouth Symphony Orchestra ; Joseph Koos, violoncelle ; Colin Verrall, violon ; Brendan O’Brien, piano ; Howard Shelley ; dir. Richard Hickox. 1 cd Chandos, 1994, No. 9233.
  • Michael TIPPETT, Little Music for Strings, Fantasia Concertante on a theme by Corelli. English String Orchestra ; dir. William Boughton. 1 cd Nimbus, 1992, No. 5334.
  • Michael TIPPETT, A Child of Our Time. City of Birmingham Symphony Orchestra and Chorus ; John Cheek, basse ; Sarah Walker, mezzo-soprano ; Faye Robinson, soprano ; Jon Garrison, tĂ©nor ; dir. Michael Tippett. 1 cd Collins Classics, 1992, No. 13392.
  • Michael TIPPETT, The String Quartets (Nos. 1-4). The Britten Quartet. 2 cd Collins Classic, 1991, No. 70062.
  • Michael TIPPETT, Fanfare for the Four Corners, Sonata for Four Horns, Festal Brasswith Blues. The Wallace Collection. 1 cd Collins Classic, 1991, No. 12292.
  • Michael TIPPETT, Ritual Dances from The Midsummer Marriage, Sosostris’s Aria from The Midsummer Marriage, Praeludium for Brass, Bells, and Percussion, Suite for the Birthday of Prince Charles. English Northern Philharmonia and Chorus of Opera North ; dir. Michael Tippett. 1 cd Nimbus Records, 1990, No. 5217.
  • Michael TIPPETT, Dance, Clarion Air, The Weeping Babe, Plebs Angelica, Bonny At Morn, Crown of the Year, Music, Five Negro Spirituals from A Child of Our Time. The Choir of Christ Church Cathedral ; Colin Lawson, clarinette ; The Medici Quartet ; John Anderson, hautbois ; Martin Jones, piano ; Evelyn Nallen, Mauric Hodges, Michael Copley,  flĂ»tes Ă  bec ; Graham Ashton, trompette ; Jeremy Cornes, Martin Westlake, Peter Hamburger, percussion ; dir. Stephen Darlington. 1 cd Nimbus Records, 1990, No. 5266.
  • Michael TIPPETT, Concerto for Double String Orchestra, Fantasia Concertante on a theme of Corelli, Songs for Dov . Scottish Chamber Orchestra, Kevin McCrae, violoncelle ; John Tunnell, Rosemary Ellison, violons ; Nigel Robson, tĂ©nor ; dir. Michael Tippett. 1 cd Vigin Classics, 1988, No. 90701-1 90701-2.
  • Michael TIPPETT, The Mask of Time. BBC Symphony and Chorus, bass, John Cheek, basse ; Sarah Walker, mezzo-soprano ; Faye Robinson, soprano ; Robert Tear, tĂ©nor ; dir. Andrew Davis. 2 cd His Majesty’s Voice, 1987, No. 27 0567 3.
  • Michael TIPPETT, The Four Piano Sonatas. Paul Crossley, piano. 2 cd CRD Records, 1985, No. 34301.

Films

  • Mischa SCORER (dir.), « “One Pair of Eyes” with Sir Michael Tippett: Poets » in A Barren Age, BBC, 1974.
  • Mischa SCORER (dir.), Songs of Experience: Michael Tippett at Eighty Five, Antelope West Productions and BBC/RM Arts, 1991.

Liens internet

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