- General information
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Composition date:
2004
- Duration: 9 mn
- Publisher: Inédit
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Composition date:
2004
- Type
- Electronic music / fixed media / mechanical musical instruments [Electronic music / fixed media / mechanical musical instruments]
Premiere information
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Date:
September 2004
Location:Italie, Rome, Goethe Institut
Performers:Musicamorfosi Ensemble.
Information on the electronics
Electronic device: dispositif électronique non spécifié
Program note
Inside a virtual piano belly, among (re)constructed strings and mechanical parts, crazied sounds in fragments and mechanical memoirs chips
[...rugged and raw situations, and having accepted them as part of your home ground, then some spark of sympathy or compassion could take place...]
there, surfaces and strings are played by white noise, plectra and hammers of any materials, fingers, real piano samples, modulated sounds and harmonic clots
[...you are not in a hurry to leave such a place immediately...]
on illusion that all is real, outside, maybe the player is playing a Skrjabin Etude, on white and black keys, and here, also the rustling noise take shape and sing around as a far choir
[...you would like to face the facts, realities of that particular world...]
but the laser jam, the syncro crash and these walls of nickel and copper seem implode; a doubt of reality creep like a vacuum
[...the vacuum that manifest its effective existence with the perpetual rustle of lightning apparitions of all the possibles, of wich it is infinite reservoir...]
[...rugged and raw situations, and having accepted them as part of your home ground, then some spark of sympathy or compassion could take place...]
there, surfaces and strings are played by white noise, plectra and hammers of any materials, fingers, real piano samples, modulated sounds and harmonic clots
[...you are not in a hurry to leave such a place immediately...]
on illusion that all is real, outside, maybe the player is playing a Skrjabin Etude, on white and black keys, and here, also the rustling noise take shape and sing around as a far choir
[...you would like to face the facts, realities of that particular world...]
but the laser jam, the syncro crash and these walls of nickel and copper seem implode; a doubt of reality creep like a vacuum
[...the vacuum that manifest its effective existence with the perpetual rustle of lightning apparitions of all the possibles, of wich it is infinite reservoir...]
Andrea Vigani
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