Cette pièce fait partie d'une trilogie écrite en 1982 qui comprend les œuvres In the Accumulate Mode, Interlude in Pelog, and Solo for Three Pianos) ; l’œuvre fait également partie du cycle Piano Piece (Richard Teitelbaum Piano Plus – Piano Music 1963-1998, New World Records, n. 80756-2).
« More than a hint of jazz in the innards and outards of this music; it’s even a kind of apotheosis of the free-jazz sensibility of the soundworld between Ornette Coleman and Anthony Braxton, in a highly idealized metastasis » [Benjamin Boretz, liner notes in Richard Teitelbaum Piano Plus – Piano Music 1963-1998, New World Records, n. 80756-2; https://nwr-site-liner-notes.s3.amazonaws.com/80756.pdf]
This entry is encyclopaedic in nature and does not reflect the collections of the Ircam media library. Please refer to the "scores" entries.
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