Miroslav Srnka
Czech composer born in Prague in 1975.
Miroslav Srnka studied musicology with Jarmila Gabrielová at the Charles University in Prague from 1993 to 1999, and composition with Milan Slavický at the Academy of Arts in the same city from 1998 to 2003. He undertook further study of composition at Humboldt University in Berlin in 1995-96, at the Paris Conservatoire (CNSMDP) in 2001, and at IRCAM in 2002 and 2004, where he studied with Ivan Fedele and Philippe Manoury, among others.
He has received numerous awards, including the Gideon Klein Prize in 2001, the Leoš Janácek Prize in 2004 for Tak klid., orchestral scenes inspired by the letters of Leoš Janáček to Kamila Stösslová and Zdeňka Janáčková, the Ernst von Siemens Prize in 2009 for Fan Faire, and the Wilfried-Steinbrenner Foundation Prize, also in 2009.
In 2005, Wall, a miniature opera with a libretto by Jonathan Safran Foer, was premiered at the Berlin Opera. In 2006-07, Srnka was composer-in-residence with the Heidelberg Theatre Philharmonic Orchestra; this gave rise to the premieres of Reading Lessons and Kráter Brahms. In 2011, his chamber opera Make No Noise was premiered at the Munich Opera Festival, and in the same year, his work Jakub Flügelbunt (a children’s “comic”) was premiered at the Dresden Semperoper.
Srnka has been commissioned and his works performed by the most prestigious European ensembles of contemporary music, including Ensemble Modern (conducted by Matthias Pintscher and Franck Ollu), Ensemble intercontemporain, Klangforum Wien (conducted by Sylvain Cambreling), BBC Philharmonic, Dresden Staatskapelle, Prague Modern Philharmonic, Diotima Quartet, Arditti Quartet, and Zebra Trio, and by soloists such as Peter Rundel, Petr Kotík, Claron McFadden, David Robertson, Annsi Karttunen, Magnus Lindberg, Dagmar Pecková, Eric Nielsen, Francesco Dillon, Emanuele Torquati, Jiří Bárta, Jana Boušková, Saar Berger, and members of the Deutsches Symphonie Orchester Berlin and the Bayerisches Staatsorchester.
His works have been performed at festivals such as the Prague Spring International Music Festival, Musica, Ultraschall, Wien Modern, Présences, Milano Musica, Münchener Opernfestspiele, Printemps des Arts in Monte-Carlo, Ostrava New Music Days, and Contempuls, among others.
Sources
Site personnel de Miroslav Srnka (voir Ressources).
- Solo (excluding voice)
- Ranní hajahu / The Morning Hajahu for nine percussion instruments (1999), 9 mn
- A Prima Mad for alto saxophone or flute (2002), 7 mn
- that long town of White to cross for solo violin (2004), 6 mn
- ta větší variation on the final stage of Jenůfa for piano (2006), 6 mn
- A Variation for cello (2010)
- Coronae for horn (2010), 12 mn, Bärenreiter
- Chamber music
- Surprises in the Dark for flute, clarinet, violin, viola, cello and piano (2002), 11 mn 30 s
- Smyčcový kvartet / String Quartet string quartet n°3 (2004), 9 mn
- Magnitudo 9.0 for flute, clarinet, violin, cello and percussion (2005), 9 mn, Bärenreiter
- Moldau Remixed for oboe, viola and harp (2005), 8 mn, Bärenreiter [program note]
- Maria´s Choice for flute, clarinet, two saxophones and percussion (2006), 9 mn
- Prostý prostor / Simple Space for solo cello and harmonic instrument (2006), 8 mn
- Fictitious Hum for oboe, clarinet, piano and string quartet (2007), 12 mn
- Pouhou vlnou / Qu´une vague for quintet with piano (2008), 18 mn
- Escape Routines for clarinet, violin, viola, cello and harp (2010), 13 mn, Bärenreiter
- Tree of Heaven for string trio (2010), 18 mn, Bärenreiter
- Engrams for string quartet (2011), 25 mn, Bärenreiter
- Instrumental ensemble music
- Joy and Sorrow of 1862 for chamber orchestra (2002), 5 mn 30 s, Bärenreiter
- Tak klid. / Quiet Now. orchestral scenes inspired by letters from Leoš Janáček to Kamila Stösslová and Zdeňka Janáčková (2002-2005), 11 mn
- Wills wohl einmal hinübersehn? for ensemble (2005), 5 mn, Bärenreiter
- Les Adieux for ensemble (2004-2007), 9 mn
- Reading Lessons for orchestra (2007), 15 mn, Bärenreiter
- Reservoirs for ensemble (2007), 17 mn, Bärenreiter
- Fan Faire for brass instruments and percussion (2009), 7 mn, Bärenreiter
- Assembly for ensemble (2011), 16 mn, Bärenreiter
- Fan Faire version for eight or ten horns (2009-2011), 7 mn, Bärenreiter
- Concertant music
- Collapsing for solo bass flute and soprano saxophone and flute ensemble (2001), 3 mn 30 s
- Kráter Brahms for solo cello and string orchestra (2007), 12 mn, Bärenreiter
- Vocal music and instrument(s)
- Psát tvoje oči / To Write Your Eyes for soprano and chamber orchestra (2002), 11 mn
- Sonnet 64 (...lofty towers I see down-razed) for soprano and bass tom (2002), 5 mn 30 s
- Emily's Bees for soprano, clarinet and piano (2004), 6 mn
- stage Wall small chamber opera (2005), 13 mn
- Když mne stará matka, Struna naladěna instrumentation of arias by Dvořák for soprano, piano and orchestra (2006)
- Dreizehn Lieder for medium voice and piano (2007), 14 mn, Bärenreiter
- My Life Without Me for soprano and ensemble (2008), 19 mn, Bärenreiter [program note]
- stage Jakub Flügelbunt … und Magdalena Rotenband oder: Wie tief ein Vogel singen kann, comics for three singers and orchestra (2011), 50 mn, Bärenreiter
- elec Make No Noise chamber opera on a film by Isabel Coixet, for solo voices and ensemble (2011), 1 h 35 mn, Bärenreiter
- A cappella vocal music
- Podvrhy / The Falsifications for male vocal ensemble (1998), 22 mn
- Electronic music / fixed media / mechanical musical instruments
- elec Rodíme! / We Are Giving Birth! sound art, sound installation (2003), 13 mn 46 s
- 2011
- Assembly for ensemble, 16 mn, Bärenreiter
- Engrams for string quartet, 25 mn, Bärenreiter
- Fan Faire version for eight or ten horns, 7 mn, Bärenreiter
- stage Jakub Flügelbunt … und Magdalena Rotenband oder: Wie tief ein Vogel singen kann, comics for three singers and orchestra, 50 mn, Bärenreiter
- elec Make No Noise chamber opera on a film by Isabel Coixet, for solo voices and ensemble, 1 h 35 mn, Bärenreiter
- 2010
- A Variation for cello
- Coronae for horn, 12 mn, Bärenreiter
- Escape Routines for clarinet, violin, viola, cello and harp, 13 mn, Bärenreiter
- Tree of Heaven for string trio, 18 mn, Bärenreiter
- 2009
- Fan Faire for brass instruments and percussion, 7 mn, Bärenreiter
- 2008
- My Life Without Me for soprano and ensemble, 19 mn, Bärenreiter [program note]
- Pouhou vlnou / Qu´une vague for quintet with piano, 18 mn
- 2007
- Dreizehn Lieder for medium voice and piano, 14 mn, Bärenreiter
- Fictitious Hum for oboe, clarinet, piano and string quartet, 12 mn
- Kráter Brahms for solo cello and string orchestra, 12 mn, Bärenreiter
- Les Adieux for ensemble, 9 mn
- Reading Lessons for orchestra, 15 mn, Bärenreiter
- Reservoirs for ensemble, 17 mn, Bärenreiter
- 2006
- Když mne stará matka, Struna naladěna instrumentation of arias by Dvořák for soprano, piano and orchestra
- Maria´s Choice for flute, clarinet, two saxophones and percussion, 9 mn
- Prostý prostor / Simple Space for solo cello and harmonic instrument, 8 mn
- ta větší variation on the final stage of Jenůfa for piano, 6 mn
- 2005
- Magnitudo 9.0 for flute, clarinet, violin, cello and percussion, 9 mn, Bärenreiter
- Moldau Remixed for oboe, viola and harp, 8 mn, Bärenreiter [program note]
- Tak klid. / Quiet Now. orchestral scenes inspired by letters from Leoš Janáček to Kamila Stösslová and Zdeňka Janáčková, 11 mn
- stage Wall small chamber opera, 13 mn
- Wills wohl einmal hinübersehn? for ensemble, 5 mn, Bärenreiter
- 2004
- Emily's Bees for soprano, clarinet and piano, 6 mn
- Smyčcový kvartet / String Quartet string quartet n°3, 9 mn
- that long town of White to cross for solo violin, 6 mn
- 2003
- elec Rodíme! / We Are Giving Birth! sound art, sound installation, 13 mn 46 s
- 2002
- A Prima Mad for alto saxophone or flute, 7 mn
- Joy and Sorrow of 1862 for chamber orchestra, 5 mn 30 s, Bärenreiter
- Psát tvoje oči / To Write Your Eyes for soprano and chamber orchestra, 11 mn
- Sonnet 64 (...lofty towers I see down-razed) for soprano and bass tom, 5 mn 30 s
- Surprises in the Dark for flute, clarinet, violin, viola, cello and piano, 11 mn 30 s
- 2001
- Collapsing for solo bass flute and soprano saxophone and flute ensemble, 3 mn 30 s
- 1999
- Ranní hajahu / The Morning Hajahu for nine percussion instruments, 9 mn
- 1998
- Podvrhy / The Falsifications for male vocal ensemble, 22 mn
Lien Internet
- Site personnel de Miroslav Srnka, http://www.srnka.cz (lien vérifié en mars 2012).