Lionel Bord
French composer and bassoonist born in 1976 in Paris.
Lionel Bord was born in 1976 in France. He began studying bassoon at the Conservatoire national de région in Nantes and then continued his studies at the École nationale de musique in Gennevilliers and then at the Conservatoire de Paris (CNSP), working with Pascal Gallois. He graduated with highest honors in bassoon in 1998 (unanimous jury) and highest honors in chamber music. In 1999, he entered the Hochschule für Musik in Basel, Switzerland, where he studied with Sergio Azzolini. After playing solo bassoon with the Opéra de Rouen for three years, he joined the Orchestre de Paris in 2003. Bord also taught bassoon at the Conservatoire de St-Maur-des-Fossés and at the Conservatoire de Paris (CNSP) until 2009.
In addition to his work as an instrumentalist, Bord studied composition and orchestration with Allain Gaussin, and then in 2001 was admitted to the class of Emmanuel Nunes at the CNSP. He studied analysis with Frédéric Durieux and Alain Mabit, new technologies for composition with Luis Naón, Yann Geslin, and Tom Mays, and orchestration with Marc-André Dalbavie. He graduated with high honors in analysis in 2002 and in composition (unanimous jury) in 2006.
He composes for a wide range of formations, from soloists to symphony orchestras. He has received commissions from Ensemble intercontemporain, the Orchestre de Paris, the TM+, Multilatérale, and Utopik ensembles, Radio France, the Orchestre Poitou-Charentes, the Quatuor Habanera, and the Duo Maderas. He has also collaborated with ensembles such as Berlingot, Nomos, Smash, Multilatérale, and Quatuor Byron, as well as conductors such as Guillaume Bourgogne, François-Xavier Roth, Arie Van Beek, Alexandre Bloch, and Christoph Eschenbach.
In 2004, he composed Nébuleuses… for four soprano saxophones, a commission for the Quatuor Habanera that was recorded by Luis Sclavis. In 2007, the Orchestre de Paris commissioned Fulgurances for eight cellos, as well as a transcription of Berlioz’s Nuits d’été for voice and eight cellos. In 2011, Ensemble Intercontemporain premiered 666, a trio for clarinet, cello, and piano. More recently, Radio-France commissioned a piece for orchestra, Shortcuts (2014), as well as a chamber music piece for six musicians titled Folia (2017, co-commissioned with Ensemble intercontemporain). Bord is also the author of many transcriptions and orchestrations.
© Ircam-Centre Pompidou, 2018
Sources
Lionel Bord
- Solo (excluding voice)
- Tarabust in memoriam Iannis Xenakis, for violin (2001), 5 mn, BabelScores
- « …Como el deslumbramiento de las alas… » for guitar (2001), 8 mn, BabelScores
- Chamber music
- Tenebrae for clarinet and string trio (2000), 10 mn
- Prières for flute, cello and guitar (2003), 7 mn, BabelScores
- Nébuleuses… for four soprano saxophones (2004), 4 mn 50 s, Lemoine
- Fulgurances for eight cellos (2007), 9 mn, BabelScores
- D'étincelles et de cendres for sextet (2010), 12 mn
- 666 for clarinet, cello and piano (2011), 20 mn, BabelScores [program note]
- Rocking Mirror Daybreak II for two violins (2013), 16 mn, BabelScores
- Instrumental ensemble music
- Falls for ensemble (2002), 10 mn
- Poursuivant lʼombre comme un rêve orchestral essay in homage to Mendelssohn (2005), 9 mn
- Fantasmi for large ensemble (2006), 15 mn, BabelScores
- Shortcuts for orchestra (2014), 10 mn, BabelScores
- Borderline, une relecture for eight musicians (2015), 5 mn
- Folia for six musicians (2017), 30 mn
- Vocal music and instrument(s)
- stage Le Rossignol et l'Empereur de Chine stage music for flute, harp and narrator (2008), 45 mn
- La Demeure d'Astérion melodrama for string quartet and narrator (2016), 15 mn
- Le Sacrifice d'Égée melodrama for string quartet and narrator (2016), 15 mn
- 2017
- Folia for six musicians, 30 mn
- 2016
- La Demeure d'Astérion melodrama for string quartet and narrator, 15 mn
- Le Sacrifice d'Égée melodrama for string quartet and narrator, 15 mn
- 2015
- Borderline, une relecture for eight musicians, 5 mn
- 2014
- Shortcuts for orchestra, 10 mn, BabelScores
- 2013
- Rocking Mirror Daybreak II for two violins, 16 mn, BabelScores
- 2011
- 666 for clarinet, cello and piano, 20 mn, BabelScores [program note]
- 2010
- D'étincelles et de cendres for sextet, 12 mn
- 2008
- stage Le Rossignol et l'Empereur de Chine stage music for flute, harp and narrator, 45 mn
- 2007
- Fulgurances for eight cellos, 9 mn, BabelScores
- 2006
- Fantasmi for large ensemble, 15 mn, BabelScores
- 2005
- Poursuivant lʼombre comme un rêve orchestral essay in homage to Mendelssohn, 9 mn
- 2004
- Nébuleuses… for four soprano saxophones, 4 mn 50 s, Lemoine
- 2003
- Prières for flute, cello and guitar, 7 mn, BabelScores
- 2002
- Falls for ensemble, 10 mn
- 2001
- Tarabust in memoriam Iannis Xenakis, for violin, 5 mn, BabelScores
- « …Como el deslumbramiento de las alas… » for guitar, 8 mn, BabelScores
- 2000
- Tenebrae for clarinet and string trio, 10 mn
Discographie
- Lionel BORD, Nébuleuses, dans « LʼEngrenage »,Quatuor Habanera, Louis Sclavis : clarinette basse, 1 cd Alpha-Productions, 2006, n° 518.
- Lionel BORD, Fantasmi, Orchestre des lauréats du Conservatoire, direction : Guillaume Bourgogne, 1 cd Prix de composition 2006, Centre de recherche et d’édition du Conservatoire (CREC), 2007.
- Lionel BORD, Nébuleuses…, Quatuor Axone, 1 cd Journées de la composition 2005, Centre de recherche et d’édition du Conservatoire (CREC), 2006.
- Lionel BORD, Tenebrae, Orchestre du Conservatoire, direction : François-Xavier Roth, 1 cd Journées de la composition 2003, Centre de recherche et d’édition du Conservatoire (CREC), 2004.
Liens Internet
- SoundCloud de Lionel Bord, https://soundcloud.com/lionelbord
- Éditions BabelScores, http://www.babelscores.com/lionelbord
- Page de Lionel Bord sur le site de l’Orchestre de Paris, http://www.orchestredeparis.com/fr/orchestre/interview/lionel-bord_16.html
- « À la folie. Entretien avec le compositeur Lionel Bord », par Jérémie Szpirglas, dans Accents, le Webmag de l’Ensemble intercontemporain, janvier 2018, http://www.ensembleinter.com/accents-online/?p=10931
(liens vérifiés en février 2018).