Finnish composer and conductor born 30 June 1958 in Helsinki.
Esa-Pekka Salonen studied horn, conducting, and composition, notably with Einojuhani Rautavaara, at the Sibelius Academy. He debuted as a conductor in 1979, leading the Radio Finland Symphony Orchestra, for whom he went on to serve as director from 1985 to 1995. In 1995 and 1996, he was director of the Helsinki Festival, and from 1992 to 2009 was director of the Los Angeles Philharmonic, being named Laureate Conductor in April 2009. In 1996, the orchestra commissioned LA Variations, which has since become one of the most popular orchestral works composed in recent decades. Salonen is the artistic director of the Baltic Sea Festival, which he co-founded in 2003. In September 2008, he became head conductor of the London Philharmonia Orchestra. He was in residence at the Dortmund Konzerthaus for the 2010-11 season, and in 2011, was guest of honour at the Radio France Présences Festival, during which he conducted the premiere of his work for orchestra, Nyx.
Esa-Pekka Salonen has received numerous prestigious awards for his work as a conductor, including the Accademia Chigiana de Sienna Prize (1993) and the Opera and Conductor Awards from the Royal Philharmonic Society (1995 and 1997, respectively). In 1998, the French government named him an Officer of the Order of Arts and Letters. In 2003, he received an honorary doctorate from the Sibelius Academy, and in 2005 the Helsinki Medal. Musical America named him “Musician of the Year” in 2006. In 2009, he was awarded a second honorary doctorate, this time from the Hong Kong Academy of Performing Arts, and in April 2010, was made an honorary member of the American Academy of Arts and Sciences.
Salonen’s first major work for orchestra, Concerto for Saxophone and Orchestra (…auf den ersten Blick und ohne zu wissen…), dates from 1980-1981, while the composer was still a student of Niccolo Castiglioni and Franco Donatoni. The title was taken from Kafka’s The Trial, which, in Salonen’s mind, expresses the imaginary world which he sought to create in the work. Giro, his second work for orchestra, was also written around this time and exhibits similar harmonic content. Salonen would not compose further large-scale works until some ten years later. He spent the first half of 1982 in the studios of the Finnish Broadcasting Company, working on the radiophonic piece Baalal, which was included in the Prix Italia. Around this time, he started work on a series of solo pieces collectively entitled Yta (“Surface”), comprising Yta I for alto flute (1982), Yta II for piano (1985), and Yta III for cello (1986). The latter work is characterised by its sonorous surface, built upon dense harmonies, which undergoes continuous transformation. This series was complemented with the two-part “Meetings” for two duos of virtuosic insturments: Meeting (1982), for clarinet and harpsichord, and Second meeting (1992) for oboe and piano, a work which served as the basis of Mimo II for oboe and chamber orchestra.
Floof (Songs of a Homeostatic Homer), an experimental piece from 1982 which underwent substantial revisions in 1990, and which was awarded the UNESCO Rostrum Prize in 1992, arguably represents one of Salonen’s most important works from this period. Using texts from Polish science-fiction writer Stanislaw Lem, it is an exuberant and theatricaltour de forcefor soprano and chamber ensemble. Subsequent works of note include*LA Variations(1996) andGambit(1998), both for orchestra (the latter was dedicated to Magnus Lindberg), followed byFive Images after Sappho* (1999) for soprano and ensemble, commissioned by the Ojai Festival in California and the London Sinfonietta.
Following the orchestral works of the 1990s, and while continuing to honour commissions from major orchestras (giving rise to Foreign Bodies ; Insomnia , a co-commission of Suntory Hall in Tokyo and the Norddeutscher Rundfunk in Hamburg]; Wing on Wing , (premiered at the Walt Disney Concert Hall); and Helix ), in the 2000s, Salonen once again produced a number of works for solo instruments, including Concert Etude for horn and Dichotomy for piano (both from 2000), Lachen verlernt for violin (2002) and Invenzione and chorale for piano (2004), as well as chamber works such as Memoria for wind quintet (2003) and Homunculus for string quartet (2008). In the same decade, he composed three concertos for eminent soloists: Mania (2000), for cellist Anssi Karttunen; Piano Concerto for Yefim Bronfman (2007); and Violin Concerto (2008-2009) for Leila Josefowicz.
© Ircam-Centre Pompidou, 2011
- Esa-Pekka Salonen, site personnel ;
- Agence PR2 classic ;
- Éditions Chester Music.
- Solo (excluding voice)
- Yta I for flute in G (1982), 5 mn, Chester Music
- Yta II for piano (1985), 6 mn, Chester Music
- Yta IIb for harpsichord (1987), 6 mn, Chester Music
- Yta III for cello (1987), 6 mn, Chester Music
- Concert étude for horn (2000), 6 mn, Chester Music
- Dichotomie for piano (2000), 18 mn, Chester Music
- Lachen verlernt for violin (2002), 10 mn, Chester Music
- Invenzione and chorale for piano (2004), 4 mn, Chester Music
- Three preludes for piano (2005), Chester Music
- SYK Fanfare for horn (2006), 3 mn, Chester Music
- knock, breathe, shine for cello (2010), Chester Music
- Chamber music
- Hornmusic 1 for horn and piano (1976), Seesaw Music
- Nachtlieder for clarinet and piano (1978), 8 mn, Fennica Gehrman
- Goodbye for violin and guitar (1979, 1980), 11 mn, Chester Music
- Prologue for oboe, violin, cello and percussion (1979), 8 mn, Chester Music
- Meeting for clarinet and harpsichord (1982), 6 mn, Chester Music
- Mimo I for wind quintet (1982), 6 mn, Chester Music
- Second meeting for oboe and piano (1991-1992), 10 mn 30 s, Chester Music
- Memoria for wind quintet (2003), 12 mn, Chester Music
- Homunculus for string quartet (2008), 12 mn, Chester Music
- Instrumental ensemble music
- Giro for orchestra (1981, 1997), 10 mn, Chester Music
- LA Variations for orchestra (1996), 19 mn, Chester Music
- Gambit for orchestra (1999, 1998-1999), 9 mn, Chester Music
- Foreign Bodies for orchestra (1999-2001), 20 mn, Chester Music
- Viesti RSO:lle Message for the Finnish Radio Symphony Orchestra, for orchestra (2002), 5 mn, Chester Music
- Insomnia for orchestra (2002), 20 mn, Chester Music
- Stockholm Diary for string orchestra (2004), 12 mn, Chester Music
- Helix for orchestra (2005), 9 mn, Chester Music
- Catch and release for ensemble (2006-2007), 22 mn, Chester Music
- Nyx for orchestra (2010), 19 mn, Chester Music
- Concertant music
- Concertos for alto saxophone and orchestra ...auf den ersten Blick und ohne zu wissen... (1983, 1980-1981), 18 mn, Wilhelm Hansen
- Mimo II for oboe and chamber orchestra (1992), 13 mn, Chester Music
- Mania version for cello and ensemble (2000), 17 mn, Chester Music
- Piano Concerto (2007), 33 mn, Chester Music
- Violin concerto (2008-2009), 30 mn, Chester Music
- Vocal music and instrument(s)
- A cappella vocal music
- Electronic music / fixed media / mechanical musical instruments
- elec Baalal radio piece for tape (1982), 23 mn, Chester Music
- Unspecified instrumentation
- Nainen ja apina opera (1999)
- Violin concerto, 30 mn, Chester Music
- Homunculus for string quartet, 12 mn, Chester Music
- SYK Fanfare for horn, 3 mn, Chester Music
- Memoria for wind quintet, 12 mn, Chester Music
- Foreign Bodies for orchestra, 20 mn, Chester Music
- LA Variations for orchestra, 19 mn, Chester Music
- Floof Songs of a Homeostatic Homer, for soprano and ensemble, 10 mn, Wilhelm Hansen
- Yta II for piano, 6 mn, Chester Music
- Nachtlieder for clarinet and piano, 8 mn, Fennica Gehrman
- Hornmusic 1 for horn and piano, Seesaw Music
- Date de composition inconnue
- Nainen ja apina opera
Principaux enregistrements des compositions d’Esa-Pekka Salonen (voir aussi son importante discographie de chef d’orchestre sur son site personnel).
- Esa-Pekka SALONEN, Hornmusic 1, Lin Jiang : cor, Benjamin Martin : piano, 1 cd Melba, 2008.
- Esa-Pekka SALONEN, Dichotomie, Gloria Cheng : piano, avec des œuvres de Steven Stucky et Witold Lutoslawski, 1 cd Telac, 2008.
- Esa-Pekka SALONEN, Helix ; Klavierkonzert;Piano Concerto;Dichotomie, Yefim Bronfman : piano, Los Angeles Philharmonic, direction : Esa-Pekka Salonen, 1 cd Deutsche Grammophon, 2008.
- Esa-Pekka SALONEN, Helix, LA Philharmonic, Esa-Pekka Salonen, live au Walt Disney Concert Hall, avec des œuvres de Ravel et Prokofiev, 1 cd Deutsche Grammophon, 2007.
- Esa-Pekka SALONEN, Lachen verlernt, dans « Leila Josefowicz. Beethoven, Ravei, Salonen, Grey, Messiaen », Leila Josefowicz : violon, John Novacek, piano, 1 cd Warner Classics, 2005.
- Esa-Pekka SALONEN, « Esa-Pekka Salonen, Works 1992-1978 » : Mimo II ; Yta I ; Yta II ; Yta III ; Floof ; Meeting ; Concerto for alto saxophone & Orchestra ; Nachtlieder, Finnish Radio Symphony Orchestra, Avanti! Chamber Orchestra, direction : Esa-Pekka Salonen, 1 cd Finlandia, 2002.
- Esa-Pekka SALONEN, « LA Variations » : LA Variations ; Five images after Sapho ; Mania ; Gambit ; Giro, Dawn Upshaw : soprano, Los Angeles Philharmonic Orchestra, London Sinfonietta, direction : Esa-Pekka Salonen, 1 cd Sony Classical, 2001.
- Site du compositeur, http://www.esapekkasalonen.co.uk (lien vérifié en février 2011).
- Finnish Music International Centre : FIMIC http://www.fimic.fi(lien vérifié en février 2011).
- Éditions Chester http://www.chesternovello.com (lien vérifié en février 2011).
- Agence PR2 classic http://www.pr2classic.de/(lien vérifié en février 2011).