Italian composer born 4 May 1976 in Urbino.
Carmine-Emanuele Cella was born in Italy in 1976. A composer and researcher, he works on the relationship between mathematics and music. He holds degrees from the Conservatorio G. Rossini di Pesaro in piano, computer music, and composition, as well as a masters in composition from the Accademia Nazionale di Santa Cecilia in Rome, where he studied under Azio Corghi. Additionally, he studied philosophy and mathematics, and earned a doctorate in mathematical logic from the University of Bologna with a doctoral dissertation titled On Symbolic Representations of Music (2011).
Cella’s compositions have been honored with many prizes, including first prize in the Rossini Composition Competition in 1998, first prize in the Egidio Carella Composition Competition in 2010, and second prize in the ICOMS Composition Competition in 2010. In 2006, he was a semi-finalist in the Queen Elisabeth Competition, and in 2007 in the George Enescu Competition. In 2009, his La fin du jour was premiered by the SWR Orchestra of Stuttgart, and in 2011 he was a finalist in the Isang Yun International Music Prize in South Korea for his piece The Manhattan distance.
In 2007, he was awarded the E. Conestabile Fellowship from the Accademia Musicale Chigiana and the G. Guarino fellowship from the Accademia Nazionale di Santa Cecilia in Rome; in 2008, he was awarded the prestigious Petrassi Composition Prize by then President of the Italian Republic Giorgio Napolitano. In 2015, he was awarded the Una Vita Nella Musica Giovani Prize by the Teatro la Fenice in Venice.
In 2007-2008, Cella traveled to Paris to work as a researcher in the IRCAM’s Analysis/Synthesis team, studying audio indexing. In 2011-2012, at IRCAM, he designed the live electronics for the opera Limbus-Limbo, by Stefano Gervasoni. That same year he was a composer-in-residence at the IRCAM, and during that time his piece Gia’ s’ottenebra il giorno premiered at the ManiFeste 2012 Festival-Academy, which also commissioned Reflets de l’ombre for the Orchestre de Radio France, which premiered in June 2013 at the Salle Pleyel. In 2013-2014 he was selected to be a resident at the Casa de Velazquez in Madrid. In 2015-2016, he conducted research in applied mathematics for a post-doctorate directed by Stéphane Mallat at the École Normale Supérieure de Paris. In 2016, he held a residency at the American Academy in Rome. Since January 2019, he has been an assistant professor of music and technology at the University of California, Berkeley, as well as lead researcher at the Center for New Music and Audio Technology (CNMAT). Since 2020, Cella is also professor of computer music at Conservatorio G. Rossini in Pesaro. In 2022 he has been the recipient of the prestigious Traiettorie music prize for composition for his researches.
Currently, the areas on which he is working are the application of artificial intelligence to music creation (notably through the development of Orchid, an assisted orchestration software), instrument augmentation and the definition of mathematical models for the representation of sound through deep learning techniques and machine learning methods for computer-assisted orchestration.
© Ircam-Centre Pompidou, 2017
Carmine-Emanuele Cella ; Corriere italiano.
- Solo (excluding voice)
- Chamber music
- When the light thickens for clarinet, violin, cello and piano (2012), 4 mn
- elec Le forme della solitudine for Paetzold flutes (2013), 5 mn
- elec When the light thickens for clarinet, piano, violin, cello and live electronics (2014)
- elec Ex Arboris dendrophony for string quartet, monumental tree and real-time electronics (2015)
- Kore for six percussionists with augmented percussions, from Les espaces physiques (2019), 25 mn, Suvini Zerboni
- elec Dendrum for two percussionists with augmented percussions, from Les espaces physiques (2021), Suvini Zerboni
- elec Improvviso statico III for saxophone quartet and live electronics (2022), Suvini Zerboni
- Instrumental ensemble music
- An eternal golden braid for large orchestra (2003), 7 mn
- Paracelso y la rosa for ensemble (2005), 6 mn
- La fin du jour for large orchestra (2007), 12 mn, Bèrben
- La rosa invisible for ensemble (2007), 5 mn
- Rosas azules for ensemble (2007-2008), 7 mn
- The Manhattan distance suite after Lì Mǎdòu (2010), for orchestra (2010), 10 mn, Suvini Zerboni [program note]
- ircam Gia' s'ottenebra il giorno for orchestra (2012), 7 mn, Suvini Zerboni
- elec ircam Reflets de l'ombre for large orchestra and live electronics (2013), between 15 mn and 18 mn, Suvini Zerboni [program note]
- La Mémoire de l'eau for nine musicians (2014), Suvini Zerboni
- All of a sudden for orchestra (2015), between 9 mn and 10 mn, Suvini Zerboni
- elec ircam Inside-out for piano, three percussionists and electronics (2016-2017), 19 mn, Suvini Zerboni [program note]
- RANDOM FORESTS for orchestra (2017), Suvini Zerboni
- Stades d'ombre, stade de lumière for large ensemble (2018), 15 mn, Suvini Zerboni
- elec Kobi for augmented mbira and metal plates, from Les espaces physiques (2022), Suvini Zerboni
- elec ircam I am in blood for fifteen instruments and live electronics (2023), 30 mn, Suvini Zerboni [program note]
- Concertant music
- Vocal music and instrument(s)
- Viaggio al termine della notte for soprano and ensemble (1998), 15 mn
- Bassa Stagione for soprano and ensemble (2006), 6 mn 30 s
- elec Lì Mǎdòu Il vento dell’amicizia, for orchestra, voice and electronics (2010), 22 mn [program note]
- Memorie di Sabbia one-act three-stage chamber opera (2017), Suvini Zerboni
- stage Pane, sale, sabbia opera in one act and three scenes for four voices, actors and chamber orchestra (2017), 1 h 10 mn, Suvini Zerboni
- A cappella vocal music
- Ali oscillano in fioco cielo madrigal for vocal quintet (2013), Suvini Zerboni
- Electronic music / fixed media / mechanical musical instruments
- Unspecified instrumentation
- elec Dendrum for two percussionists with augmented percussions, from Les espaces physiques, Suvini Zerboni
- Stades d'ombre, stade de lumière for large ensemble, 15 mn, Suvini Zerboni
- elec ircam Inside-out for piano, three percussionists and electronics, 19 mn, Suvini Zerboni [program note]
- Memorie di Sabbia one-act three-stage chamber opera, Suvini Zerboni
- stage Pane, sale, sabbia opera in one act and three scenes for four voices, actors and chamber orchestra, 1 h 10 mn, Suvini Zerboni
- RANDOM FORESTS for orchestra, Suvini Zerboni
- Upside-down for piano and orchestra, Suvini Zerboni
- elec Come occhi che videro deserti for fixed sounds, taken from Lì Mǎdòu, 8 mn
- Expectations I for piano
- elec Lì Mǎdòu Il vento dell’amicizia, for orchestra, voice and electronics, 22 mn [program note]
- elec Renoir for fixed sounds, 9 mn 47 s
- The Manhattan distance suite after Lì Mǎdòu (2010), for orchestra, 10 mn, Suvini Zerboni [program note]
- Rosas azules for ensemble, 7 mn
- An eternal golden braid for large orchestra, 7 mn
- elec Strani insetti for fixed sounds, 10 mn
- elec La vana aurora for fixed sounds, 10 mn 24 s
- Viaggio al termine della notte for soprano and ensemble, 15 mn
- Date de composition inconnue
- Ex Arboris dendrophony for string quartet, monumental tree and real-time electronics, 12 mn
- Entretien avec Carmine-Emanuele Cella. La musique comme expérience charnelle par Jérémie Szpirglas, Feb. 16, 2023
- Site personnel : www.carminecella.com
- SoundCloud : www.soundcloud.com
- Éditions Suvini Zerboni : www.esz.it
- Consulter les interventions de Carmine-Emanuele Cella en tant que conférencier à l’Ircam.
(liens vérifiés en novembre 2022).