Bibliographie

  • Robert ADLINGTON, The music of Harrison Birtwistle, Cambridge University Press, 1999 [rĂ©edition 2006].
  • Robert ADLINGTON, « Harrison Birtwistle’s Recent Music », Tempo, n° 196, 1996, p. 2–8.
  • Harrison BIRTWISTLE, entretien avec Ross Lorraine : « Territorial Rites 1 », The Musical Times, vol. 138, octobre 1997, p. 4-8; « Territorial Rites 2 », The Musical Times, vol. 138, novembre 1997, p. 12-16.
  • David BEARD, *Harrison Birtwistle’s Operas and Music Theatre,*Cambridge, 2012.
  • David BRUCE, « Challenging the System », The Musical Times, vol. 138, avril 1996, p. 11–16 [sur Panic].
  • Michael CHANAN, « Birtwistle’s Down by the Greenwood Side », Tempo, n° 89, 1969, P. 19-21.
  • Jonathan CROSS, Harrison Birtwistle, The Mask of Orpheus, Ashgate, 2009.
  • Jonathan CROSS, Harrison Birtwistle: Man, Myth, Music, Faber and Faber, Londres, 2000.
  • Jonathan CROSS, Birtwistle’s Secret Theatres, Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music, ed. C. Ayrey and M. Everist, Cambridge, 1996, P. 207-225.
  • Jonathan CROSS, « Lines and Circles: on Birtwistle’s Punch and Judy and Secret Theatre », Music Analysis, n°13, 1994, p. 203-225.
  • Jonathan CROSS, « The Challenge of Modern Music: Birtwistle’s Refrains and Choruses», Theory, Analysis and Meaning in Music, ed. A. Pople, Cambridge, 1994, 184-194.
  • Jonathan CROSS, « The Action Never Stops, it Only Changes», The Musical Times, vol. 135, 1994, p. 698-703 [sur The Second Mrs Kong].
  • Gordon CROSSE, « Birtwistle’s Punch and Judy», Tempo, n° 85, 1968, p. 24-6.
  • Andrew FORD, « The Reticence of Intuition – Sir Harrison Birtwistle », Composer to Composer: Conversations about Contemporary Music, Londres, 1993, p. 52-59.
  • Paul GRIFFITHS, « Harrison Birtwistle », New Sounds, New Personalities: British Composers of the 1980s, Londres, 1985, p. 186-194.
  • Michael HALL, Harrison Birtwistle in Recent Years, Londres, 1998.
  • Michael HALL, Harrison Birtwistle, ed. Robson Books, coll. « The contemporary composers », Londres, 1984.
  • Robert HENDERSON, « Harrison Birtwistle », The Musical Times, vol. 105, n° 1453, mars 1964, p. 188-189.
  • Michael NYMAN, « Two New Works by Birtwistle », Tempo, n° 88, 1969, P. 47-50.
  • Stephen PETTITT, « Birtwistle’s Secret Theatres », Opera, vol. 47, 1996, p. 366-369.
  • Rhian SAMUEL, « Time Remembered: Birtwistle’s The Second Mrs Kong », Opera, n° 45, 1994, p. 1153-1158.
  • Roger SMALLEY, « Birtwistle’s Nomos», Tempo, n° 86, 1968, 7-10.
  • Roger SMALLEY, « Birtwistle’s Chorales », Tempo, n° 80, 1967, 25-27.
  • Arnold WHITTALL, « Dendritic designs: Harrison Birtwistle’s String quartet: The tree of strings», The Musical Times,* *automne 2011, p. 3-17.
  • Arnold WHITTALL, « The Mechanisms of Lament: Harrison Birtwistle’s Pulse Shadows », ML, vol. 29, 1999, p. 102.
  • Arnold WHITTALL, « Modernist Aesthetics, Modernist Music: Some Analytical Perspectives », Music Theory in Concept and Practice, ed. J.M. Baker, D.W. Beach et J.W. Bernard, Rochester NY, 1997.
  • Arnold WHITTALL, « Comparatively Complex: Birtwistle, Maxwell Davies and Modernist Analysis », Music Analysis, n° 13, 1994, p. 139-159.
  • Arnold WHITTALL, « The Geometry of Comedy », The Musical Times, vol. 134, 1993, p. 17-19.
  • David WRIGHT, « Clicks, Clocks and Claques: the Achievement of Harrison Birtwistle at 60’ », The Musical Times, vol. 135, 1994, p. 426-431.

Discographie, filmographie

  • Harrison BIRTWISTLE, Angel Fighter ; In Broken Images ; Virelai, Andrew Watts, Jeffrey Lloyd-Roberts, BBC Singers, London Sinfonietta, David Atherton, direction,1 cd NMC, 2015, D211.
  • Harrison BIRTWISTLE, Nenia: The Death of Orpheus ; Orpheus Elegies ; Fantasia III ; Nine Settings for Lorine Niedecker ; Frieze I ; Songs by Myself ; Cantus Lambeus, Alice Ross ; Da Neue Ensemble ; Kuss Quartet ; Solistes de la Hochschule fĂĽr Musik ; Theater und Medien Hannover ; Stefan Asbury, direction, dand « Songs 1970-2006 », 1 cd Toccata Classics, 2015, TOCC0281.
  • Harrison BIRTWISTLE, The Moth Requiem, Roderick Williams ; Nash Ensemble ; BBC Singers ;  Nicholas Kok, direction, 1 cd Signum Classics, 2014, SIGCD368.
  • Harrison BIRTWISTLE,  Three Settings Of Lorine Niedecker ; Bogenstrich – Meditations On A Poem Of Rilke ; Nine Settings Of Lorine Niedecker, Lisa Batiashvili ; Adrian Brendel ;  Till Fellner ; Amy Freston ; Roderick Williams ; dans « Chamber Music », 1 cd ECM Records, 2014, 2253.
  • Harrison BIRTWISTLE, The Triumph of Time ; Earth Dances ; Panic, BBC Symphony Orchestra, Ensemble Modern Orchestra, Pierre Boulez, direction, 1 cd Decca, 2012, 4784249.
  • Harrison BIRTWISTLE, « Complete String Quartets », Quatuor Arditti, 1 cd æon, 2012,  AECD 1217.
  • Harrison BIRTWISTLE, The Minotaur, Stephen Langridge : mise en scène, Antonio Pappano : direction, avec John Tomilnson, Johan Reuter, Christine Rice, Andrew Watts, chĹ“ur et orchestre du Royal Opera, 2 dvds Opus Arte, Royal Opera House, Covent Garden Londres, 2008.
  • Harrison BIRTWISTLE, Nenia: The Death of Orpheus ; The Fields of Sorrow ; Verses for Ensembles, Jane Manning, The Matrix, direction : Alan Hacker, London Sinfonietta, direction : David Atherton, 1 cd Lyrita, 2008.
  • Harrison BIRTWISTLE, Secret Theatre ; Silbury Air ; Carment Arcadiae Mechanicae Perpetuum, London Sinfonietta, direction : Elgar Howarth, 1 cd NMC Recordings, 2008.
  • Harrison BIRTWISTLE, Punch & Judy, de Phyllis Bryn-Julson : soprano, Jan DeGaetani : mezzo-soprano, Philip Langridge : tĂ©nor, Stephen Roberts : baryton, David Wilson-Johnson : baryton-basse, John Tomlinson : basse, London Sinfonietta, direction : David Ath, 2 cds NMC Recordings, 2007.
  • Harrison BIRTWISTLE, The Mask of Orpheus, Marie Angel, Juliet Booth : sopranos, Elisabeth Mccormack, Anne-Marie Owens : mezzo-sopranos, Stephen Allen, Peter Bronder : tĂ©nors, orchestre symphonique de la BBC, direction : Andrew Davis, 2 cds Nmc, 2006.
  • Harrison BIRTWISTLE, The Axe Manual, complete piano works, comprenant : The Axe Manual ; Oockooing Bird ; Sad Song ; Berceuse de Jeanne ; PrĂ©cis ; Hector’s Dawn ; Ostinato with Melody ; Betty Freeman: Her Tango ; Saraband: The Kings Farewell ; Harrison’s Clocks, Nicolas Hodges : piano, Claire Edwardes : percussion, 1 cd Metronome, WDR 3, 2005.
  • Harrison BIRTWISTLE, I. Trageodia ; II. Five distances for five Instruments ; III. Three Settings Of Celan ; IV. Endless Parade ; V. Panic ; VI. Earth Dances, Ensemble intercontemporain, direction : Pierre Boulez (I-IV), Christine Whittlesey : soprano (III),  BBC Philharmonic Orchestra, direction : Elgar Howarth (V),  The Cleveland Orchestra, direction : Christoph Von Dohnanyi (VII), Andrew Davis (VI), avec Paul Patrick, Hakan Hardenberger (V), John Harle, Paul Clarvis (VI), 2 Cd Decca, coll. « The British Music Collection », 2004.
  • Harrison BIRTWISTLE, The Triumph of Time ; Ritual fragment ; Gawain’s Journey, orchestre philharmonique de Londres, direction : Elgar Howarth, 1 cd NMC, 2004.
  • Harrison BIRTWISTLE, Refrains and Choruses, comprenant Hoquetus Petrus ; Refrains and Choruses ; Hector’s Dawn ; Duets for Storab ; Linoi ; Berceuse de Jeanne ; Verses for Ensembles ; Chorale from a Toy-Shop ; Sad Song ; An Interrupted Endless Melody ; Oockooing Bird ; Five Distances for 5 instruments, Robert Manasse, Mark Law, The Galliard Ensemble, Richard Shaw, 1 cd Deux-Elles, 2002.
  • Harrison BIRTWISTLE, Melencolia I ; Ritual Fragment ; Meridian ; London Sinfonietta, direction : Oliver Knussen, Antony Pay, Helen Tunstall, Christopher van Kampen, London Sinfonietta Voices, Michael Thompson, Mary King, 1 cd NMC, 2000.
  • Harrison BIRTWISTLE, Music for wind & percussion, comprenant Verses for Ensembles ; Refrains and Choruses ; For O, for O, the Hobby-horse Is Forgot, groupe de percussions The Hague, Netherlands Wind Ensemble, direction : James Wood, 1 cd Etcetera, 1995.
  • Harrison BIRTWISTLE, Secret Theatre ; Silbury Air ; Carmen Arcadiae Mechanicae Perpetuum, London Sinfonietta, direction : Elgar Howarth, 1 cd Etcetera, 1994.

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