Liens Internet

• Site du compositeur : https://www.richardteitelbaum.org/
• http://faculty.bard.edu/~teitelba/

(liens vérifiés en avril 2022).

Bibliographie

Textes de Richard Teitelbaum

• Richard TEITELBAUM “Son Nova 1988: Electronic music of Arel, Davidovsky and Ussachevsky,” in Perspectives of New Music, Vol. 3, No. 1, (Autumn - Winter, 1964), pp. 127-130 (4 pages) https://doi.org/10.2307/832243
• Richard TEITELBAUM, “World Band”, in Soundings, No. 1, sous la direction de Peter Garland et John Bischoff, 1972, pp. 21-33, http://faculty.bard.edu/~teitelba/writings/worldband.pdf (lien vérifié en août 2021).
• Richard TEITELBAUM: ‘Intervallic Relations in Atonal Music’, Journal of Music Theory, 9 (1965), pp. 72–127.
• Richard TEITELBAUM, “IN TUNE: SOME EARLY EXPERIMENTS IN BIOFEEDBACK MUSIC. (1966–74)”, in Biofeedback and the Arts, Results of Early Experiments, sous la direction de David Rosenboom, Vancouver: Aesthetic Research Centre of Canada, 1976, pp. 35-56, http://faculty.bard.edu/~teitelba/writings/biofeedback.pdf (lien vérifié en Juin 2021).
• Richard TEITELBAUM, “Improvisation, Computers and the Unconscious Mind”, Contemporary Music Review, 25, no. 5/6 (October–December, 2006): 497–508.
• Richard TEITELBAUM, “The Digital Piano and the Patch Control Language System”, Proceedings of the International Computer Music Conference, ed. By William Buxton, Paris, France, Published by: International Computer Music Association, San Francisco, USA, 1984. ISSN: 1026-1087, pp. 213-216.
• Alvin CURRAN, Frederic RZEWSKI, and Richard TEITELBAUM “Composers’ Notes” , dans “Musica Elettronica Viva: MEV 40 (1967–2007)”, booklet, New World Records, Compact disc 80675-2.

Textes sur Richard Teitelbaum

• David ROSENBOOM, “In Conversation: David Rosenboom and Richard Teitelbaum,” interview by Andrew Timar and Jon Siddal, Musicworks: The Journal of Sound Exploration, 21 (Fall-Winter 1982), pp. 12-14.
• Mark DERY, “The Arcane Experiments of Richard Teitelbaum.” Keyboard 15, no. 7 (1989): 74–88.
• Tom JOHNSON, “Richard Teitelbaum on the Threshold,” in The Voice of New Music, June 2, 1975, in Tom Johnson, New York City 1972 – 1982. A collection of articles originally published in The Village Voice, edited by Tom Johnson and Paul Panhuysen, Het Apollohuis edition, 1989, pp. 106-107.
• Joan LA BARBARA, “Teitelbaum, Richard (Lowe).” Grove Music Online, 2001, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000047523 (lien vérifié en juillet 2021) ; The New Grove Dictionary of American Music, Vol. 4, 1986, H. Wiley Hitchcock and Stanley Sadie, eds.; Macmillan, London.
• Susanne WINTERFELDT, Richard L. Teitelbaum: The Golem, dans Positionen: Beiträge zur Neuen Musik, (11), 1992, pp. 12-16, BerlinMay 1992
• Rande RAINE-REUSCH, “Integrating Extremes: The Music of Richard Teitelbaum”, Musicworks: Explorations in sound, spring, 2003, no. 85, Mar. 2003, pp. 40–53.
• Sabine FEISST, “Teitelbaum, Richard Lowe”, MGG - Die Musik in Geschichte und Gegenwart, Vol. 16, edited by Ludwig Finscher (Kassel: Bärenreiter/Stuttgart: Metzler, 2006).
• http://archive.thekitchen.org/wp-content/uploads/2013/12/Program_Teitelbaum_Electro-Acoustic.pdf

Discographie sélective

• http://nwr-site-liner-notes.s3.amazonaws.com/80675.pdf MUSICA ELETTRONICA VIVA. Liner notes, MUSICA ELETTRONICA VIVA, MEV 40 (1967–2007) 80675-2 (4CDs). © 2008 Anthology of Recorded Music, Inc. and New World Records.
• Richard Teitelbaum Piano Plus – Piano Music 1963-1998, New World Records, n. 80756-2)
• Blends. Katsuya Yokoyama, shakuhachi; Richard Teitelbaum, synthesizer, computer, keyboards; Trilok Gurtu, tabla; Mark Dresser, double bass; Gerry Hemingway, drums. New Albion 118.
• Concerto Grosso. Anthony Braxton, reeds; George Lewis, trombone, computer; Richard Teitelbaum, keyboards, Pianocorders, computers. Hat Art CD 6004
• Duet: Live at Merkin Hall. Anthony Braxton, reeds; Richard Teitelbaum, Kurzweil keyboard sampler/synthesizer, computer. Music and Arts CD 4949.
• Golem. David Moss, voice, electronics, percussion; Carlos Zingaro, violin, electronics; Shelley Hirsch, voice; Richard Teitelbaum, sampler, synthesizer, computer; George Lewis, computer, trombone, electronics. Tzadik 7105.
• Musica Elettronica Viva: MEV 40 (1967–2007). New World Records 80675-2 (4 CDs)
• The Sea Between. Richard Teitelbaum, keyboards, sampler, computer; Carlos Zingaro, violin, electronics. Victo CD 03.
• Times Zones. Richard Teitelbaum, Moog synthesizers; Anthony Braxton, winds. Freedom 32JDF– 194.