The setup and the execution of the electroacoustic part of this work requires a Computer Music Designer (Max expert).

Version Information

Documentation date
12 novembre 2013
Version
max6-untested
Status
valid
Validation date
3 mai 2018
Realisation
  • Éric Daubresse (Computer Music Designer)
  • Frank Rossi (Sound engineer)
Length
35 min
Upgrade motivation
update for Max6 + sampler transfer from akai to a software version (samplor~)

Other Versions

max8 48kHz4 avril 2020

oslo-20067 octobre 2006

Detailed Staff

Soloist
soprano, 5 sopranos, 5 contraltos, mezzo-soprano

trumpet, piccolo trumpet, percussionist, 2 horns, 2 trumpets, piccolo trumpet, 2 trombones, bass tuba, 3 percussionists, 2 electronic/MIDI keyboards/synthesizers

Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.

Electronic Equipment List

Audio Equipment

1 DM2000
Digital Mixers (Yamaha)
8 Loudspeaker
Loudspeakers (generic)
2 subwoofer
Subwoofers (generic)

Computer Music Equipment

2 KX 88
MIDI Keyboard (Yamaha) - Both keyboards are stacked
1 MIDI booster
Booster (generic)
1 Z8
Sampler (Akai) - now optional (can be "virtualized" by a max patch)
1 Fireface 400
Sound Board (RME)
1 Midi interface
MIDI Interfaces (generic)
1 MacBook Pro
Apple Laptops (Apple) - OS 10.6
1 Max 6
Max (Cycling74) - 6.1.6

Downloads

FicheTecSirene2006oslo.pdf

Franck Rossi

73.87 Ko

KEYBOARD B .pdf

Luca Francesconi

commentaire

keyboard B (event triggers) score

1009.07 Ko

KEYBOARD A.pdf

Luca Francesconi

commentaire

keyboard A (sampler) score

2.36 Mo

Oslo.pdf

Franck Rossi

commentaire

Loudspeaker and audio setup plan

56.62 Ko

LF_S_97-FR.pdf

Marc Battier

commentaire

historic "cahier d'exploitation" for reference

653.4 Ko

disposition-percu-Sirene.zip

commentaire

percussion sets pictures

1.11 Mo

Sirene-Gespenter-Sampler2013.dmg

Serge Lemouton

24.45 Mo

Sirene-Gespenter-2013.dmg

1.14 Go


Instructions

Loudspeaker, audio and stage setup

Midi setup

load the akai sampler using the ak.sys software, optionnally you can use the virtual sampler (see below)

Software installation

set the Max Preferences file path to the /snd/ and /lib/ folders

Initialization routine and Patch presentation

Open Sirene-concert-max6-untested-018.maxpat main patch and follow the instructions on the main patch :

Software Sampler (samplor~ version)

The Akai sampler can be replaced by a software solution.

Start sirenes-gespenter-samplor-mono.v1.maxpat with max6.1.

NB : Max File preferences should point to :

  • Sirene-Gespenter-Sampler2013:/Sirene-Gespenter-Samplor2013

This max patch uses the samplor~ object to emulate the hardware sampler.


Soundbanks :

  1. Sirenes1 
  2. Sirenes2 
  3. Sirenes3 
  4. OFF 
  5. Sirenes5
All these 5 sound banks are completely described into the "sirene-gespenter-multis" text file, using the following syntax :

0, 1 "PIANO HC2 -L.wav" 60. 21 38 1 127 0 0 0. 24.;

1, 1 "PIANO HD#2-L.wav" 60. 39 42 1 127 0 0 0. 21.;

2, 1 "PIANO HA2 -L.wav" 60. 43 50 1 127 0 0 0. 15.;

3, 1 "PIANO HD#3-L.wav" 60. 47 54 1 127 0 0 0. 9.;

4, 1 "PIANO HA3 -L.wav" 60. 55 59 1 127 0 0 0. 3.;

5, 1 "PIANO HF#4-L.wav" 60. 60 67 1 127 0 0 0. -6.;

6, 1 "PIANO HC5 -L.wav" 60. 68 120 1 127 0 0 0. -12.;

7, 1 "PIANO HF#5-L.wav" 60. 74 120 1 127 0 0 0. -18.;

8, 1 "PIANO HA5 -L.wav" 60. 80 120 1 127 0 0 0. -21.;

9, 2 "PIANO HC2 -L.wav" 60. 21 38 1 127 0 0 0. 24.;

10, 2 "PIANO HD#2-L.wav" 60. 39 43 1 127 0 0 0. 21.;

11, 2 "PIANO HA2 -L.wav" 60. 44 46 1 127 0 0 0. 15.;

12, 2 "PIANO HD#3-L.wav" 60. 47 54 1 127 0 0 0. 9.;

13, 2 "PIANO HA3 -L.wav" 60. 55 59 1 127 0 0 0. 3.;

14, 2 "PIANO HF#4-L.wav" 60. 60 67 1 127 0 0 0. -6.;

15, 2 "PIANO HC5 -L.wav" 60. 68 120 1 127 0 0 0. -12.;

16, 2 "PIANO HF#5-L.wav" 60. 74 120 1 127 0 0 0. -18.;

17, 2 "PIANO HA5 -L.wav" 60. 80 120 1 127 0 0 0. -21.;

18, 2 "PIANO  A#0-L.wav" 60. 21 28 1 127 0 0 0. 36. -11.2;

19, 2 "PIANO  G1 -L.wav" 60. 29 34 1 127 0 0 0. 29. -11.2;

20, 2 "PIANO  D2 -L.wav" 60. 35 40 1 127 0 0 0. 22. -11.2;

21, 2 "PIANO  G#2-L.wav" 60. 41 47 1 127 0 0 0. 16. -11.2;

22, 2 "PIANO  D#3-L.wav" 60. 48 54 1 127 0 0 0. 9. -11.2;

23, 2 "PIANO A#3 -L.wav" 60. 55 62 1 127 0 0 0. 2. -11.2;

24, 2 "PIANO  F4 -L.wav" 60. 63 70 1 127 0 0 0. -5. -11.2;

25, 2 "PIANO B4  -L.wav" 60. 71 82 1 127 0 0 0. -11. -11.2;

26, 2 "PIANO  G5 -L.wav" 60. 83 120 1 127 0 0 0. -19. -11.2;

27, 3 VENTICELLOVV.wav 60. 21 120 1 127 0 0 0. -4.;

28, 3 "CORO 6  LOOP.wav" 60. 21 120 1 127 0 0 0. -9.;

29, 3 RESPANIVIESO.wav 60. 21 57 1 127 0 0 0. 12.;

30, 3 "CLYMIB4   -L.wav" 60. 21 63 1 127 0 0 0. -15.;

31, 3 "CLYFAD4   -L.wav" 60. 64 65 1 127 0 0 0. -18.;

32, 3 "CLYLA4    -L.wav" 60. 66 120 1 127 0 0 0. -21.;

33, 3 "CLCMIB3   -L.wav" 60. 21 65 1 127 0 0 0. -3.;

34, 3 "CLCFAD3   -L.wav" 60. 66 68 1 127 0 0 0. -6.;

35, 3 "CLCLA3    -L.wav" 60. 69 71 1 127 0 0 0. -9.;

36, 3 "CLCDO4    -L.wav" 60. 72 74 1 127 0 0 0. -12.;

37, 3 "CLCMIB4   -L.wav" 60. 73 75 1 127 0 0 0. -15.;

38, 3 "CLCFAD4   -L.wav" 60. 76 120 1 127 0 0 0. -18.;

39, 5 VENTICELLOVV.wav 60. 21 120 1 127 0 0 0. -4.;

40, 5 "CORO 6  LOOP.wav" 60. 21 120 1 127 0 0 0. -9.;

41, 5 RESPANIVIESO.wav 60. 21 57 1 127 0 0 0. 12.;

42, 5 "CLYMIB4   -L.wav" 60. 21 63 1 127 0 0 0. -15.;

43, 5 "CLYFAD4   -L.wav" 60. 64 65 1 127 0 0 0. -18.;

44, 5 "CLYLA4    -L.wav" 60. 66 120 1 127 0 0 0. -21.;

45, 5 "CLCMIB3   -L.wav" 60. 21 65 1 127 0 0 0. -3.;

46, 5 "CLCFAD3   -L.wav" 60. 66 68 1 127 0 0 0. -6.;

47, 5 "CLCLA3    -L.wav" 60. 69 71 1 127 0 0 0. -9.;

48, 5 "CLCDO4    -L.wav" 60. 72 74 1 127 0 0 0. -12.;

49, 5 "CLCMIB4   -L.wav" 60. 73 75 1 127 0 0 0. -15.;

50, 5 "CLCFAD4   -L.wav" 60. 76 120 1 127 0 0 0. -18.;


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