Event containing 41 medias
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Audio Compost is a web application that enables participants in a single location to contribute sound to an ongoing, collaborative frippertronic loop using their mobile devices and voice. The system tightly synchronizes audio samples across
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Design is not exclusively about a marketable end product. Design is also a process that might be less about solving problems and more about improvisatory and speculative thinking. To de-sign is to sketch, mark out, experiment. In this talk
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This paper presents the planned experimental design of an online virtual reality learning environment (VRLE) to investigate the effect of authentic spatial sound on verbal work- ing memory. Despite the increasing integration of virtual real
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Professional audio editing software needs a robust persistence strategy to preserve audio data captured in real time. As modern web browsers have expanded their capabilities, web applications are now able to write arbitrary data to disk in
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Technology has radically changed educational systems and teaching strategies over the last decades. The use of inter- active applications for training and exams has become in- creasingly common. Even audio and music production edu- cation b
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This article explores the frontiers of interactive, modular music creation by presenting how existing WAM plugins, available on the Web in their 2D version, can be deployed in real-time 3D collaborative environments without any modification
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RhizomeBridge is a VST/AU plugin that enables real- time, bidirectional communication with minimal latency and sample-accurate precision between a Digital Audio Workstation (DAW) and an external Node.js process. Unlike protocol-based approa
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This paper introduces p5.spatial.js, an open source JavaScript library for creating multichannel sound works in the web browser. Designed to extend the popular creative coding environment p5.js, p5.spatial.js adds multichan- nel audio outpu
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This talk presents a practice-based research that uses choreography to critique the often-concealed algorithms operating in the background of everyday web environments. By harnessing choreographic practices, researchers can both reinforce e
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Lately, the rise of AI generative systems has significantly influenced academic discourse on assisted composition, reshaping research agendas and scholarly practices. While generative tools can streamline exploratory workflows, they also au
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Music audio concepts and design for VR are relatively under-explored compared to visual analogs. This paper ad- dresses the design and evaluation of a dynamic experience of music in Web VR called VRTGO, in which a user explores three altern
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